Maurizio Bianchi

Released 2010 by At War With False Noise: Second in the At War series of early CD issues of tapes by noise legend Maurizio Bianchi. This has been a long time coming and I promise the next installment (Mectypo/Blut since you ask) won't take so long and should surface early next year. Both these albums are lofi, featuring very primitive use of synthesizer, tape loops and tape manipulation. There's a real charm and otherworldly feel to them, There's something very prescient about MB's explorations …

"Der Abgrund is the last act of an unsolved theorem which must remains the same. It's the arcane enchanter of a denied truth since mimesis of itself, as not manifested manifestation that nevertheless perseveres on its concept of form beyond the form. It's omnivalent hypostasis of a prismatic Maurizio Bianchi who is annulling himself and reinvents between a climate and the other without solution of continuity, today in symbiotic communion with Frequency In Cycles Per Second. "Der Abgrund" is an o…

A colossal and epic post-ambient symphony in three movements, where echoes of string instruments, deep drones of indecipherable origin, layered synthetic waves, slowed-down and distorted dark sonic masses challenge time with a para-immobility in constant turmoil, in an unpredictable, progressive and sometimes cyclic combination of statuesque sonic forms whose physiognomy is often known and familiar, while at the same time elusive, disturbing, arcane and mysterious... Another highest and unmissab…

Considered a high-water mark of early industrial, Maurizio Bianchi Aktivitat went against the grain prevalent at the time; rather than pushing the boundaries of volume and pummeling rhythm (for example), the album goes for lo-fi murk, where dour restraint is the tool of depressive darkness.

This Italian electronics maestro seems to be still going strong after around 30 years with his latest release. Opener 'Ortini' is like the hazey recollection of a long train journey being put through an analogue filter bank. 'The Inflammatory Sesor' has a kind of feeling of nostalgia or distant memory that recalls William Basinski or The Caretaker. 'Oigada' sounds like two decomposing tape loops slightly out of sync creating a disorientating phasing effect. There are some very …

This is the first release from Maurizio Bianchi for Red Light sound. In memory of Pierpaolo Zoppo (April 27th, 1963 / June 16th, 2012). "...whereas you do not know what your life will be tomorrow. For you are a mist appearing for a little while and then disappearing." (James 4:14)I am extremely grateful to Siegmar Fricke for his pharmacologic mixture of the sounds. Maurizio Bianchi

An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies

** very last copies** Everything starts when Maurizio Bianchi from Milano, with many years spent as a music journalist, realizes that writing (a very personal style both lucid and delirious) is no longer enough to describe the sounds he has in his mind. In that moment he started to deal with tape recorders, turntables, synthesizers, microphones, self-producing tapes and records under the name M.B., creating his own  circuit of fans and aficionados always ready to plunge themselves into the…

M.B. - 31.04.1980 was recorded at Mectpyo Studio, Milano, in April 1980. Unreleased track. A musique concrete track made mostly using lp records played at the wrong speed and made into frantic loops. There are also the occasional and unexpected bits of dialogue! A very interesting M.B. early experiment. Dedali - 31.04.2016 was recorded at The Shadow Factory, Lugano, in April 2016. A dense and hypnotic track. Dedali here uses treated field recordings and voice samples creating a very warm organi…

First ever official CD re-issue of Maurizio Bianchi two albums recorded in 1982. "When in the summer of 1982 I bought a device for the echoes, my twisted idea was to transform pre-recorded sounds into something inaudible and shocking, while keeping intact the original intensity. And so I proceeded to transform Menses and Moerder Unter Uns in two bloody clumps of foggy echoes and dark reverberations. Thus they were birthed the two works in question, which came to light in very few copies, only fo…

Under the Victory Banner was first published as part of the Lp "Weltanschauung" in February 1982 by Come Organisation, UK.This limited edition box set contains the track Under The Victory Banner on 3 different formats: a 7" pressed on a violet vinyl, a violet cassette and a professionally printed CD-R. Also included is an insert with an unpublished M.B. artwork from 1980. All insert are signed by Maurizio Bianchi / M.B. Limited edition of 30 numbered copies. Ins…

Stunning split release between Maurizio Bianchi, godfather of the Italian industrial noise scene, and Abul Mogard, the much loved and hyperstitious synthesist, conjuring a spellbinding testament to the transcendent and transportive energies of electronic music.  Although appearing to starkly contrast on the surface, both artist’s work patently shares a lust for the suggestive abstraction of raw current and its pareidolia-like capacity to generate rich and uncanny emotional responses from the end…

First ever re-issue of this mythical Maurizio Bianchi tape from 1980. Mörder Tape was recorded in Milano at Mectpyo Studio using concrete sounds and radio waves. Another very fascinating M.B. early experiment. Limited edition of 150 copies in digipack. Cover images are original M.B. artworks from 1980.

