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Phantom Payn Daze
While in the widely neglected 39 Clocks, he made records that never sold and played gigs that few ever saw, Juergen Gleue has arguably been the most important exponent of electrified German sound since the late 1970s. Phantom Payn Daze was made in the mid to late 90s and has never been released. It's his final LP and is overflowing with all the elements that romanticized, loner / stoner music claims, an encoded expression of highly private feelings, an ambiguous, emotional quotient, and a dark…
Golden Trees
RESTOCKED: Golden Trees is a minimalist psych-folk masterpiece. A supergroup of sorts, Helen Rush, Pat Gubler and Samara Lubelski have created seven songs characterized as much by quiet and restraint than by their acclaimed musicianship. The lyrical lines in these songs appear suspended between pregnant pauses of silence and subtle instrumental flourishes. On one side of the gap, Samara Lubelski's violin invokes the Velvets and other avant string-players. On the other side, P.G. Six layers effec…
Ceremony
LP version: Previously released by Phoenix Records on CD, now available on digitally remastered 180 gram virgin vinyl, this is People's sole album, the legendary Ceremony -- Buddha Meet Rock, originally released in 1971 in Japan. Nobody's sure if the musicians on this recording ever performed as a group or whether Ceremony was simply a studio super-project. Certainly, guitarist Kimio Mizutani had already enjoyed a certain amount of critical exposure following stints with Love Live Life + …
Baku: Symphony Of Sirens
RESTOCKED! An incredible artefact from ReR, this double-disc release comes housed in a beautifully detailed book, all dedicated to the pioneers of the Russian avant-garde in the early twentieth century. The first disc captures a modern-day reconstruction of Arseni Avraamov's Symphony Of Sirens, a public sound event originally conceived in 1922, made up from factory sirens, military regiments, steam locomotives and choirs, all representing the lively sonic signature of the port city of Baku. In a…
Assemblage Blues
As Dan Melchior continues to kick the Medway gutbucket to the curb, he is also willfully absorbing all manner’ve underground cankerous crud along the way. For those endeared to wallet chains and crisp, cuffed jeans, this has been tantamount to heresy. But for thems what’s embraced the sounds of “the new Dan,” said aberrations are as welcome to caustic ears as a cold beer is to a set’ve parched lips. And while last year’s Visionary Pangs LP (released with Das Menace on the S-S label) was a grower…
Maria Minerva's Cabaret Cixous
Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …
The absence
“The Absence is a 7” single, a collaboration between Rainier Lericolais and Sylvain Chauveau, released on February 2011 for Abstracks, Rainier's exhibition at Le Confort Moderne (Poitiers, France). The two tracks on The Absence were built from Sylvain vocal recording sessions for his album Singular Forms (Sometimes Repeated) (Type / 2010), Rainier added his delicate arrangements of piano, xylophone, cello and weird electronics, in a similar vein to his previous single, Intangible (Sordide Sentim…
The Iron Gates At Throop And Newport
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
Silent Partner
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten.
This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
Semelles de fondation
Ressuage: Michel Pilz (bass clarinet), Itaru Oki (trumpet, flugelhorn, reeds), Benjamin Duboc (doublebass, voice), Jean-Noël Cognard (drums, objects), Patrick Müller (electrosonic) and Sébastian Rivas (laptop). Recorded in 2010 by Patrick Müller. Mixed by Patrick Müller. A coproduction by Bloc Thyristors-Bimbo Tower Records.
