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* Edition of 250. LP housed in hand screen printed front and reverse sleeve * Arianne Churchman and Benedict Drew present The Tree Of The Left Hand on Folklore Tapes, a mystical journey through folk magic and theory fiction exploring tree folklore. Through harmonium, analogue synths and layered vocals, they create a dream world where everything is reversed, recorded at the haunted Suffolk bungalow of artist Mary Potter.
The Tree of the Left Hand begins at the Tree itself, where through mycelium …
*In process of stocking* Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of weste…
Anvar Kalandarov is a music archaeologist, musician and producer from Tashkent, Uzbekistan with a focus on unearthing rare and hard to find gems from across Central Asia. Last year he compiled Synthesizing the Silk Roads: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Tatar Jazz, released in collaboration with Ostinato Records. He also runs his own label Maqom Soul Records. Digging Central Asia is a mixtape that journeys through the psychedelic landscapes of the Silk Road, featuring recordings re…
A collection of Mexican recordings dating from approximately 1900 to 1910. Corridos, zarzuelas, poetry, popular songs, police bands, solo harps & guitars, all taken from wax cylinders issued from the beginning of the 20th century through to roughly the start of the Mexican revolution.
Inspired by Dr. Fatima Volkoviskii's paper 'In Search of Revolutionary Voices: Performance Practices of Mexican Singers in Cylinder Recordings' delivered at the Early Recordings Association's 'Exploring Traditional…
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.
Rare original! Half a century of fearless experimentation, boundary-smashing improvisation, and irreverent creativity is immortalized in !ICP! 50, the landmark LP from the legendary ICP Orchestra (Instant Composers Pool). Originally released as a celebration of their 50th anniversary, this album remains a vital testament to one of Europe’s most influential avant-garde jazz collectives. A golden jubilee of sonic rebellion, !ICP! 50 (ICP 050) captures the anarchic spirit and razor-sharp musiciansh…
*Edition of 300. 2022 stock* French-born, Amsterdam-based clarinetist Joris Roelofs has built his career balancing intense discipline and deep commitment to post-bop tradition with a measured exploratory streak. He’s worked extensively in the Vienna Art Orchestra and he maintains a wonderfully buoyant trio with the American rhythm section of Ted Poor and Matt Penman. But this new recording suggests that his attraction to freedom is growing stronger. Icarus is a lovely duo project with the vetera…
A record that's every bit as great as you'd guess from the three artists billed on the cover -- raw guitar from Terrie Ex, offbeat alto sax from Brodie West, and some amazing percussion from the legendary Han Bennink! The record feels very free and improvised -- very much in the best spirit of other Ex/Bennink collaborations, but really taken to the next level with West's contributions -- played with a raw tone that really holds the whole thing together, and sends it back to almost ESP-l…
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971 and released in January 1972. Perhaps the least characteristic album of their output, it features no synthesizers, the instrumentation being largely electric guitar, bass guitar, flute and violin. On the second side, the more rock-oriented origins of the group still cling on, mostly without any percussion whatsoeve…
Kraftwerk is the self-titled debut album by the Düsseldorf band Kraftwerk . It was produced by Conny Plank and released in 1970. "Musicians sometimes have very poor insight into what constitutes their best work. Bob Seger and Alex Chilton come to mind. One of the most extreme cases of this unfortunate phenomenon is Kraftwerk. The legendary German group’s founders— Ralf Hütter and the late Florian Schneider-Esleben—are/were undoubtedly intelligent people, but for baffling reasons, they refuse(d) …
*In process of stocking.* A collection of lo-fi ambient work by Danish artist Franciska. Forventning released as a double cassette on the label Forlaget Kornmod, a collective label based in Odense and Copenhagen introducing New Danish heartfelt sounds.
Latvian expat mu tate joins the Warm Winters Ltd. roster with his vaporous, dubbed out excursions. Utilising his trademark crackling field recordings, soporific atmospheres, swooping sub-bass and cascading synths, 'wanting less' is as weightless and gorgeous as his previous outings on Experiences Ltd. and Utter. More so than ever before though, he enters more jazz-tinged, melodic territory, without forgoing the traces of (post)club music appearing throughout his discography. This is probably mu …
“Dietro il Processo” is a set of TV investigation episodes directed by Franco Biancacci and broadcast in Italy by RAI from 1978 to 1980, as part of the “Storie allo Specchio” series. Ennio Morricone wrote the main theme for “Dietro il Processo” and scored the three episodes “L’urlo”, “L’ultima notte di Pier Paolo Pasolini” and “Il caso Montesi”. None of Morricone’s tracks were initially released and only in 2009 this soundtrack appeared on CD.
For “Dietro il Processo” Ennio Morricone wrote a dar…
Super Tip! “Il Serpente” (Night Flight from Moscow) is a 1973 spy and thriller film directed by Henri Verneuil, starring among others Yul Brinner, Henry Fonda and Philippe Noiret. It’s one of the French director’s six movies that feature a soundtrack composed by Ennio Morricone, who here managed to describe the thrilling atmosphere of this high-voltage espionage, alternating dramatic and mysterious passages ("Assassinio sul Lago", "Il Serpente") and experimental ones ("Astrazione con Ritmo", "Es…
* Black vinyl edition. Gatefold cover * Dario Argento’s opera prima ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il …
Released in October 1967, We Are Ever So Clean was the wonderful debut album by Blossom Toes, one of Britain’s most imaginative bands of the late 1960s. Originally known as The Ingoes, the band featured Brian Gooding (guitar, vocals, keyboards), Jim Cregan (guitar, vocals), Brian Belshaw (bass, vocals) and Kevin Westlake (drums, percussion). Signing to Giorgio Gomelsky’s newly formed Marmalade Records in 1967, the band recorded their debut masterpiece throughout the Summer of that year.
Upo…
Limited Edition 180 Gram Gatefold LP Reissue. From the early 1960s to the late '80s, A&M was one of the most eclectic and powerful independent record labels in the world. The roster of artists who recorded there includes The Carpenters, Captain Beefheart, The Police, Joe Cocker, Suzanne Vega, Procol Harum and Janet Jackson, among others. Founded as an independent company by Herb Alpert and Jerry Moss in 1962, soon the label garnered interest and success, and was acquired by PolyGram in 1989. Thr…
*2025 stock* The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton, and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack vision of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express and Outer Worlds Jazz Ensemble. It only seemed natural for the team at ATA Records to scratch their own library it…