Maurizio Bianchi's complete studio recordings from 1981 to 1984, ten albums on ten CDs, made before he withdrew from music in 1983, in the line of musique concrète.

First ever official vinyl re-issue of the infamous "Triumph of the Will" LP.  Also the track contained on the one sided 7" is officially re-issued here for the first time on vinyl! The material contained here was previously issued under the moniker Leibstandarte SS MB.The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. William Bennett, head of the band Whitehouse and the British Come Org. label, …

At the beginning of 1981 Maurizio Bianchi sent some demo tapes to the Come Organisation in England; after that, they extracted and blended together the sounds to get the final work. The title « Under The Victory Banner », an anachronistic and detrimental track for the rest of the album has been replaced by the title of the same set « Plutoniumetrio » edited in 1982 by the Come Organisation for the compilation « Für Ilse Koch », which fits much better with the other tracks.  The Come Organisation…

'Absurdum' is a handmade box that includes a handmade book with 5 original collages, three LPs (each housed in its own handmade cover), a CDr, 6 different 13x13cm photos, and 85 8x13cm photos. Limited to 17 numbered and signed copies.

First ever re-issue of this recently discovered Maurizio Bianchi private tape from April 1980. Fetish Tape was recorded right after Mectpyo Blut. Fetish Tape, as with the other tapes (Atomique, Cold, Voyeur,Industrial), features heavily distorted sounds and records played backwards and/or at the wrong speed! Also on the B side of Fetish Tape we find a track mostly made with radio waves. A very odd and fascinating M.B. experiment!Limited edition of 250 numbered copies in digipack. Cover image is …

The legendary 1981 LP is back!! "The moral of this work is: the past punishment is the inevitable blindness of the present. Death camps were established through the process of dehumanized engineering, to destroy the will of the individual, and to create industrialisation of death. The modern parallel is to override the individual human choice through mass-media that established the city of death, in which marketing has become synonymous with mass destruction. A pathetic symphony for both i…

A collaboration between Maurizio Bianchi e Saverio Evangelista (Esplendor Geometrico). Originally published only in Japan in 2007 and deleted from years, now it's time for the long awaited re-release, that - with the cd - features the workshop MICRO by Stefano Gentile, inspired by the album.

White vinyl with white labels and white polylined inner sleeves. Edition of 100 numbered copies with paste-on cover. Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded in February 1983 after the Armaghedon LP. Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Unofficially issued as cassette tape in 1990 with the given title of "Extreme Man 2". Bakterihabitat by M.B. contains sound sketches that were later used in Telmegiddo. Mixture o…

Mindblowing double LP taken by a Maurizio Bianchi impossible-to-find early tape (from 1980!) "decomposed" in October 1980 using cacophonelectronics, and dedicated to the physical attraction to Sylvia Simonelli (September 1980/June 1981) “The genesis of this work is  incredible. In the office where I worked, I had found a stamp with ‘’COMPRESA’’ (in English, included) written over it, and so I came to the starting point for a new experimental work. Erasing before the second, fourth, sixth and ei…

The late 70's rejection of punk and rock-oriented music within select underground subcultures was signified by the works of bands like Throbbing Gristle, Cabaret Voltaire and Whitehouse. Using their network of record labels and propaganda, these like-minded noise makers created a sound and aesthetic that is known far and wide as something quite English.  But in Italy, a storm was slowly brewing in the works of a lone composer by the name of Maurizio Bianchi.   Starting in 1979, Bianchi formed hi…

"Maurizio Bianchi's 1981 Symphony For a Genocide LP is the artist's most well known work, widely recognized as a classic of early industrial music. A year and a half after its initial release on vinyl in a limited edition of 227 copies, the album was reissued on cassette by the Broken Flag label. It was at this time that Bianchi created an entirely new recording drawn from the audio of the original LP. Entitled S.F.A.G. 81 and issued in January 1983 as a companion to the Symphony For a Genocide …

Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…

This strictly limited premiere release comprises a vibrantly coloured LP on green/blue/yellow splatter vinyl, plus an additional seven inch, the fuchsia coloured seven inch is a noisy split with a  with a xeroxed cover, with a numbered insert included.

