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Illustrious Company presents... Mesmerine 111. This is a 3D soundscape based on / inspired by the frequency 111Hz, which has been historically and scientifically proven to induce a trance-like state. Findings of MRI scans suggest that at exactly 111hz, the brain switches off the prefrontal cortex, deactivating the language centre, and temporarily switches from left to right-sided dominance, which is responsible for intuition, creativity, holistic processing, inducing a state of meditation or a t…
2007 release ** Oversized cardboard sleeve. "With his fourth solo-release, Reto Mäder aka RM74 takes us on a fevery missionary journey which is driven by an unholy quest for saturation and leads us into the dark places where tortured souls dwell. Unpredictably muckraking in the shoals of timeless abysses, RM74 seeks to kindle the supressed fires of passion. Nothing less! To do justice to this mission, Mäder interweaves acoustic instruments such as an organ, a piano, a bassguitar or a harp with a…
2005 release ** Industrial / Dark Ambient constructed from material gathered using radio wave scanning, data from radio telescopes, and archives of universe research data servers.
2010 release ** "Andrew Hargreaves, one half of The Boats, largely sails solo on Defragment where his melodious piano playing and electronic programming are augmented in a small number of cases by the contrasting presence of Danny Norbury's cello. A sense of dub-like spaciousness permeates the mix, and there occurs an occasional dubby bass line too. But lest anyone get the wrong impression, Defragment is most assuredly not a dub album but rather a forty-minute collection of hazy piano-based sett…
Dead Janitor is the alter-ego for Slovak electronic technician Braňo Findrik. Over the past decade, he has steadily produced a series of digital releases leading to his debut Medusa LP for Urbsounds. With an arsenal of pixelated breakbeats and stuttering samples, Dead Janitor presents an adventurous form of polymetric electronica, echoing the complex IDM explorations of the pioneering work of Aphex Twin and Autechre. Medusa is an apt title for the album that hybridizes digital and analogue techn…
Darkly romantic and steeped in candlelit dread, Canyon of Blood is the new full-length album from The Garden Gate. Built around brooding string arrangements, vintage synthesizers, and harpsichord-toned textures, the record conjures a lush, haunted landscape, part western mirage, part baroque hallucination. Laced with 60s occult psych influences and underpinned by dusty drum machines, Canyon of Blood feels like Morricone scoring a fever dream rather than a duel. It’s music that floats somewhere b…
One of contemporary ambient’s preeminent figures lands on its leading label, enacting a transition into a new phase of rhythmic noise and tonal shadowplay laced with peculiar sensitivities, wrangling Dilloway-influenced tape noise thru ASMR ambience, fritzed dub techno, layered vocal drone and ritualistic mantras.
Perila steps up solo with a heavily satisfying debut for West Mineral, investigating negative space and states of subconsciousness. The shift in tone feeds forward into arcane realms o…
Undoubtedly one of the most anticipated events in industrial music. For the first time on vinyl! Infinite Fog Presents the Reissue Series of the Legendary Project In Slaughter Natives Cult!
*200 copies limited edition* øjeRum is Danish musician and visual artist Paw Grabowski, known for his meditative compositions and analog collage works. His music – released on labels such as 12k, Room40, LINE, IIKKI and Opal Tapes – unfolds through fragile melodies and a deep sensitivity to stillness, memory, and decay. Working across sound and image, Grabowski aims to create a cohesive, introspective world where time seems suspended and meaning slowly dissolves. His hand-cut visual collages acc…
Demdike Stare & Cherrystones unveil a long-in-the-making darkside fantasy weaving atmospheric and loose-limbed cuts recorded at labs in London and Manchester, brilliantly shaking a bush of ghostly trig points ranging from the Mars rehearsal tapes to Minimal Man, Randy Greif’s cut-ups, Conrad Schnitzler’s industrial prototypes and ‘70s ECM sides – with vocal contributions from Ssabae’s mesmerising Laura Lippie.
In dazed pursuit of styles heard on Cherrystones’ DDS tape ‘Peregrinations in SHQ (Sup…
Beirut Birds (طيور بيروت) is a sonic memory capsule honoring (inter)personal stories of migration, displacement, and the cyclical turbulent circumstances in Lebanon. Transforming her multi-year project, multidisciplinary artist and composer Nour Sokhon crystallizes the performance Beirut Birds (طيور بيروت) into her long-awaited debut album. When presented and performed live, it is accompanied by juxtaposed images of the Lebanese capital’s city life and avian migration across the Mediterranean Se…
'We Who Live Under Heaven’ - it is a phrase from James Joyce's Finnegans Wake. Through software transformations, the music freezes and in some cases fossilises some mostly old recordings. The text for the track 'The Clouds Are Not Inaccessible' is from a letter written by James Joyce's daughter Lucia in the 1930's to her psychiatrist. Spoken by Mary Costelloe.
The album consists of 8 immersive ambient tracks played solo by Roger on keyboards in his home studio in Co Wicklow, Ireland.
Roger Doyle…
Composed of 7 tracks, which oscillate between post-medieval melodies, ghost-
wave and future music of the 70s... Their universe resembles a soaring
soundtrack, the kind of German TV movie that ends well but from which you can
never really escape.
EXTNDDNTWRK is the enduring solo project of Andrew Fearn, who is more commonly recognised as one half of Sleaford Mods. While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with t…
*30 copies limited edition* Born Cursed was originally conceived as part of the album “Under The Mother Hands, With Pain At My Side / Symphonic Noise”, but then it was excluded to be the prelude to something that could become a continuation.Born Cursed / Symphonic Noise (Prelude)Born cursed, on the line of light, one step before the darkness. The darkness that obscures the light. Crawling into the light while the darkness is beyond the light.Born cursed, born from pain and pain above all. The cu…