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Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbr…

Before video art had a name, Aldo Tambellini was making it. Cathodic Works 1966-1976, presented here for the first time on double DVD by Von, is an essential document of one of the most underacknowledged pioneers in the history of experimental media …

A milestone. T H I R - Ten Hundred Inch Radii - is among the most historically significant works in Phill Niblock's output, and one of the genuinely undiscovered jewels of American experimental film. Completed in 1972 as the fourth and final chapter …

A colossal audivisual adaption of Marinetti’s Futurist Manifesto, by Thomas Koner, one of the uncontested master isolationists of the ethereal static sounds, a sonic symphony of the unconsciouss and a defiant decceleration critique of today society t…

A singular document. EyEar presents, for the first time, the visual dimension of Z'EV's practice - a body of work that had, until this release, remained inseparable from the live event, resistant to any fixed form. Born Stefan Joel Weisser in Los Ang…

Somewhere in the Chukotka tundra, at the coordinates N 66°37' W 172°40', September 2006. A Vezdekhod tank - the all-terrain vehicle that remains, across much of Siberia, the only viable means of transport - moves through a landscape that resists ever…

The elephant graveyard is a myth. No confirmed site exists, no documented mass of bones gathered in a hidden clearing. And yet the image persists - in literature, in cinema, in the collective imagination of what wild and remote nature might conceal. …

Marking the occasion of Steve Reich’s 80th birthday (hup, big man!), The ECM Recordings compiles three CDs of the venerable minimalist composer’s major works, which were consecutively released in 1978, 1980 and 1982, and continue to influence and ins…

“Songs of Ascension” is a major new recording from composer Meredith Monk and her vocal ensemble. Written in 2008, it is conceived as a continuous composition, a departure from Monk’s earlier collaged or episodic extended works. In recent years Mered…

*2024 stock. Deluxe packaging* The starting point for Litany was a commission received from the Oregon Bach Festival in Eugene, US. For this reason, Pärt selected an English text as the basis for his composition. Arvo Pärt: “The English language lack…

*2024 stock. Deluxe packaging* "Te Deum employs Pärt's signature tintinnabuli compositional style. Tintinnabuli is often described as a minimalistic compositional technique, as its harmonic logic departs from that of the tonal tradition of Western cl…

*2024 stock. Deluxe packaging* For reasons perhaps too numerous to list here in full, Arvo Pärt’s Miserere remains my most cherished of the Estonian composer’s ever-growing book of masterworks. Suffice it to say that its magic lies in its stillness. …

The trumpeter sketches a succession of melodies and moods around and over the rich textural detail and earthy solidity of Mr Blackwell’s drumming,” noted Robert Palmer in The New York Times. “The melodies come from Spain, Africa, Jamaica and the mode…

*2024 stock* Urban Bushmen is a live double album by the Art Ensemble of Chicago recorded at the Amerika Haus in Munich over two days in May 1980 and released on ECM in March 1982. The quintet comprises trumpeter Lester Bowie, saxophonists Joseph Jar…

A Few We Remember is the new album by Jonah Parzen-Johnson and Lau Nau. The recording debut for the new duo of Finnish composer Lau Nau, aka Laura Naukkarinen, and American baritone saxophonist Jonah Parzen-Johnson, it cycles between moments of knott…

On Shadows, Magnus Carlson & The Moon Ray Quintet reconvene after a decade apart to steep 8 songs in late‑night jazz grain: slow burns, noir ballads and subtly psychedelic covers where Carlson’s voice moves like smoke through the band’s velvet swing.

The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Th…

The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Black Jazz Records by …

The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Petter Eldh by Peter Margasak, Oren Ambarchi by…

We Jazz Magazine, Issue 17 / Winter 2025 "Weathering" for aja monet. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. aja monet by Ayana Contreras, Azymuth by B…