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100 Trascendental Studies
“Volume 2 of this much-anticipated continuation of Sorabji’s mammoth set of studies takes us almost half way in terms of number, if not in playing time (perhaps a third or thereabouts). The reason for this is encapsulated in the first entry on this new disc; with No.26 the composer appears for the first time to take a decisive step back from writing pieces with some ostensibly pedagogical intent — “studies” per se — and interjects a larger, more musically intricate piece; in this case a ravishin…
Nativity Colostomy (Anus Horriblis)
Reissue of a cassette from the UK’s most eccentric and vile noise act. Originally released in 1993 via Old Europa Café, “Nativity Colostomy” is an hour’s trek through filthy industrial and colorful shifts of sound. Excellently remastered by Milovan Srdenovic, this crucial part of the Smell & Quim catalog is available for the first time in over two decades as a professionally-manufactured CD digipak.
Odysseus
Odysseus, Eero Koivistoinen's first proper jazz album, gets its title from the wandering spirit of its songs, traveling from one mood to another. Performed by the Eero Koivistoinen Quintet & Sextet, because Koivistoinen wanted to extend his standard quartet (Koivistoinen-Sarmanto-Laine-Hietanen) to a quintet and invited trumpetist Bertil Lövgren to join. Also Juhani Aaltonen is questing on two tracks. Odysseus is an excellent, youthful package of forward-thinking jazz played by ambitious young j…
Live
Koma Saxo, the explosive quintet led by Berlin-based Swedish bassist/producer Petter Eldh, returns on We Jazz Records with their new album, cut live at We Jazz Festival in Helsinki, December 2019. Whereas their lauded debut was a triumph of remapping the goal posts for an acoustic jazz combo for the 2020's, "LIVE" takes you right to the heart of the actual ensemble sound, with 5 musicians tearing the place down, no post production. From the fiery opening sequence kicking off with "Euro Koma", on…
Distill
** 2021 Stock ** Centrifuga Records presents Distill by Rasmus Oppenhagen Krogh. The vinyl is pressed at the danish pressing plant Nordsø Records in an edition of 300, of which 250 will go for sale. High end quality product, for high quality music!
Live at Cafe Amores
Edition of 300. Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique t…
Love Is A Many Splendored Thing
Originally released in 1974, this album features Kunihiko Sugano, often referred to as a piano magician, who is the sole leader remaining in TBM following the 5 Days in Jazz concert recordings sponsored by TBM. Echoes of Erroll Garner's "Genius Kuni" can be felt throughout the music.
Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been exper…
Clang-Tint Modulude
Last copies. Edition of 250 copies. Curtis Roads (° 1951) is a sound artist and composer and researcher in electronic music composition. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. A researcher at MIT (1980-1986), he also worked in the computer s…
Phonometak Series # 5
limited to 500 numbered copies, 5th opus of the Phonometak Series featuring this time US Rock band Talibam! (with member of Storm&Stress,...) and italian cband Jealousy Party
LIve at Oblicuo #1
Warren Walker + Francesco Geminiani present Easy Mountain Listening, an eclectic duo of jazz and electronic musicians. Flamenco footwork? Dub crackology? Arty ambient? All these 2.0 delusions brim at the heart of such an intriguing high-flying dystopian machination.
The Easy Mountain Listening album Live at Oblicuo records the performance at OblicuoHIFI in Barcelona on January 5, 2024. The atmosphere is densely populated by a crowd of gentle ghost sounds where uncertainty empowers tranquillity.…
Tsapiky! Modern Music From Southwest Madagascar
Recorded live on location by Maxime Bobo, this vinyl LP includes a 4-page full-color insert with detailed liner notes plus photos of the musicians and surroundings. Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted - ceremonial music played with abandon and extreme intent, honoring the living and dead alike.
In Toliara and its surrounding …
Indium
“Too often we describe music using classifications; genres like “jazz,” “experimental,” “avant-garde” are an easy shorthand to relay the rough parameters of the music to another person who may not have heard it. But these words are useful because they’re so vague, and they are most often used when the impression the music makes is equally vague. But when a group makes sounds that move the listener, these terms don’t hold up.
Dry Speed has released a record that is, at turns, futuristic and organ…
I Smile When The Sound Is Singing Through The Space
*200 copies limited edition* Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015. "I Smile When the Sound Is Singing Through the Space" is their second release and was recorded during Jason Kahn's one-month artist residency in September 2023 at Ting Shuo Hear Say in Tainan, Taiwan.
The Winds Rise in The North
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein
(Halb) Schwarz
(Halb) Schwarz is the first CD to collect a wide range of Rolf Julius' diverse compositions from several years. The Berlin-based sound, installation, action, and sound artist began experimenting with various forms of contemporary music in the 1970s. (Halb) Schwarz deals with the world of "small sounds," a term coined by John Cage to designate sounds so subtle that they are usually barely discernible.
Zeitenwechsel 2
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
Trauermusiken
Two compositions by the young Austrian composer/organist Klaus Lang who currently lives in Berlin/Germany. Der Wind und das Meer for viola (Barbara Konrad, viola) The Sea of Despair for String Quartet (Amras Streichquartett)
Einfalt. stille.
Austrian composer in a work for flute, viola, percussion, and voice aboout the inner state and flow we perceive when listening and concentrating on a piece of music.
Streichquartett N°4 Opus 33
String Quartet No 4, opus 33 (1976-87). Performed by the Arditti String Quartet. "infinite to be cannot be infinite, infinite anti-be could be infinite" (for nine string quartets or a string quartet surrounded by an imaginary 128 string-"viola da gamba"). "Among contemporary composers, Horatiu Radulescu is one who has something essential to express about the enigma of time: multi-layered lines of events, their structuring, perception and potential for poetic-religious message are -- together wit…
Uranian Void
On Uranian Void, Jessika Kenney turns her ear toward the resonances of her own subconscious. Blurring sine waves, hydrophone recordings, a ghazal of Hafez, solo instruments, original texts, and voice, the album is a meditation on sound, space, and the fragile edges of perception. Kenney’s voice weaves in and out of every space perceived. Evocations of memory coalesce into compositions inspired by years of inquiry into acoustic phenomena, where shimmer and shadow are equally alive. Produced and r…