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On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…
On their third album, Finnish Dieux Des Cimetières continue to explore the territory of the martial post-industrial underground. Achingly melancholic melodies, sweeping strings, atmospheric orchestrations, martial percussion and pulsating synths combine to create an intricate album of esoteric neoclassical and martial industrial. Influenced by authors such as Giuliano Kremmerz, Oswald Spengler, H.P. Blavatsky and Mircea Eliade, Säkeitä esoteerisesta Euroopasta (Verses on Esoteric Europa) looks a…
You can’t speak of industrial music without mentioning the cassette tape. The tape was an essential format in the formative years of the experimental, industrial underground, and has remained a significant factor within the post-industrial scenes ever since. Where right now the cassette tape is going through some kind of fetishized hipster-revival in other scenes, in industrial, experimental and noise music it never died. The tape was a revolutionary format for Paolo Bandera as well, who capture…
More than 30 years since their first release, French Regard Extrême are back with a new album, their third on Steinklang. Stylistically, Eco Solemnis builds upon the foundation established on previous albums: medieval music and orchestral neoclassical with elements of martial industrial. In comparison to the previous album of new music, 2021's Ars Veterum, Eco Solemnis incorporates more prominently the neoclassical elements of earlier Regard Extrême, but without abandoning the medieval, even mon…
“An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz And Rock Band’s album was advertised by the Japanese press in 1970.
The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to …
One of the prized private press rarities of early 1970s American rock. Originally issued in 1972 on the tiny East Coast Records imprint, Keep On Truckin' is the lone album by Surprize, a Philadelphia five-piece whose single recorded statement - heavy, bluesy, psychedelic, and threaded with organ - has spent decades near the top of collectors' want lists, original copies nearly impossible to find and counterfeited more than once along the way.
The band had been together only eight months when, in…
Shrouded in mystery just like their magical compositions Torino’s collective Heart Of Snake are joined by Mira for their first release in six years, the enchanted ragged vibration of ‘Chamareops’, a 40 minute opus that just like the cold-hardy palm that lends its name to the album, blends classical guitar, desert folk, meditative exotica and distant island lullabies that withstand the test of time.
Originally led by Vincenzo Marando (Movie Star Junkies, Krano, Similou), Alberto Danzi (I Residen…
A document of one of British folk-rock's great might-have-beens, captured just weeks before it ended. Recorded live at the Grugahalle in Essen on 23 October 1970, during the third Essen Pop & Blues Festival, Essen 1970 finds Fotheringay - the short-lived band Sandy Denny formed on leaving Fairport Convention - at the height of its powers, playing with the confidence of a group that believed it had years ahead of it. Within three months, it would be gone.
Fotheringay took its name from Denny's ow…
** Limited edition of 150 hand-numbered copies in printed box with silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally issued in 1984 as a ca…
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka. The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tus…
Deluxe Tip-On jacket LP including exclusive and extensive liner notes. Remastered from the original master tapes. Transversales Disques proudly presents Panorama, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled. 11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing …
**2021 Repress** Transversales is very glad to announce the release of Mémoire Magnétique, vol.1 spanning 1966-1990, revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty concert music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation fil…
Transversales Disques presents Mémoire Magnétique Vol.3, a revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani, spanning 1967-1971. This third volume offers unprecedented access to unreleased rarities from Parmegiani's personal archives - intimate glimpses into the working methods of one of electronic music's most visionary composers. The late Bernard Parmegiani (1927-2013) stands among the founding fathers of electroacoustic music, a core member of the…
Biiig Tip! Italian drummer, composer and sound artist Nicolas Remondino announces the release of his new album Hìeratico, a work that delves into the borderlands between ritual, abstraction and contemporary experimental music. The record presents a radical reimagining of the drum set and percussion as an autonomous sound-world, where pulse, noise and silence continuously collide and reconfigure. On Hìeratico, Remondino treats rhythm as a living architecture rather than a mere time-keeping device…
*2025 stock* Elemental Music proudly announces the release of "Woody Shaw – Tokyo '81," a remarkable newly discovered live recording from one of jazz’s most visionary trumpet players. Captured on December 7, 1981, in Tokyo, this previously unreleased performance reveals Shaw at the height of his creative powers, supported by his all-star quintet: Steve Turre (trombone, percussion), Mulgrew Miller (piano), Stafford James (bass), and Tony Reedus (drums).
Boasting Shaw's signature melodic inventive…
Reissue of this collectible avant madness LP from 1973 from one of the most influential artist in the Tropicália movement of 1960s Brazil. The joke with this album is that the album art -- which looks like an eyeball -- is actually a photo of a marble shoved up someone's anus... a little jab at the Brazilian dictatorship's office of censorship, which apparently didn't recognize a mirror when they saw one. Tom Ze's nutty side comes dancing to the fore here, with some of his more playful, delibera…