Various
The Hand That Holds The Bread
Songs of Progress and Protest in the Gilded Age 1865-1893
The Hand That Holds The Bread provides a window onto a particularly turbulent time (1865-1893) in this nation's history-a period of great economic disparity, surging immigration, and rampant government corruption. The accompanying 40-page booklet includes an essay situating the songs in their historical context, complete lyrics and a selected bibliography and discography.
Songs Of Earth, Water, Fire And Sky (Music Of The American Indian)
Music of the San Juan Pueblo, Seneca, Northern Arapaho, Northern Plains, Creek, Yurok, Navajo, Cherokee, and Southern Plains Indians
The importance of American Indian music is found not in its impact on modern scholarship and composition but in the traditions and values it expresses to and for the Indian people. This oral tradition has survived solely because the music was too important to be allowed to die. The emphasis in this recording is on musical value: the music of the first Americans ca…
Oh My Little Darling: Folk Song Types
This superb anthology of old ballads and other folk-song types comprises pre-war commercial and field recordings made in the rural Southeast, the part of the United States that most closely met the textbook definition of a "folk culture," in which culture was relatively homogeneous and customs were shared across class and ethnic lines. For this reason, this album focuses on the rural Southeast as a rich source of American folk life, ranging roughly from Virginia and Kentucky south to Alabama and…
I'm On My Journey Home: Vocal Styles And Resources In Folk Music
This album is a loosely structured survey of different types of vocal styles and resources found in rural Anglo-American lower- and middle-class communities. Some of the modes of performance, such as hollering and solo ballad singing, have almost died out; others, such as Sacred Harp singing, formal duet singing, and square-dance calling, continue to flourish. The album is divided into three major sections: a survey of nonstandard vocal effects that shows how much music infuses the everyday comm…
Solaris. Music inspired by Andrei Tarkowsky's movie
*200 copies limited edition* Few films in the history of cinema have achieved the haunting, meditative power of Andrei Tarkovsky’s Solaris (1972). This masterpiece of science fiction transcends the genre’s typical preoccupation with technology and speculative futures, reaching instead into the depths of human consciousness, memory, and the aching poetry of the unknown. Adapted from Stanisław Lem’s novel of the same name (in turn, one of the greatest masterpieces of speculative science fiction na…
The Soul Of Congo: Treasures Of The Ngoma Label
*2025 stock* Planet Ilunga, the Brussels-based publisher has, since 2013, produced a series of recordings dedicated to the history of Congolese popular music from artists like Franco & OK Jazz, Docteur Nico, Orchestre Rock-a-Mambo and Joseph Kabasele & African Jazz. For its tenth release and in celebration of its tenth anniversary, the label launches with "The Soul of Congo" its most ambitious project to date: a well-documented and extensive anthology about the illustrious and legendary Congoles…
Joseph Kabasele And The Creation of Surboum African Jazz 1960-1963
*2025 stock* Planet Ilunga continues its mission to uncover and highlight the overlooked yet epic achievements in the world of Congolese rumba. This time to tell the most spectacular story of all. This is the story of the creation of Surboum African Jazz, the first Congolese music label founded by a Congolese. Surboum African Jazz was owned and managed by the best singer of all time, Joseph Kabasele, alias Grand Kallé. The label's catalog during the period 1960–63 is largely dominated by Grand K…
African Jazz Invites O.K. Jazz
The evolution of Congolese popular music in the 1960s and 70s is generally classified into two major schools: African Jazz & OK Jazz. The main representatives of those schools are Joseph Kabasele alias Grand Kallé, founder of African Jazz, and Franco Luambo, co-founder of O.K. Jazz. Two temperaments and ambiances, one commonly referred to as ‘fiesta’, the other as ‘odemba’, both seeking their own sublimity or ideal.
For the very first time, a compilation brings together explicitly the main prota…
Stars from Another Sky Pt. 2: Film Songs from the Subcontinent Before the World Was Torn Asunder, 1940-1947
Death Is Not The End release a second part collecting pre-partition film music, compiled by Gary Sullivan of Bodega Pop.
The Suzanne Langille Songbook
Thirty-two artists honor the extraordinary legacy of Suzanne Langille through interpretations of her vast songbook. Langille is best known as an acclaimed avant garde singer-songwriter and collaborator of guitarist Loren Connors. They ventured into electrified blues and abstracted artsongs across more than a dozen albums since the mid-1980s. Langille’s songs, with Connors, solo, or other collaborators, are marked by distinct and captivating depth. Her evocative lyrics, layered with themes of los…
Underground Wave Volume 4
Limited reprint of the sold-out Volume 4 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Underground Wave Volume 3
Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Monooto
Monooto represents a genuine encounter with objects. The whispers of countless items draw us into an unfamiliar realm, directing our ears toward the shadows where they reside. This is the emerging music genre known as “monooto”. Interestingly, the Japanese term “mono” (もの), meaning “thing” or “object,” carries a subtle eeriness. According to the Nihon Kokugo Daijiten, “mono” can also denote deities, spirits, or objects of fear and reverence, including ghosts and vengeful spirits. Terms like "mon…
ADASTRA001 (7")
*Edition of 300 handnumbered copies* Milanese avant-pop label Ad Astra Dischi debuts with a 7" EP offering some experimental pieces bridging tradition and innovation. Exploring the intersections of avant-garde and pop, “ADASTRA001” features three distinct tracks from Italian artists Dduma, Tadde, and Prima Alba, offering a concise yet rich introduction to the label’s vision.On Side A, Salentine artist Dduma channels the raw intensity of Mediterranean folk into “Fimmine de Guerra”, sung entirely…
French Post-Punk & New Wave: 1988-1990
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 3 of 3, focusing on 1988 to 1990.
French Post-Punk & New Wave: 1984-1987
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 2 of 3, focusing on 1984 to 1987.
French Post-Punk & New Wave: 1980-1983
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.
Yugoslavia New Wave & Post-Punk 1980-1989
Another tape reissued in our ongoing partnership with Philly's World Gone Mad. 90mins of post-punk and new wave from former Yugoslavia.
¡Debemos Apoyar Lo Que Es Nuestro! (Punk Sudamericano 1981-1990)
Another mixtape in our series in partnership with Philadelphia's World Gone Mad, this time surveying South American punk and post-punk between '81 & '90 - featuring bands from Colombia, Peru, Ecuador, Chile, Paraguay, Uruguay and Argentina.
Punk From Medellín, Columbia 1987-1992
Our third mixtape in partnership with Philadelphia punk archivists World Gone Mad, this time specifically focused on the late 1980s/early 90s punk & hardcore scene in Medellín, Colombia.
"There are moments in which art perfectly reflects the surroundings in which it was born. This is the case of the entire hc/punk/metal scene in late 80s/early 90s Medellín. It was, at the time, the most violent city in the world because of drug cartels, corruption, oppression & poverty. This violence was the rea…