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*200 copies limited wedition. In process of stocking* "Backwards is really pleased to present the new Fabio Orsi release. This time Fabio offered a monumental work: eight long tracks contained in a huge box set with four compact discs. Musically it stands on the new course of the artist: together with the classic ambient and drone atmospheres that we know well, the work has more dynamic parts with rhythms and pulsations, and more melodic parts. A perfect meeting between ambient music and berlin-…
Kyosaku is a trio. Guitarist Finn Loxbo. Electric bassist Else Bergman. Drummer Ryan Packard. They are based in Stockholm. Together, they explore intensive plateaus. States of constant ecstasy. Kyosaku's music has been described as relentless. But it's really a combination of mesmerizing and prodding, the name a reference to Zen Buddhist "encouragement stick," used to rouse dozy meditators. Packard says: "Relentless as a conceptual place to live within. To be wide awake, relentlessly. To use a f…
*200 copies limited edition* Since the start in 2008 Jon Wesseltoft and Lasse Marhaug, aka Tongues of Mount Meru, have released a set of intense and mind tripping longform pieces. Their music often almost seemingly static and gradually building it’s intensity over long streches of time. This is music that demands concentration, and hypnotically drill into the awareness of the listener. At times abrasive andintense, but also beautiful and calmly introspective. Last year they released the culminat…
**200 copies** "Spaces is a series of compositions based on recordings in museums. Each work builds on a binaural recording of the environmental sounds a museum and each has been processed based on different concepts. The approach for processing and adding of electronic sounds was inspired by an artwork that was hanging in the museum space. So space and artwork form a unity. As a composer and mastering engineer I am extremely sensitive to the sounds around me. But I’m also a keen visitor of muse…
* Edition of 200 * With his new album “Continue” Richard Chartier presents four minimalist compositions with a focus on deep drones and apparent silences. The music is subtle, delicate and at moments fragile. Full, with details, like delicate patterns that unfold like ripples on water.
With a keen eye on details the compositions reflect Chartier’s earlier work, but also asks new questions. When is the creative process done? Is art ever finished or does it continue to develop? And how does the li…
* Edition of 200 * In December 2019 we had a crowdfunding campaign to support us into the year 2020. For this we asked several of our musicians if they could contribute to this campaign. From this the compilation Moving Music: Sounds From The Rocking Chair grew. In total 24 musicians submitted their creativity to make a total of 16 tracks. Aside from some exclusive solo tracks there are also 10 collaborations with unique combinations of musicians. To name a few: TVO & Jos Smolders, Radboud Mens …
* Stunning collaborative work of field recordings and electronics by Jos Smolders and Jim O'Rourke * What if sounds were to fold in on themselves? Quite quickly after being 'born', even. Only to be released back into the 'normal' world of linear projection and moving waveforms from a resonant source to the ear drum to hearing and listening, some album length later? Through a looking glass of sorts, as if emerging from an anechoic chamber through the backdoor. From absolute silence into all heari…
Dauw, the great tape label based in Ghent, invited me in 2015 to do a release for them. This resulted in two 18 minute tracks, Dwaal and Wold. Both are exercises in creating an auditory space or sphere rather than sculpting a structured composition. With its orchestral washes amidst a barrage of radio static and erratic noise, Dwaal is the noisy brother of the two. It's a balancing act or battle perhaps between disruptive tumult and serene calm. On Wold, with its sparse piano notes spread out ov…
First ever CD reissue of this little known classic from founding Philip Glass Ensemble member Richard 'Dickie' Landry. Following two jazz LPs issued on the Chatham Square label (which he co-ran), Dickie Landry released Fifteen Saxophones, a set of 1974 recordings done with engineer Kurt Munkacsi, on the Northern Lights and Wergo labels in 1978. Fifteen Saxophones simultaneously demonstrates Landry's boundary-pushing saxophone and his understanding of the minimalists' long-form treatises on sound…
American composer Philip Corner likes Satie too well not to object to how he is played. From the time of his participation in the first performance of Erik Satie's "Vexations" he realized that here was, lurking under the travesties of the 1st Gymnopédie, one of the greats of this or any other century... a "secret genius" who masked with humility and seeming conformity a profoundly innovative thorough-going critique of the limitations and pretensions of our High Culture as it has come down to us.…
Pastoral moods, pastel modes, daydream verve, colors in complement, slightly dissonant, outdoor airs, shadow underleaf, gravity's touch, falling rain, solemn distances, memento mori, the wandering mind...Soft Focus is two volumes of a musical experiment that intended to go one way and went another. A project that sought song form became a process that discovered tonal movements through unexpected environments and atmospheres. I hope you enjoy! -Wednesday
"The meaning of "cadenza del crepuscolo" ("dusk cadenza") can be interpreted in a variety of ways. The most profound is the one corresponding with the implicitly slow flux of thoughts and reflections that emerge as we sense the day fading away, possibly in a moment of somewhat regretful oscillation between an unknown tomorrow, what we have already experienced and now miss, and the unexpressed potential of what we long for, but have not yet achieved (and perhaps never will).
The sympathetic music…
”The earliest and still predominant influences on my conceptual attitude toward art were the works of Alexander Calder and Jackson Pollock ... the integral but unpredictable ‘floating’ variations of a mobile, and the contextual ‘rightness’ of the results of Pollock’s directness and spontaneity in relation to the materials and his particular image of the work…as a total space (of time).”
Earle Brown’s influence on the avant-garde community has been philosophical as well as tangible and practica…
**CD version** Black Sarabande expands upon pianist-composer Robert Haigh’s beguiling debut for Unseen Worlds with a collection of intimate and evocative piano-led compositions. Haigh was born and raised in the ‘pit village’ of Worsbrough in South Yorkshire, England. His father, as most of his friends’ fathers, was a miner, who worked at the local colliery. Etched into Haigh’s work are formative memories of the early morning sounds of coal wagons being shunted on the tracks, distant trains passi…
A new album of piano driven ambient music from British composer Robert Haigh. Following in the path of his albums for the Japanese Siren label, Creatures of the Deep is an underground vantage of a meeting between the musical worlds of Harold Budd and Erik Satie. With a storied musical career that has ranged widely in style — from his industrial-avant-garde works on Nurse With Wound’s United Diaries label as SEMA to his legendary ambient drum and bass records as Omni Trio on Moving Shadow — Robe…
*In process of stocking* Silvia Tarozzi and Deborah Walker have emerged as one of the most interesting duos in contemporary improvised music. First introduced to Unseen Worlds through their performance on the Philip Corner recording "Extreemizms: early & late", Tarozzi and Walker elevated recent recordings, Eliane Radigue "Occam Ocean 3", Pascal Criton "Infra", and Tarozzi’s own "Mi specchio e rifletto" to greatness. Their finely tuned sound makes even the most adventurous tones compelling.
With…
Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse - An Intelligent Instrument” on a Macint…
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…