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The Holy Quintet is a new group in Mikroton family with only one artist, namely Johnny Chang, appearing before on Echtzeitmusik Berlin compilation in 2012.
Borough documents the singular meeting of Johnny Chang, Jamie Drouin, Dominic Lash, Dimitra Lazaridou-Chatzigoga, and David Ryan. The group was assembled by Simon Reynell for a one-off recording session at the Borough Welsh Congregational Chapel on February 15, 2013, taking advantage of Chang and Drouin simultaneously being in London for an i…
Mikroton Recordings is proud to present a full length release from three masters of quiet sound. Martin Taxt is a Norwegian musican who plays tuba and runs Sofa label, Andrey Popovskiy hails from Saint Petersburg and plays violin with objects, Kurt Liedwart plays ppooll using mostly sinewaves and quiet noises and one can notice his current transition to a more noise oriented sound.
"Hjem" is a joint adventure of constructing the soundscapes of mysterious clouds of harmonic and microtonal sounds.…
Adele Bertei is a poet, writer, actor, performer, singer, songwriter, and filmmaker. She entered the downtown New York scene of the late 1970s as organist for musical insurrectionists, the Contortions. Bertei appeared in lead roles in several indie films, notably Lizzie Borden’s Born in Flames, and has toured with, written songs for, and recorded as a vocalist for artists as diverse as Tears for Fears, Sandra Bernhard, Culture Club, Scritti Politti, Whitney Houston, and Lydia Lunch. Bertei’s fir…
Their music generates a hypnotic atmosphere out of musical atoms: sine waves, noise and clicks. Very pure, very fragile, beautifully restrained, creating abstract spaces and voids of many dimensions. Both perform on ppooll, a freeware-project driven by Klaus Filip with contributions from various users, including Noid. The instruments they use for Ease are very much tailored to their needs, but freely available to anyone.
Klaus Filip's sine wave synth and 2D interface is a result of a more that 2…
Jason Kahn, Günter Müller and Norbert Möslang, all from Switzerland, comprise MKM trio, spontaneously founded in 2006 in Tokyo during their Japanese tour. They immediately achieved very fine results and collaborate since then. Their sound hovers between the at times harsh rhythmic noise of Norbert Möslang’s cracked everyday electronics and the rich sonorities of Günter Müller’s percussion-based samples and electronics. Jason Kahn’s work on analog synthesizer bridges these two worlds, adding high…
The Splitter Orchester is a Berlin-based collection of internationally respected Composer-Performers which draws inspiration from many genres and is most comfortable in the creative borderland between composed and improvised music. It is a defiant musical organism that has developed an extraordinary artistic profile - uniting across continents, generations and aesthetics. Utilising a broad variety of extended techniques on traditional, electronic, and especially constructed and tailored instrume…
“…for it feels like being overwhelmed by an external force, entering an alien world, but full of glorioles, and this doesn’t happen anytime but dependent on specific preconditions, and it takes a special nature glowing from inside, that’s that. A strange occurrence breaking off the everyday chest, and it is a copulation of mind, an excess, a secret…” - Friederike Mayröcker. Und ich schüttelte einen Liebling.
A veritable mind excitement is taking place when Tamara Wilhelm, Kazuhisa Uchihashi and …
Can you say something about a quartet for guitars?
Hmm. Where to start?
Well let’s start with why “Affetuoso e sostenuto”? And what about those track tittles: “Ineptitude”, “Awkward”, “Gaucheness”, “Underwhelm” and “Failing”?
Google “Affetuoso e sostenuto” and probably a reference to Haydn will appear on the screen, a nine minute section from his String Quartet Op. 20. No. 1 ( the third movement). For the musicians on this recording after an examination of the score their very first instruction …
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod which was released on Copy For Your Records. On the new CD the duo goes even further into the realm of unknown contriving to work with silence, space and chance with their traditional means like sinewaves and saxophone’s long tones. Saxophone prepar…
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima:
“Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Möslang, Kim Cascone, Arnold Dreyblatt, Steve Roden, Dieb13, Richard Francis, Ryu Hankil, Jon Mueller and many others. He ran his own Cut label from 1997 to 2008, releasing 25 albums.
Asher is one the most interesting new composers in the United States, …
* Edition of 300 * Dark Ballads is the obvious title of this LP, as if this music pre-existed the duo that, without any other choice, was formed around it. Since then, Giotis Damianidis and Audrey Lauro have continued to advance along this straight line that runs through their inner landscapes.
Their music creates a "stretched" emotional space, which evolves in slow motion and captures the fragility of the tone, the tension of the path. Each stage of the record is a mineral evocation of the inti…
* LP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on Stoughton jacket, with insert. * In 1968, Don Cherry had already established himself as one of the leading voices of the avant-garde. Having pioneered free jazz as a member of Ornette Coleman’s classic quartet, and with a high profile collaboration with John Coltrane under his belt, the globetrotting jazz trumpeter settled in Sweden with his partner Moki and her daughter Neneh. There, he assembled a group of Swedish musicians …
* LP in black vinyl, includes a duotone printed insert and set of three postcards * Faraway Press, presents Skagafjörður by Andrew Chalk & Timo Van Luijk. Soundtrack to the silent film ‘Skagafjörður’ by Peter Hutton. Originally released on cassette by B.A.A.D.M. Recorded as part of ‘Night of Experimental Film’ event in Ghent, Belgium, 2018 that also saw screenings of Derek Jarman’s ‘The Angelic Conversation’ and performance by Tom James Scott, the recording captures the quintessence of Chalk and…
Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg. Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless mu…
* 2021 Stock * Musician, composer and one of the most revered figures for today’s younger generation of experimental and alternative Arabic music-scenes, Kamilya Jubran (text, oud & vocals, collaborates with long standing musical partner, composer, accomplished trumpet player and seasoned electronic musician Werner Hasler (trumpet & electronics).
In Wa (Arabic for and), their third album together as a duo, Kamilya Jubran and Werner Hasler continue to interrogate their listening and their express…
In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark…
* Blue Version * Growing up in deindustrialized Providence, Rhode Island of the 1970s and 1980s provided NYC-based composer and interdisciplinary artist Gavilán Rayna Russom access to derelict subterranean spaces including the mile-long East Side Rail Tunnel. The tunnel's reverberant darkness would produce distinctive sensory effects and host Russom's formative experiences of interpersonal connectedness, liminality, transgender identity, anti-capitalist desire and state repression.Secret Passage…
**1985 Album. Original copies** Curtis Clark often overlooked beautiful solo piano LP, his 2nd release on Nimbus, featuring vocals by Marlene Holsey on the haunting title track.
Studio Mule open the roster towards sophisticated spiritual sounds on the crossroads of electrified jazz, oriental fourth-world spheres and deeply composed experimental sounds. This time, the label welcomes Japanese artist Ya-Sukazu Sato, aka Yas-Kaz, a university-trained percussionist, that gained global success as a composer for the internationally known Butoh dance troupe Sankai Juku which has toured the world since 1975. His infrequent musical amalgamation of ancient Eastern genres, airy sou…