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2007 release ** Comes in a folded A5 cardboard sleeve. "The year is 1996 I was surfing on cold waves through the very heart of Linkopia, night after night it was all the same. Sleeping in the Karmanik basement seduced by delerium echoing between white concretwalls. I could hear the equiptment slowly disintegrating as I put out the light, broken sounds of a dying culture. This might be the erosion of history eternally scraping on the crown of mankind…or was it just the decline of my personal belo…
2004 release ** Edition of 350 copies in hand-numbered A5 sleeves. "After several split/collaboration CDR-releases and compilation appearances, French label Mechanoise Labs released the first full-length album of this project coming from St.Petersburg and specializing in music built mainly from radionoise manipulations. Pulsating rhythms, melodic elements, samples and dense noise attacks lie on a substrate of plangent drone layers extracted from electrified depths of radio receivers."
1996 release ** Packaged in an oversized A5 folded paper sleeve with a plastic cover. "As I compose music, I try to create a relaxing environment so that the listener can escape from the hectic world of today. So, sweeping sounds which are filled with warmth are the base of each composition. Later on, percussion was added, but again, the relaxing mood was the main idea behind each musical work. Mystic meanings and surrealistic concepts are not what you must seek in this kind of music but pure en…
1999 release ** Packaged in an oversized A5 folded paper sleeve with a plastic cover. "An ambient hybrid of traditional Indonesian soundscapes and electronics."
2004 release ** CD held in an A5 wraparound card folder. "Kratong is a solo project of Jhonny, the guitarist of Romowe Rikoito (Prussia). All the nine tracks from "The Bees of Psychic Province" show us various musical inspiration of the artist. On this album you'll find songs inspired by the middle ages, neo-folk music, ambient passages and even a rhytmic electro. for me personal a masterpiece like all 3 Romowe Rikoito albums, but sometimes more electronic and very psychedelic; lyrics this time…
1996 release ** CD in a card sleeve held in an A5 wraparound card folder. "Quest is the project of Frans De Waard (member of Kapotte Muziek and Beequeen). Quest started as a solo project of Frans and was initially called QST, influenced by Pete Namlook and the output of the FAX label."
1995 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 wraparound card folder. "Anyone familiar with Eno’s brand of ambient music will feel right at home as Shean weaves droning pads of calming textures and various timbres throughout. About a third of the way through, slow tribal rhythms are introduced, providing a welcome change in tempo, if not in tone. A few atmospheric flourishes come and go, including what sounds like chatter at a subway train station. Overa…
1996 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 (150x200mm) wraparound card folder. "Rarely an album comes along that elicits so many different feelings one is left speechless. Suspended Feathers achieves such sacred distinction. Executed with such meticoluos attention to detail, the music of Italy's Alio Die is afine art to behold. A splendid mixture of enchanting instruments, loops and environmental treatments combine to form a multiple layered ambience …
2017 release ** "Salvo Lazzara and Stefano Giannotti, two artists at opposite ends of the spectrum, but with strong musical and literary interests in common, meet between writing and improvisation, electronic landscapes and acoustic creations. A series of out-of-form and unreassuring stories is born, poetic and sound experiments, almost micro-radio-dramas, between ambient and free jazz, singer-songwriter and cultured avant-garde."
2010 release ** "Sonology, the latest release from the Sound On Probation camp, combines two twenty-minute settings by Gianluca Becuzzi (aka Kinetix) and four shorter pieces by Laurent Perrier (aka Pylône), all of them untitled. Kinetix's first piece is a prototypical electroacoustic dronescape of micro-sounds where insectoid clicks, shimmering organ gleam, cavernous rumbles, percussive noises, and electronics combine to form a consistently captivating stream of controlled sound. Becuzzi holds t…
2005 release ** "Painter, guitarist, composer, and free author Steffen Basho-Junghans lives in Berlin and Thuringia, Germany. He has been highly influential on the eastern German guitar scene since the late '70s. Largely a self-taught artist and musician, his style is best categorized as eccentric and highly personal. Junghans uses steel-string acoustic guitars, combining archaic sounds with altered tunings and a plethora of divergent connections. Traditional European, American Indian, and Asian…
2004 release ** "If you dig just a little deeper into experimental acoustic guitar music, the name Steffen Basho-Junghans should come up. A German-born guitarist and performer, Basho-Junghans stands out amongst others with his unique guitar style. Implementing elements of American folk with Indian raga for a unique sound, he has created a strong catalog that spans nearly 15 years. On 7Books, Basho-Junghans goes all out with a double-disc collection of extended tracks, in the range of ten to fift…
2008 release ** "The latest work from one of the most prominent and outstanding Martial / Neoclassical European projects. Dedicated to warrior’s traditions of medieval Japan.Graceful and epic cocktail of atmospheric neoclassical passages, Japanese drums and rhythms. Digipak designed with a classical Japanese style."
2006 release ** "Israel has a growing noise scene with a growing number of artists, who from time to time organize noise nights/shows – such as the one recorded here on "Noise.IL", sometime in the summer of 2005.While not as large as the Japanese or anywhere near as large as the American noise scene, the Israeli scene is alive and kicking in various styles. Each one of the six artists on this nine-track album shows a different part of the spectrum, from easy-listening tracks such as the bizarre…
2016 release ** "In pessimistic times of murky imminence, the alchemy of improvisation transmitting an explicit lucidity arrives as the proverbial unexpected gift. On a second thought, by analyzing Ute Völker and Udo Schindler’s curricula one does not anticipate anything less than that. Both proficient instrumentalists (on accordion and reeds, respectively), the former is a teacher and the latter an architect. The formal aspect of playing – and we don’t mean “academy”; rather, “respect of impli…
2010 release ** "Five superb tracks of deep and evocative ambient music, enriched with echoes of ancient ritual suggestions. The immense spaces and the abyssal deepness of the sea, but also the sound of the bowels of the Earth, the colour of the sand of the desert, the energy of the wind, the strenght of all the Elements, the infinite cycle of day and night, of life and death… A long circular journey through interchanging atmospheres that shake and capture, dragging with energy, then leave room…
2019 release ** "A sort of anthology that collects material recorded between 2006 and 2014. The album is titled, programmatically, The Bunker Years (2006-2014) and represents a bit of a "summa" of his art. Musically the album is wonderful: the settings are dense, magmatic and claustrophobic. It is a liquid, wavy and minimal sound that moves in electroacoustic and electronic territories. The initial “The Rule Of The Shadows” with its rumblings creates a bizarre and difficult to decipher acoustic…
2009 release ** "Infinite Greyscale is delighted to present a new long-form composition by Anduin. Since 2008, Jonathan Lee has been releasing beguiling and dusky cinematic music to great acclaim. Last Days of Montrose House is a deeply impressionistic work that’s constantly changing scene and perspective. Like entering a long abandoned building, it suggests both physical space and the unknown. The sound of a projector rolls to a foreboding rumble that invites the listener into a smoky, wide sc…
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…