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The culmination of an almost 10 year journey, Phil Yost's debut LP Bent City, originally released on Takoma Records in 1967, finally sees the light of day again. The beginning of Yost's visionary trilogy. Bent City returns August 5, 2025, pre-order the LP now to listen to an unreleased version of the title song "Bent City." Painstakingly remastered from the original 1/4" tapes and including an 8-page, 12" booklet featuring extensive liner notes and unseen photos, ephemera and more, detailing the…

*100 copies limited edition* "Ben Bekele does not exist. At least not the one I'm thinking of. It's a mix of memories and fantasies from the mid-80s when it was my father who visited Ethiopia, returning with two small drums, a couple of pictures and tons of tales. One of them was a story of a boy named Bekele, who taught him a traditional Ethiopian song. Father passed this song on to us, as best as he could - now I'm having doubts as to what the message is actually about - but back then I was fa…

On Timeless Records: From The Archives (1974–1991), Antal rethreads the Dutch label’s glory years into a double‑LP of modal and spiritual fire - from Pharoah Sanders to Art Blakey, Woody Shaw and beyond - built for dancers, diggers and late‑night headphones alike.

**300 copies** NoBusiness presents the latest trio offering by German brothers Conny and Matthias Bauer and Norwegian drummer and percussionist Dag Magnus Narvesen. The album was recorded live on July 4th, 2018 at Christuskirche, Berlin, Germany.Conny Bauer - tromboneMatthias Bauer - double bassDag Magnus Narvesen - drumsConcert produced by Jazzkeller69 e.V.Recorded and mixed by Dietrich Petzold / tonus arcusMastered by Arūnas Zujus at MAMAstudiosPhoto by Lena Panzer-SelzDesign by Oskaras Anosov…

Reissue Evan Parker's first solo LP Saxophone Solos. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicians' Co-operative, Parker's densely woven and often cyclical style has yet to form; instead throaty murmurs appear under rough-hewn whistles and calls -- the wildly energetic beginnings of an extraordinary career. Reissued with liner notes from Seymour Wright in an edition of 500. "The four pieces across the two sides of Sa…

Stunning, moody, spiritual jazz from Ireland, recorded in 1979; featuring original compositions such as the deep collectors’ cut Spon Song, subtle Latin flavours on Spacer’s Delight, and a beautiful modal arrangement of the traditional Irish air Castle of Dromore. ‘A legendary recording in Ireland, Ozone reflects Noel Kelehan’s keen appreciation of classic quintet-era Miles, with touches of the cerebral fusion of Ian Carr and the arranging genius of Neil Ardley. Not just a landmark Irish jazz se…

*2024 stock* When Kid Millions and Sarah Bernstein conceptualized their new album, they decided to move away from well-trodden improvisational approaches and towards more transcendental, otherworldly sounds. Pulling inspiration from disparate influences such as early liturgical music, Ornette Coleman, Laurie Anderson, the minimalist metal band Sleep, Yoko Ono, masters of dub, drummers Milford Graves and Tony Williams, and composers Morton Feldman and Lou Harrison, they set out to create a cyclic…

Tiiiip! *180gr. Vinyl* A memorable live recording of a unique encounter of jazz and contemporary classical music is available again! Recorded live at the Donaueschingen Music Festival on October 17, 1971, Actions features a truly mind-bending confluence of musicians of the avant-garde, in the broadest sense of the term. Don Cherry -- the brilliant American free jazz trumpeter -- had recently expatriated to Sweden and was finding his way not only among the emerging free-jazz scene of Europe but a…

200 numbered copies, with handmade and buffered cover. Contains a A4 insert. Les Disques Omnison announces the release of Meditate & Destroy, the long-awaited debut LP by Leandro Barzabal and Céleste Gatier, a duo that has been making waves in experimental circles across France and Argentina. Following stunning live performances throughout France and a successful tour in Argentina alongside French noise musicians Cigve (Catherine Guesde) and Vomir (Romain Perrot), Barzabal and Gatier have distil…

*300 copies limited edition* 85 minutes collection of previously unpublished recordings made at the Friedrichshof commune between 1982 and 1990. Performed by Otto Muehl and members of the commune. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs. Artist co-founder of the Viennese Actionism (with Hermann Nitsch, Günter Brus and Rudolf Schwarzkogler), controversial founder of the sulphurous utopian community of Friedrichshof in 1972 (which will earn him seven year…

Killer unreleased 1973 post-bop, avant jazz album from Argentina, with highly political texts. The missing link in Argentina's jazz history finally sees the light. Coraje Buenos Aires was recorded in 1973, conceived as a follow-up to the historic Bronca Buenos Aires (1971). More explicitly than its predecessor, the texts in Coraje denounced the atrocities of the military junta that ruled the country, and the album was inevitably censored before being released. The tapes, thought to have been bur…

Drummer and Composer David Lee Jr.’s stunning and rare album Evolution (1974) blends the deep experimentalism of John Coltrane and Sun Ra with the pulsating second-line and parade rhythms of New Orleans to create a stunning sonic and rhythmical tour de force. In a lineage of incredible New Orleans drummers that includes James Black, Idris Muhammed, Zigaboo Modeliste of The Meters, and stretching back to Earl Palmer and Baby Dodds - David Lee Jr. stands out for his fire, experimentalism and an ou…

‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…

Folklore & Concepts, the latest release by Smegma—now five decades into their outsider avant-garde career—extends the band’s legacy of ritualistic collage, spontaneous improvisation, and anti-academic noise. Infused with tape, synths, prepared piano, horns, and voice, the album melds shamanistic energy with surreal group interplay, creating an unpredictable and stubbornly original sonic tapestry.

