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The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.

Easy Listening For The Hearing Impaired is the full length debut album by danish composer and producer Andreas Pallisgaard. The album is released under his solo alias Son Ash. The album is a collection of calm explorative timbral studio experiments for analog synthesizers, sequencers and reel tape. Parts of the material stems from free improvisation, while other parts are composed from more strict organisational principles. The collection of tracks form of a cycle of poetic sonorities. The liste…

Artifex is an improvisation sound duo formed by Luca Albrecht Praussello on vocals and Julyo Fortunato Masagaky on electric double bass and effects. Artifex as a project was born in December 2016 with the participation in the centenary of the Dadaist movement. This anachronistic duo represents a Totally out of time, fascinating, dreamy ratio between Osaka and Genoa. Ouverture Fantastique is an unreal aural journey. A 5 acts ritual progressively bringing the listener away from the weight of ratio…

The instrumentation is deliberately reduced to the essentials: monolithic drums and analog synthesizers. In this desire for simplicity, meticulous care was taken in the sound recording, then the recording benefited from the work of two experts in the alchemy of sounds: David Fenech and Patrick Muller. Véronique Vilhet: drums. Dominique Grimaud: synthesizers.“A sonic nugget in the shape of rock... Flamboyantly artless and irresistibly direct.” - Julian Cowley, The Wire “Un cri de liberté, ce qui …

Collaboration between Richard Pinhas and Tatsuya Yoshida. Richard Pinhas, founder of '70s legends Heldon, is one of France's best known experimental musicians. He is a key figure in development of rock music processing with electronic music. Yoshida Tatsuya is one of the most important musicians of the Japanese experimental music scene, spearheading at least a half dozen of that country's most important groups, including Ruins, Sax Ruins, Koenji Hyakkei, and Korekyojinn. Recorded live at several…

* Edition of 300 * The Clywdian Range in North Wales is a landscape of outstanding beauty, forged as much by the forces of nature as the hands of generations who lived and worked in its valleys and peaks from times of antiquity. It is a place of Neolithic mounds, Roman hill forts and a remarkable chain of Iron Age earthworks fashioned over two thousand years ago. In this borderland, close to Offa's Dyke, the eighth century boundary between England and Wales, a musician came wandering and wonderi…

After a long hiatus the noisy and most telepathic Montreal impro trio Jane & The Magik Bananas, led by Sam Shalabi (Land Of Kush, Karkhana, Dwarfs Of East Agouza) returned with a shifted focus exploring rhythm in a global sense. Live compositional practice, with rhythm and polyrhythm as the structuring principle, lead the group to different kinds of Western/non-Western tuning and micro tonality. In a certain way they play in the Western tradition of Ornette Coleman's Prime Time Band, Harry Partc…

* Edition of 300. Chrome cover and Black & white insert. * Amédée De Murcia aka Somaticae is a regular of our label, first recording industrial music and techno under this moniker (his first properly distributed album, Catharsis, back in 2013), then powerful digital noise (Electricité, part of the IPX CD series) and a bunch of outstanding tapes on some of the best French DIY labels toying with the format (Fougère, Tanzprocess). Like France Sauvage who recently released on the label, Amédée De Mu…

In the past years we’ve seen many cool albums released as they were, just beautiful music artifacts with no particular purpose rather than pleasing the most trained ears in the underground scene of music listeners and cassette tapes aficionados. After a big research involving a copious amount of people including musicians, housewives and household management's scientists, Artetetra, in collaboration with the bolognese crew of Islandsexp, ended up with a catalogue of music that serves bo…

**150 copies, clear vinyl** Miscellanea – originally released in 1969 on cult italian label Sermi SR Records (home of famous composer such as Bruno Nicolai, Francesco De Masi, I Marc 4 and more) – is the debut of composer Luigi Zito, an in-demand session player and music director throughout all the seventies. An extremely brilliant music library with lots of jazz licks, descriptive and improvisational themes composed with a multitude of instruments, including the famous whistle by the one and on…

**Edition of 100 copies, signed & stamped by Wolfgang Müller** "Music lessons from the Walther-von-Goethe-Foundation: with nightingale and frog songs, calls from the crane, a fantasy song by Ahmad Hamad, a song by Tabea Blumenschein, a music box and a dancing vibrator from The Deadly Doris (German/English Edition).“

Asmus Tietchens and Thomas Köner exercise a collective marketing genius with their decision to end a fruitful collaborative series in brute, anticlimactic style, issuing this limited, (naturally) expensive box meant to house the duo's previous four discs. Such closure is especially disappointing as it arrives just behind last year's n, Kontakt der Jünglinge's most dense and engrossing work to date, a haunting deepspace symphony of icy gleam and relentless sprawl, one of my late-year favorites. F…

