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Bomb! Danish pianist Tom Prehn was one of the first Europeans to deeply explore free music. With his quartet featuring Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums, Prehn recorded Axiom in October, 1963, for Sonet, though it went unreleased until 2015 because the band felt that their music had moved beyond it already. To hear the music they were talking about, one could only turn to two privately-made reel-to-reel tapes, Centrifuga and Sohlverv, recorded in Au…
** 2021 Stock ** Actions 1966 67, is a selection of recordings by TCJQ. The music is truly unique an is among the absolute best from the Scandinavian avantgarde jazz scene at that time. We are proud to make this recording available on vinyl for the first time, and to be able to tell the full story of TCJQ on a 4 pages insert. Enjoy!. Liner Notes – Tim Thorlund Boisen. Painting – Franz Beckerlee. Photography By – Jan Persson, Ole Henning Hansen. Remastering– Joachim Michaelis. Cover design – KLD …
**100 Copies in light Blue vinyl** “La Camera Astratta” is the result of the amazing collaboration between
Piero Milesi e Daniel Bacalov with the experimental theatre-performance
of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of
immersion in a dimension devoid of gravity, the desire concerning a
soft, ethereal, articulated and perfectly interpenetrated reality. It's
an evocative ambient sound, with rhythmic cadence, soft and repetitive,
full of airiness; the music expresses t…
Blue for a Moment retraces the artistic career of the Berlin-based Swedish jazz musician, avant-garde composer, poet and visual artist Sven-Åke Johansson, one of the most singular and exciting figures in European improvised music.
Johansson (born 1943 in Mariestad) moved to Berlin in the late 1960s, where he has since been active in a variety of music and artistic contexts. His first performances took place in the context of the Zodiak Free Arts Lab on Hallesches Ufer, where young musicians and …
The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…
Forms Of Minutiae presents 'Harkening Critters', the label’s second non-profit compilation of field recordings and soundscape compositions highlighting, this time, the incredible variety of animal signals.
2025 Repress. Devo's Hardcore documents the group's beginning as pre-punk outcasts in the fertile Akron, Ohio underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, Devo formed as a conceptual art project armed with a radical philosophy of de-evolution. Brothers Mothersbaugh (Mark, Bob, and Jim) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped-up an otherworldly brand of "devolved blues" that could hold its own alon…
2025 repress. **Quality reissue of legendary early demos, available for the first time in over 20 years. Includes liner-notes insert with Moshe Brakha's photography** San Francisco's cherry-picking reissue label, Superior Viaduct, give new life to these crucial volumes of art-pop and pre-punk prototypes from Akron, Ohio's finest. 'Hardcore' documents the formative Devo's years, 1974-1977, of the brothers Mothersbaugh (Mark, Bob, and Jim) and Brothers Casale (Jerry and Bob) and their drummer Alan…
** small repress available ** Black vinyl version. "These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by multiple generati…
*2021 repress* "On Suicide's First Rehearsal Tapes, recorded in 1975, Alan Vega and Martin Rev create minimalist aural structures, traces of which would surface on their eponymous debut album, released on the Red Star label in late 1977."These songs are not a sketchpad of semi-formed ideas. The First Rehearsal Tapes comprise an audio diary of two men out in the ether, measuring themselves as evolving individual artists and as a unit who would rely on inseparability to realize their unique and of…
"EVOL" was Sonic Youth's fourth album, significant for one fairly obvious reason: the addition of Steve Shelley behind the kit. Steve joined the band in mid 1985, and this is the first album he plays on. EVOL also features the first real "guest appearance" on a Sonic Youth album -- Mike Watt, who contributes bass to "In The Kingdom #19" and the non-LP bonus track "Bubblegum". "Shadow Of A Doubt" became their second music video. At some point circa June 1985, after the first European Bad Moon Ris…
Originally slated to be a seven-inch single to follow up their self-titled debut, Sonic Youth ’s Confusion Is Sex blossomed into the band’s first album: a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City: nothing like London where punks were starting to scrub their faces and sounds to get on Top of the Pops , and nothing like the jangly roots of college…
BACK IN PRINT ON VINYL! While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its i…
Another great installment in Sonic Youth's SYR series, this one features two engrossing, lengthy pieces : 'J'Accuse Ted Hughes' and 'Agnes B Musique'. The former was recorded at All Tomorrow's Parties 2001, when the band were premiering material from their NYC Ghosts & Flowers album, and takes the form of a ragged twenty-two minute noise jam featuring free association lyrics by Kim Gordon ("I sent my poem to Good Housekeeping. They paid me ten dollars" she imparts). Meanwhile, the more composed,…
Sonic Youth’s second full-length LP Bad Moon Rising was originally released on Homestead and Blast First in 1985. The album is a fascinating examination of “the junction where hippie idealism [meets] the cold hard world,” says guitarist Lee Ranaldo, “where Woodstock [meets] Altamont—Death Valley, Charles Manson, Brian Wilson, musicians, murderers, heroes and villains.” Its original eight-song tapestry of droning guitar feedback, distant clattering percussion, and sullen vocals, all held together…
Orcutt Shelley Miller is an avant-rock trio comprised of three highly celebrated figures of experimental music: Bill Orcutt (Harry Pussy), Steve Shelley (Sonic Youth) and Ethan Miller (Howlin Rain, Comets On Fire). Their debut self-titled album will be released September 5th on Silver Current Records.
*2024 repress! LP version* "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by th…
Originally released in 2019. Taking influences from Ethiopiques Ethiojazz as well as the soundtracks to the European horror films of the '60s and '70s, The Sorcerers seamlessly blend these disparate elements into one cohesive package. Based in ATA Records' home of Leeds, The Sorcerers are made up of the cream of the city's jazz and world scene. Forming the backbone of the ATA Records house band they incorporate bass clarinets, flutes, and vibraphone alongside bass, guitar organ and drums, provid…
I Too Am A Stranger was recorded at ATA Studios by the core Sorcerers trio, featuring the compositional vision and timeless lines of bassist Neil Innes, truly rare grooves from drummer JoostHendrickx (Gott Street Park, Eddie Chacon)and a little cosmos of tones and melodies from reed/flute/vibes/keyboard player Richard Ormrod. Up-and-coming Leeds trumpeter Olivia Cuthill was chosen to augment the brass sections, and regular collaborator Danny Templeman fills out the percussion palette. As ever, t…
*2025 stock* The Sorcerers began working on the new album during the winter of 2018 and it was during the writing sessions for this album that the concept for the LP began to take shape. The name for the album was taken from the title of a National Geographic article read by Bassist Neil Innes and was used as the starting point for the entire concept. The library music scene of the 60s and 70s has always been an intrinsic part of the sound of ATA Records and so it made perfect sense to envisage …