*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental connection, the duo brings us a collection of nostalgia-tainted songs, noisy improvisations and synth-led talk-over songs. A fragile Art-Folk with industrial touches strongly reminiscent of Vox Populi!, Throbbing Gristle, and in more recent times, DIY h…

Rob Mazurek’s 'Alternate Moon Cycles' was International Anthem's first release. The incredibly spare single-note-centered cornet, bass and organ chant was recorded to tape at pint-sized Chicago bar Curio as part of a performance series that predates any notion of our label’s existence. Documenting this performance – highly unique even within the depths of Mazurek’s vast catalog – stirred those notions, and soon talks began of releasing the recording on a fresh imprint. Performed by Mazurek with …

Cosmic jazz from the Canary Islands, recorded by Argentinian pianist Luis Vecchio.

*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…

Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and …

*300 copies limited edition* "Interplay" is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before. They actually did not sing words, but produced sounds, reacting to the voice on certain situations given by the author. Afterwards the five tracks have been combined together into a single track. The final result is an interplay of voices, an abstract sonorous space, disembodied…

2010 release ** "Two discs, 17 tracks per disc, just whistling, never remotely pyrotechnic, always with substantial breath in the tone, emerging from the very audible hum of the room, subsiding back into it. Slow, hints of melody but, fundamentally, the kind of things you'd whistle to yourself when deeply thinking of matters, perhaps not even realizing you're whistling. It's so personal, in a way, yet you don't (at least I don't) have any uncomfortable feeling of eavesdropping. Beuger is a fluti…

Christian Wolff's complete works for bass, played by Robert Black under the composer's supervision: Look She Said, Jasper (with violin), String Bass Exercise out of Bandiera Rossa, Dark as a Dungeon (with trombone) and Untitled for electric bass-guitar.

Composed between 1968 and 1970 and originally issued by Deutsche Grammophon in 1972, there are arguably few works within the canon of 20th Century experimental music as beloved and sought after as the Argentine composer Mauricio Kagel’s Acustica. Created for “experimental sound-producers and loudspeakers”, comprising electroacoustic material assembled on 4-track tape in 1969 at  Westdeutscher Rundfunk (WDR) in Cologne, and acoustic material for 2 to 5 musicians, scored over roughly 200 filing-ca…

LP version: Coral alone, Watt’s own collective composition for four clarinets, a little over thirty minutes. The three commissioned pieces stay on the sold-out cassette box.

2005 release ** The works on this CD represent three different series of compositions, which I have been working on simultaneously in the last few years. Structurally, their individual parts resemble each other: all instruments play (rather) long sounds, each one followed by a pause.55 similar events plus two drummers drumming (1999) consists of two layers of events. On the one hand, seven instruments are organized ‘isophonically’ and with regular durations. Their sounds, each comprising the sam…

Xenakis Edition volume 13: works for soloist and ensemble by Iannis Xenakis, played by members of the International Contemporary Ensemble under Steven Schick, with the first recording of Zythos for trombone and six marimbas.

A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.

Thanatosis Records is proud to announce the release of Fuse Modulations, the latest work by Norwegian composer and guitarist Fredrik Rasten, performed by the innovative quartet Asterales.

Samuel Reinhard returns to elsewhere music with “For 10 Musicians,” a four-part ensemble piece recorded in 2025 at the Royal Danish Academy of Music in Copenhagen.

Mega Tip!  Edition of 200 copies, comes with a large illustrated insert. Giuseppe Chiari arrived at music from the wrong direction. He read mathematics and engineering at university and studied piano and composition privately, and it was John Cage who turned him toward experimental music. With Pietro Grossi he founded Vita Musicale Contemporanea, one of the first Italian associations for new music, and with Sylvano Bussotti he assembled the travelling exhibition Musica e segno. In 1962 Frederic …

Giacinto Scelsi (1905–1988) is one of the most unusual composers of the twentieth century, a unique figure whose importance was only fully recognized and celebrated after his death. During his lifetime, he was often dismissed, especially in Italy, as a pretentious dilettante because he did not notate his music himself. Beginning in the mid-1950s, he recorded his improvisations at the piano and had them transcribed by others. In this way, in the course of only a few years hundreds of piano pieces…

Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music group asamisimasa. These compositions mark a significant evolution in Frey's aesthetic. As Ian Mikyska of the Prague collective explains, "Jürg is neither writing the music he used to write nor writing the music that anyone expects of him"—moving beyon…

Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.

This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible. Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…

'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develop into the or…

Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.

64-minute piece by Antoine Beuger, composed in 2004, and beautifully realised by Apartment House.  "It’s from a series of pieces I composed, each for a different number of players, from two to twenty. And the number in each piece is really important, because everything that happens can only happen in a situation where there are, in this case, six people. The question I was really involved with in this whole series was how is it to play with this particular number of musicians? It’s quite easy to…

A sparse and subtle jungle comprises the pieces that make up "Pietra e Oggetto". It is subtle, as such it remains in the memory. Thanks to the device of silence, which is like the air in between things, it allows time for what we have heard to imprint on our acoustic sketchpad. Like closing your eyes to preserve a memory and then moving on to the next. We feel a certain privilege in listening to these undecidable environments; these composite and hybrid objects filled with synthetic biodiversity…

Three orchestral works by Giacinto Scelsi recorded in Vienna in 2005: Quattro Pezzi (su una nota sola), Uaxuctum, and the first recording of La Nascita del Verbo, with the Vienna Radio Symphony Orchestra and choirs.

Mind is moving (IX) is a composition for guitar by Michael Pisaro-Liu, affiliated with the avant-garde composers group The Wandelweiser Composers Ensemble. Pisaro's work can be characterized as experimental minimalism, often utilizing silence, a minimum of musical material, and extended composition durations. This version is executed by Slovenian guitarist Primož Sukič.