We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The first in the Canadian Composers Series of CDs is a double album of chamber works by Linda Catlin Smith, who was born in New York, but studied in Canada and has lived in Toronto for over 25 years. The album ‘Drifter’ contains ten pieces dating fr…
The third CD in the Canadian Composers Series contains seven pieces by Isaiah Ceccarelli, a composer-percussionist who lives in Montreal. The music Ceccarelli composes falls broadly into two categories: timbrally-based music in which he himself perfo…
Recording of the first performance of the original 60 minute version of this new composition for string quartet in 4 parts. Recorded at the Hermann Nitsch Foundation, Vienna, 2016. Fullcolour 6-panel digipak. Edition of 300 copies.
Subvoice is a collection of nine recent works by composer Yannis Kyriakides for various ensembles ranging from single instrument to large orchestra, that represent an investigation into ideas of voice and language. The music is built on traces of voi…
The music of Mary Jane Leach on this album draws on several sources of inspiration. The first is early music, with its polyphony and modal harmonies. Modal writing, as adapted to twentieth-century thought, focuses on the prolongation of a fixed colle…
James Tenney (1934-2006) was one of the most versatile figures in contemporary American music. Apart from creating a large, wide-ranging, and fascinating body of compositions, more than a hundred of them, he was one of the key music theorists of the …
“I am finally able to say that I write for orchestra— even if I have to make the orchestra myself.” — Robert Ashley Robert Ashley is known primarily for his theater-based pieces and television operas. This new release presents the world premiere reco…
Musica per un anno is a pivotal project by Italian pioneer of electronic music Enore Zaffiri. In 1968 Zaffiri devised a project to create music for each hour of the year, by providing precise instructions to organise various layers of sinusoidal s…
French edition. Edited by Brunhild Ferrari and Jérôme Hansen. Foreword by Jim O’Rourke. Introduction by Brunhild Ferrari. Interview with Luc Ferrari by Pierre-Yves Macé and David Sanson. Luc Ferrari’s writings, most of them previously unpublished. A …
All music written and performed by Frederik Croene. Recorded, mixed and mastered by Christophe Albertijn – Studio Les Ateliers Claus. Produced by B.A.A.D.M. & Frederik Croene. Recorded under stormy clouds in August 2015 at St. Peter’s church in G…
Milestones of electroacoustic music – from Edgar Varèse’s Poème électronique (1958) to Brian Ferneyhough’s Mnemosyne (1986) – are investigated from a music-historical perspective and presented in a contemporary 5.1 surround edition.The selection o…
An extended iterative, cycling, dissipating cloud of fragments, constantly shifting focus, which throws up detail, evolves, returns, settles and re-dissolves; it's a four-dimensional explosion in which stretches of baroque, folk themes and Byzanti…
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, H…
Christoph Schiller, spinet.
Christoph Schiller was born in 1963 in Stuttgart. He studied fine arts at the Kunstakademie Stuttgart and HfBK Hamburg. He later studied piano with Daniel Cholette and music theory in Basel. He has been playing concerts of…
Composer : Johan Lindvall. Performers : Vilde Sandve Alnæs (violin), Kristine Tjøgersen (clarinet), Jan Martin Gismervik (percussion), Henrik Munkeby Nørstebø (trombone), Ina Sagstuen (voice), Fredrik Rasten (guitar), Johan Lindvall (piano).
Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of qu…
Paolo Angeli’s latest is an extraordinary collection of pieces that explore the full range of his highly modified, extended and prepared Sardinian guitar; and although it’s just him and electricity, it seldom sounds like fewer than 3 people. Great co…
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood i…
Steve Reich composed WTC 9/11 in 2010 in homage to the victims of the attack on the World Trade Center, September 11th, 2001. First performed on March 19, 2011 at Duke University in North Carolina by the Kronos Quartet, WTC 9/11 would be played for t…