936
Sometimes it feels so simple: two of our favorite people in one of our favorite bands release one of our favorite records of all time. 2009’s Imaginary Falcons was its own genius slushpile of tape-hissy drift-dub haze anthems, no question, but 936 takes every facet of the Peaking Lights mighty diamond and shines it to fluorescent perfection. The songwriting is insane; “All The Sun That Shines,” “Amazing & Wonderful,” “Tiger Eyes (Laid Back),” etc, all seep into yr mindstream and float there like…
Opika Pende: Africa At 78 RPM
Opika Pende: Africa At 78 RPM is a 4CD collection featuring 100 tracks taken from rare 78rpm recordings of African music (1909 to mid-1960s), none of which have ever been issued on CD until now. Pan-African in scope and wildly diverse, Opika Pende is a testament to the deep riches found in early recorded music across the continent. 112-page softcover book with 4 CDs in a separate portfolio -- all housed in a deluxe cloth slipcase. Jonathan Ward is a Los Angeles-based collector, researche…
I Love You, Please Love Me Too
With "I love you please love me too", Joseph Hammer continues his journey into playful yet heavily focused idiot-savant infinite psychedelic inertia. Utilising consumer audio technology and 20th century detritus, Hammer lovingly decodes his passion for mid century sci fi and AM radio station beyond all point of recognition like a snakecharmer. Multi-dimensional audio collage techniques to a free form and completely unorthodox plunderphonic hypnosis. Baked devotionals for tape loop minds. Joseph …
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Live Double Seance [Antaa Kalojen Uida]
The analogue-digital electronic duo of Marcus Schmickler and Thomas Lehn has been working since its first meeting in December 1998 during the German premiere of the Music in Movement Electronic Orchestra (aka MIMEO) in Cologne. Since they have been extensively touring in Europe, the USA and Japan and performed at Experimental Intermedia/NYC, Mills/Oakland, Bard College, Lampo/Chicago, Princeton University, Festival Wittener Tage fuer Neue Kammermusik, AMPLIFY/Tokyo, CCA/Glasgow, Darmstadt…
l'Opera concret
Michel Chion's music concrete from 1971-1997, mostly inspired by classical forms. The compositions are 'Etude d'apres Beethoven' and excerpts from other works. Opera is the central theme. As Chion says, "With concrete music, we can create an 'opera for the ear' in which the composer, because he is working on a sound that is fixed, with its own time and space, finds himself with the possibility of providing the music, decors, lighting and also conducting and directing this theater of louspeakers.…
Night within
Last copies, sold out at source: guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the…
Part 3
Inspired by the "GIALLO" film of the same title, Vice Wears Black Hose is the obsessed & fanatical project of Sam McKinlay (The Rita) and Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus). VWBH's dives into the HNW (harsh noise walls) pool and completely drowns the listener in its dense, dark and pure sound. The two long tracks fall in a hardcore noise fashion between all out wall noise and tense roaring harsh noise storm that slowly shift through different deep grains of noise text…
Licht
Licht is the debut album by Shampoo Boy, a new guitar, bass and electronics trio from Vienna, comprising members Christian Schachinger, Christina Nemec, and Peter Rehberg. Schachinger and Rehberg have played together in various projects over the last 25 years, most notably Peterlicker -- see Last Slave (2010) and Nicht (2011), both released on Editions Mego. Schachinger was also involved in Der Scheitel, their album In einem Haus das Liebe heißt being a classic of German "Schlagermusik." Rehberg…
Alphabet Of Movements
With the music of Milwaukee-native Jon Mueller, patience is the key. His radical snare workouts are meditative master-classes in drumming, but require a distinct offering of time and attention to truly enjoy the dense clouds of sound his music creates. After crafting 2010's critically-acclaimed The Whole, Mueller decided to put together a live set that, while not reflecting the over-dubbed nature of the album itself, reflected the philosophy held within. The result was "I Almost Expect To…
Landscapes
*ONE OF 2009'S MOST ACCLAIMED ALBUMS, FINALLY BACK IN STOCK* Ducktails is the lo-fi bedroom pop pseudonym of New Jersey's Matthew Mondanile, who also goes by the handle of Predator Vision on Not Not Fun. Over the last three years he's dreamt up a steady stream of largely cassette only gems which squarely fall into the Hypnagogic Pop style identified by the Wire magazine in mid-2009. 'Landscapes' is a remarkable collection of raw-finished pop reminisces with a vivid sheen of washed-out summery eu…