This release presents all existing recordings made by Cecil Taylor for the legendary Candid label. Produced in 1960-61 by celebrated jazz critic Nat Hentoff, these recordings are essential to the history of modern jazz and feature such star sidemen as Archie Shepp, Clark Terry, Steve Lacy, Billy Higgins, and bassist Buell Neidlinger, who was the original leader on half of these sessions. A complete 1961 Taylor septet sessions produced by Creed Taylor, and his entire 1957 quartet performance at N…
Jeanne Dielman presents a reissue of Steve Lacy's Reflections, originally released on New Jazz in 1959. The legendary reeds-man Steve Lacy takes on the brilliant compositions of Thelonious Monk. Reflections is a glorious quartet session with Lacy on soprano sax, accompanied by the great Mal Waldron on piano, as worthy a pianist to take on the tunes of Monk as one could imagine, along with Buell Neidlinger on bass, and the amazing Elvin Jones on the trap kit. Though it's only Lacy's second record…
"Music Is the Healing Force of the Universe is a powerful and often ignored recording from the Albert Ayler catalog. It is a prophetic statement dealing with guilt, confusion, sorrow, and hopes of redemption. A powerful rhythm section of Bobby Few on piano, Stafford James and James Folwell on bass, (Folwell on electric fender bass), and Muhammad Ali on drums manage to take a backseat to the prominent vocals of Ayler's business associate and girlfriend Mary Parks, listed on the record as Mary Mar…
Recorded live at Town Hall, NYC in May of 1958, this historic concert (organized by Jasper Johns and Robert Rauschenberg) was a retrospective of Cage’s work from 1934 to the present. The set documents the concert held in the town hall of New York City on May 15, 1958, where 25 years' worth of John Cage's compositions were performed, the largest such event at that point in his career. Presented chronologically, the works increasingly tested the patience of the audience, eventually prompting audib…
Recital present the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you've never been there, doesn't really scream "avant-garde" (Calgary is the rodeo capital of the world). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology …
The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…
Originally released in 2001 by the Dog W/A Bone label, this release features these 2 long pieces: For Samuel Beckett and The Turfan Fragments. Performed by: The Orchestra of the S.E.M. Ensemble, with Petr Kotik, conductor. For Samuel Beckett and The Turfan Fragments are Morton Feldman's only chamber orchestra compositions. Both were commissions: The Turfan Fragments by the Swiss-Italian Radio Orchestra in 1980, For Samuel Beckett by the Schönberg Ensemble, Amsterdam, in 1987. Both titles are des…
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – and the group's a well-honed ensemble who really understand each others motivations and inspirations – Roswell Rudd on trombone, Donald Garrett and Lewis Worrell on bass, and Beaver Harris on drums – all almost worki…
Ben Vida's Damaged Particulates LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing The Tempo To Zero. The version of Damaged Particulates (2012-2016) included in this LP is the final iteration of a piece that Vida has been developing for close to four years. It first materialized as a number of individual synthesizer studies under the title "Damaged Parts". These studies became the source material for an early ver…
Beacon Sound present a reissue of Terry Riley's Songs For The Ten Voices Of The Two Prophets, originally released in 1983. Recorded live in Munich in 1982 using two Prophet synthesizers and voice, this album is a reflection of Riley's ongoing interest in melding improvisation, electronic music, and the raga vocal stylings of his mentor, Pandit Pran Nath. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon…
Moremars is very proud to announce a second release with American composer Philip Corner. Philip Corner, born in 1933, is one of key figures of Fluxus movement, resident composer and musician with the Judson Dance Theatre and the Experimental Intermedia Foundation, co-founder of the Tone Roads Chamber Ensemble and Gamelan Son of Lion. He has created multifarious works in a variety of contexts throughout his life. He has experiment with radical avant-garde expressions, sonorous outdoor performanc…
If you were going to envision the ultimate avant-garde meeting-of-the-minds jam session, who would you pick? Even the most hopeful fan of strange and innovative music couldn't have seen this one coming: on one afternoon in 1986, at Coney Island's dilapidated freak show, space-age avant-jazz genius Sun Ra met avant-garde "serious music" composer John Cage in an unforgettable performance. You couldn't imagine two figures more opposite. Cage was known for his unusual approach to composition, using …
Two great musicians. Two musical Words. First time on CD. Full Circle –
new live CD from legendary drummer Hamid Drake and one of the most
important American improviser Ned Rothengerg.
**Last copies. Newly remastered from the original tapes for optimal sound. Limited edition of 500 copies** Another incredible treasure from the vaults of Cologne radio, recorded in February 22/23rd, 1975. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it cou…
Recorded on Sissy Spacek’s ensemble tour in January 2018, combining sets from Louisville with Tim Barnes, Bret Barry, and Margo Morley and Lexington with Robert Beatty.
Recorded in Los Angeles in February 2018 and consists of two sessions with Don Bolles (The Germs, Ariel Pink) and Mitchell Brown (Gasp), and one session with Mitchell Brown and Joseph Hammer (Solid Eye, Joe & Joe, LAFMS).
Anthology box set containing 7 hard-to-find and critically acclaimed albums, released on labels such as Cantil, Opal and All Saints. 57 tracks across 6 discs plus a 68 page softbound book with spine compiling interviews, essays, poems and archival photos.Produced as a limited edition of 1,000 copies. Each disc comes in a foil-blocked wallet and the entire contents are housed in a sturdy slipcase with foil-blocked lettering.The Serpent (In Quicksilver) (1981)Abandoned Cities (1984)The White Arcad…
2018 small repress. Honest Jon's Records present a reissue of Derek Bailey and Anthony Braxton's Royal, expanded to include both intended volumes. Volume 1 was originally released in 1984; the second volume was never issued. The second release in a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo (HJR 200LP) and in duos with Anthony Braxton and Han Bennink (HJR 202LP), augmenting the original releases…
Corbett Vs. Dempsey present a reissue of Steve Lacy's Stamps, originally released in 1979 as a double-LP on Hat Hut. Stamps was Steve Lacy's first for the legendary Swiss label, and it remains one of the strongest statements of what he termed the "scratchy seventies". With the classic lineup of Lacy's soprano saxophone, Steve Potts on soprano and alto sax, Irene Aebi on cello (and singing on one track), Kent Carter on bass, and Oliver Johnson on drums, the recording catches the band live, perfor…
Strictly limited to 550 hand-numbered copies, this deluxe 2-LP edition presents the complete recordings by the hitherto invisible 1974 quartet of Frank Lowe, Joe Bowie, William Parker, and Steve Reid. For what would have been his second album as leader, Frank Lowe captured this cataclysmic quartet in-studio at Survival and in performance at Studio Rivbea. Lowe called it "Logical Extensions". These 1974 tapes went unreleased and are heard only now in this rediscovered and expanded volume. Out Lou…