The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …

First CD collaboration of these two artists. ‘Shapes’ refers perhaps to the sculptural aspect of their work, to its connections to the visual arts, or to the immediate, tactile processing of the records. But it also refers to the ‘outlines’, the idioms of the music from which they quote. ‘Signs’ refers to a process in which physical notes, produced live, enter into a dialogue with pre-produced notes; it also refers to the signals of musical interaction that the players give each other, and to ‘s…

In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…

Those readers familiar with the world of experimental music will know the name David Jackman, primarily from his work under the name Organum. As Organum, Jackman has created some of the finest, most haunting drone recordings of the last decade. This CD is a reissue of a 1996 cassette-only release that appeared in an edition of only 61 copies. Perhaps slightly similar to the sampling work of John Wall, here Jackman has taken found recordings of orchestras, and overlaid them to create two eerie co…

The Wind in High Places is an elegant, haunting collection album containing three of John Luther Adams’s serenely powerful recent string works: (1) The Wind in High Places (2011), a three-movement string quartet commissioned to celebrate the 50th anniversary of Theodore Front Musical Literature, performed by JACK Quartet; (2) Canticles of the Sky, a four-movement piece for four cello choirs, performed by the 48-member Northwestern University Cello Ensemble, directed and conducted by Hans Jørgen …

“Intuitive Mathematics” is illustrative improvisation registered with the use of percussion instruments amplified by piezoelectric sensors and an instrument I constructed myself called the Soundboard. I mounted metal springs, screws and tongues onto a pine board. Highly enhanced piezo amplification brings all sounds closer to the audience’s ears and allows them to hear rich harmonies of the percussion set as well as “non-musical” elements such as friction, shrieking or vibrations that occur insi…

Pedestal's Complement is a recording of a concert from the Ambient Festival in Gorlice, which took place in July 2019. "All our performances are pure improvisation from scratch. I use the piano and the guitar, on which I play the e-bow bow. A lot of the sounds come from inside the piano, which is prepared. Jurek supports the Eurorack and Buchla modular system" -  Andrzej Karałow.

The Red Trio: Rodrigo Pinheiro (piano), Hernani Faustino (bass) and Gabriel Ferrandini (percussion), plus two guests; Gerard Lebik (tenor saxophone), and Piotr b (trumpet). Sweeping from turbulent to intimate with with a fluid sort of dialogue that could only come from players well versed in the art of improvisation.

Matchless Recordings presents a double selection CD of recordings from "Freedom of the City - festival of radical improvised musics", London, England on 7th May 2001.  CD 1 features: Bark! with Rex Caswell - electric guitar, Phillip Marks - drums and Paul Obermayer -electronics. Eddie Prévost - perussion solo. Seymour Wright - alto saxophone, Yann Charaoui - snare drum, vocals, John Lely - piano, electronics. CD 2 features: Eddie Prévost Trio with Tom Chant - soprano saxophone and John Edwards -…

Matchless Recordings presents a live performance by Furt. The album includes four tracks performed by Richard Barrett and Paul Obermayer - electronics.Track 1 - recorded in Berlin, December 2001Track 2 - produced in Watford, October 1997Track 3 - produced in AmsterdamTrack 4 - recorded in Amsterdam, 29 February 2000

Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder. "The set documents two concerts - 1, recorded at Iklectik in London in Septembe…

**Limited edition of 300 copies on black vinyl** Backwards proudly presents the new full length album of Greek great artist Dead Gum. "Meta", Dead Gum’s sophomore studio album, constituted a challenge for its maker. While “Gainer” - its predecessor - hollered for awareness and singularity, this one indulges into multi-layered, ambiguous narratives tracing an impossible duality. With abiding influences that distance him from conspicuous contemporary norms, Panagiotis Spoulos creates a nocturnal, …

"Don Bikoff released one lone, rare solo album, Celestial Explosion, on Keyboard Records in 1968, now reissued by Tompkins Square. Watch the YouTube video of Bikoff playing on the Ted Mack Amateur Hour, taped May 12, 1968. You'll see the sheepish, long-haired, mustachioed musician spinning gold in a style (still?) so foreign to the mainstream listener. The befuddled host concludes after Don's performance, 'That's unusual to say the least.' A kid from Oyster Bay, LI, Bikoff got his start in Green…

Ko Shin Moon's third LP puts the use of samples on a background layer and asserts his place as an instrumentalist. Leïla Nova presents itself as a nocturnal digression where analogical synthesizer, rhythm box, vocal tinkering, and colorful instrumentation are mixed together. Psychedelia, electronic variations, dance music, synth folk, and filmed approach, blend with traditional Greek, Afghan, Lebanese-Syrian, Turkish, and Indian revisited repertoires. The artwork is designed by Lebanese artist R…

To celebrate the forty years of career of the Slovenian musician the label Not Two has now releases Diversity, a sumptuous box of five CDs recorded live and in studio in the company of the best of the old and new European avant-garde, with Evan Parker, Lotte Anker, Phil Minton, Rafal Mazur & Agusti Fernandez among others. Zlatko Kaucic is an elusive musician. When you expect him to be in a specific sound place, he is already somewhere else. Kaucic is a musician who has developed a very personal …

Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…

We announce the joyous return of the spacecraft known as IQ+1 to Planet Earth. After more than six years, which its members spent on experiments, improvisational side-missions, solo excursions, and hunting for material, we can finally welcome a third mission, following on from the highly acclaimed Tváří v tvář (2011) and IQ+1 (2013).The current line up – George Bagdasarov, Veronika Hladká (Pio), Jaroslav Tarnovski (Gurun Gurun, Wabi Experience, Jipangu), Petr Vrba (Rouilleux, Poisonous Frequenci…

Ambient describes something that imperceptibly pervades the environment to the point of barely existing. It affects us, but we might not know it. It controls what we regard as the most basic qualities of our lives, so basic that we consider them inconsequential, everyday, and normal. The earliest ambient music was likened to furniture. This is not ambient music. But there are the qualities of ambient music here. The sounds surround and envelop. Groundwork is laid for assumptions and choices to b…

New on Penultimate Press. Limited to 150 copies. Notes from Penultimate Press: Nether neither either ether [C.B.]. Bad bad grace back for a death-affirming day. Hard-to-Reach claimants born in the wrong place (Bayern Tāmaki Makaurau, Arkhangel district), put out too tender & possessed by spite. 3 x negation = 15 years Philosophie Queen, 18 Meanstricken, meaning totgeschlagen! No end to the keratodermic bouzouki, knock-off Glock, plastic reed, Tascam Spiel. There’s nothing not superficial about i…

After the oneiric journey through synthesizers on Volume 1, entitled Synthesis (2018), Massimo Martellotta (founding member of Calibro 35) returns with the second volume of One Man Sessions exploring the tonal possibilities of the classical instrument par excellence: the piano. The instrument is at the center of the scene, and the prepared piano in the manner of John Cage is here decontextualized and freely "In/Prepared" and reinvented in a very personal way, placing objects of common use o…

"Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet Giovanni di Domenico over the Alps, who has woven her a series of compositions where they locate/find the ironic meander of their dialogues. A sophisticated "chamber" jazz music that yet seems to flow so naturally... One forgets the music writing to only catch the emotion of the moment."Alexandra Grimal: soprano saxophoneGiovanni di…

Going's third effort is a joint release by Silent Water and meakusma. Recorded in the span of one year in monthly recording sessions, it sees them venture off into an at times melismatic and contrasting contemplation on forward musical propulsion, 70s crossover jazz and minimalistic and at times downright futuristic electronic music. Over the course of two spun out yet concentrated pieces, light and dark are built into a mesmerizing musical reverie that is equally as contemplative as it is expli…

**200 copies** "This is a study version composed in the studio from a single recording of a violin glissando. It was never intended to be performed live. The final version for 7 violins was the result of this study.""A single recording of the violin glissando of Johnny Chang has been turned into a multi-track recording. Here one violin becomes sixteen. Peter Ablinger’s Augmented Study Serie is focused on 'tension between redundancy of material and complexity of experience'. Because this work is …

*Edition of 200* Chicago’s Haptic are often mistaken for drone musicians. Certainly sustained sounds, mostly of either electronic or percussive origin, are integral to their approach. The Medium opens with a spray of metallic resonance, probably courtesy of Necks drummer Tony Buck – nearly every Haptic concert features a fourth member – which doesn’t let up for another 19 minutes. Vibes criss-cross the shimmer, then a series of smaller sounds manifest; a slow bass pulse, an organ’s swell, the sh…

**Limited and hand-numbered to 300 copies ** Four tracks on a 10”, one track each side at 33rpm and two others in a different groove at 45rpm. Bolzplatz – a green field, a place somewhere behind an old industrial building, beside an acher, in the backyard of an agglo. No-man’s-land for kids skipping school, to kick, move, run, play and foul. Near darkness for dealers, bored teenagers, village-youth with their mopeds. Everything is in its own rhythm – in the grass, the puddles, on broken asphalt,…

Gatefold LP version. Includes download coupon. Sommor Records present a reissue of Rupture's Israel Suite / Dominante En Bleu, originally released in 1973. Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc.) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc.) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cher…

Second Editions presents Études by Roger Tellier-Craig. This CD holds four new compositions conceived by Roger Tellier-Craig during his studies at the Conservatoire de Musique de Montréal. Merging subject into object, opposing chance to narrative, putting source against sound. Tellier-Craig constructs and simultaneously questions the relation of composition and/as deconstruction. These pieces, or studies, are as much about organization as they are about irruption, or attention and idleness. Seek…

"Audio Verbal Visual Route. Artist's book that illustrates the sound performance realized during the musical events organized by Milano Suono in Rimini and Milan in June 1990. Afterword by Giovanni Conti. 16mo (cm 25x18). pp. 94."