Mectypo Bakterium is a work furnished of implacable plastic exasperation. The icy oppression, the hallucinatory electronic wounds, are a precious and singular fact in a technological society brought to the limit. The emotion is pushed into dangerous zones, and unusual tensions free biological groans of extreme effectiveness. A vivid expression of a world in extinction. Near exact replica of this classic Maurizio Bianchi LP published by DYS in the USA in 1982."An other awesome, bizarre, ultra-opp…

2013 release ** "This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik."

M.B., also known as Maurizio Bianchi doesn’t need much introduction. In the early 80s he was responsible for a string of compelling electronic music albums in the first wave of ‘industrial music’. After a hiatus of many years he returned in the late 90s and since then has been very active with many new solo releases, but also on the side with collaborations. Here he works with Mario Costa, also known as Sostrah Tinnitus, from Italy, who has had a number of releases on labels as Umbra, Beyond, My…

Presented in an elegant digipack featuring a new artwork based on the original cover pictures and fully approved by the author, "The Plain Truth" continues the series of reissues dedicated to the undisputed master of Italian Noise and Experimental Music. Officina Fonografica Italiana is particularly proud to introduce this title because it is one of the best entries in Maurizio Bianchi's ever-growing discography. Originally released in the U.K. as a 500 copies limited edition LP by Broken Flag i…

Lovely compilation of M.B. music including old tracks taken from 80's compilation cassettes. Cover image is a 1982 original M.B. artwork. Numbered edition in a paste-on digipack.

Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.

*Numbered edition of 206 copies pressed on 180 gram Menstrual Blood Red vinyl* Reissue of the private LP edition of 300 copies from 1981; the pyramidal construction of these two 'suites,' with its intentionally brutal and grotesque deformations, elaborates on overflowing and apocalyptical collapse, dragging a completely dissolvent conception of the world and of the para-industrial sound. Bonus tracks: 'Milan Bruits' from the Fix Planet! comp (Ata Tak) and the two tracks first issued in the v…

Limited edition of 413 copies in dvd box including a numbered insert with a M.B. essay from 1982 titled After The Entrance, The Final Solution. The material conained here was previously issued under the moniker Leibstandarte SS MB. The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. Cassette releases on the Come Organistaion Label, hence the Liebstandarte SS prefix, added by William Bennet…

Backwards proudly presents the reissue of a private Maurizio Bianchi vinyl LP, issued in a small edition of 300 copies in 1983 and titled "Das Testament". M.B. is an Italian pioneer of noise music, born near Milan. Bianchi began to produce music in 1979, and since 1980 has used electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence". Now remastered, for this release MB plays electronics, rhythms, neutroni…

"Second and final collaborative work by MB [Maurizio Bianchi] & MO [Mauthausen Orchestra], recorded before the premature departure of Pierpalo Zoppo the man behind Maurhausen Orchestra (R.I.P.).In the modulatory system, sounds are extracted from a basic materialistic sound and then overlaid with the use of random techniques that conceal the rumoristic load-bearing tones. The result is these "Material Modulations", which represent the primary device to receive physical and emotional response for …

Historical collaboration between two of the fathers of Italian (and not only Italian) Old-School Industrial, Maurizio Bianchi and Mauthausen Orchestra."Creating noise is determined by the presence of an original particle to which randomly apply an alteration to convey a voltage-activated disturbing that determinates the electrophonic perturbation. As a result we obtain the spiritual noisesMO_disturbo" Sounds by M.B.: ancient loops, modern metals and futuristic waves and M.O. :synthesizer, loops,…

Exclusive work by Italian noise legend Maurizio Bianchi.A marginal division of the whole existence in four palpable seasons, marked by pestilential changes in emotional  hemisphere. At the end, the hibernating organisms organize a reproducing molecule of environmental for a silent "hybernum".‘Hibernum’ contains 3 lengthy, slowly shifting atmospheres for private meditation.

Reissue of the private LP, issued in an edition of 300 copies in 1982 and titled in original Mörder Unter Uns/Neuro Habitat , considered with Regel one of the Maurizio Bianchi's most representative works , Neuro Habitat is finally reissued for the first time in vinyl and remastered under the supervision of the Milanese artist. Side A "Morder Unter Uns" made of puzzled motifs and effects is a dark, sinister mantra to oppressive musical experiences. The piece finishes in an industry of molecular, …

2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…