Language Of Colours
Multicast Dynamics aka Samuel van Dijk presents Language of Colours. A substantial set of vibrant, cinematic tracks that mark the first release on Language of Colours - an sonic imprint dedicated to conceptual electronic music. "Language of Colours" features 11 detailed tracks covering a wide range of sounds: organic ambient, reduced downtempo beats, lush soundscapes, and experimental drones.
We Owe Each Other Everything
Ali O’May and Frazer Brown met in early 2018 at an Electronic Music Open Mic in Edinburgh and quickly discovered a shared musical sensibility. Ali later gave Frazer a USB of stems from his extensive modular system; over summer and autumn 2019 Frazer used about a dozen of those stems to shape tracks across techno, lo‑fi, breaks, acid house and ambient. This collaborative process—Ali supplying raw modular material and Frazer instinctively arranging and producing it—became the Dohnavúr method, driv…
El Sol de los Muertos
*150 copies limitede edition* Originally released on Umor Rex on cassette a year ago, “El Sol de los Muertos” deeply shaped the evolution and vision of Mexican producer Concepción Huerta’s sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. This is the second album in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.
Crafted entirely through subharmonic structures an…
Œuvres
*23 copies limited edition* Nazlo Records and A. Nahodnike present an anthology of works by one of the more prolific sound-noise producers from deep Russia, recorded over many years and compiled by the author especially for this retrospective edition. Although anonymous and having used many pseudonyms, he is widely recognized by the most knowledgeable fans of ritual experimental and hauntological music.
Foreign body
*30 copies limited edition* Latest tape release from Takahiro Mukai on Nazlo.
UMA
Malasomma returns to Stochastic Resonance with his third full-length release, completing a conceptual journey that began with the remote isolation of Jura (2018) and the linguistic deconstruction of Neolingua (2024). While his previous records functioned as warnings inspired by George Orwell’s 1984, UMA is the sound of those prophecies coming to fruition. As we step into the blinding, digital glare of the present day, we no longer inhabit a hypothetical dystopia. We no longer need to imagine a B…
Meldrop
*100 copies limited edition* "Meldrop tells of the place I call home, my dogs, the forest and the lives within. It speaks of birth, life, and the end of it. It speaks of a realm where even death becomes solely a matter of sound and scent".
The debut album by Iuga emerges as a deeply immersive work of cinematic ambient music, entirely created through analog and modular synthesizers. Built around dense textures, slow-moving tensions and emotionally charged atmospheres, the album explores the psych…
Shadows
Los Angeles musician Cate Kennan’s self-produced second full-length unfolds with the poetry and immateriality of its title: Shadows. 10 vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-colored but remote. The album was inspired by the dislocation Kennan felt upon returning, after several years away, to the rustic neighborhood northwest of L.A. where she’d grown up: “Wandering through a place where my life once existed but where everything had…
Surfaces Of A Broken Marching Band
Originally released in 2008 on Ezekiel Honig’s own Anticipate Recordings, Surfaces of a Broken Marching Band finds the artist refining a compositional language rooted in the methodologies of musique concrete, ambient, and beat research. Working from a palette of environmental recordings, instrumental fragments, and soft electronic treatments, Honig pushes the source material into an array of sympathetic forms ranging from pillow-soft, lowercase ambient to diffuse downtempo and minimal house. For…
At Last I’m Leaving the Earth
Pure Motorised Instinct drives over to Dark Entries with At Last I’m Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero’s Dawn of the Dead. Throughout two cassette albums - 1991’s Between Intimacy and Elsewhere, and 1993’s Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions.
At L…
Dedicate to Forget
Thomas Carney, also active as Giugno and as sound technician mixing and mastering in an audio spectrum going from techno to hardcore punk, delivers here seven delicate blossoms recorded while traveling Europe and in NYC. Fragmentary poetry, with a firm, translucent style, drawing a faint but significant line of demarcation from his previous releases on No Rent and Trust Collective.
Interconnection
The next solo Project by Eric Van Wonterghem. This venture delves into the realm of experimental electronic music, featuring an combination of digitakt/korgms20 and effect pedals generating drones and feedback loops. Ambient industrial sound & visual art composition, brutalists industrial design of the future in sci-fi landscapes on Prodam youtube.
Altes Stadtbad Leipzig
*2026 stock* The album features a mesmerizing live recording of Absolute Body Control captured at the historic Altes Stadtbad in Leipzig, Germany during the E‑Festival. Showcasing 11 standout tracks from the band's remarkable catalogue, the release delivers raw energy, atmospheric synth textures, and a powerful, intimate performance that highlights their signature blend of cold-wave minimalism and dark electronic intensity. Remastered for clarity, the recording preserves the venue's cavernous ac…
Closed for the Festival
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
s/t
Strategic electronics & static crash test748 cables arranged pseudo-randomly for a spectacular effectPost-scientific research electroacoustic minimalism
Kaarst
Recessed bass, effective concatenationPolyrhythmic electricity, dub stasis, glitchy technologyFirst solo album & special guestsOn-body cassette printing & informational insert
Recollections VII-VIII
Recollections VII-VIII marks the fourth in a planned series of 7” releases, each built from Glonti’s expanding archive of Soviet-era recordings. The artwork by Dmytro Nikolaienko (Day Night) once again reflects the utilitarian aesthetic of Soviet-era record design.
In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market. The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of…
Popp
*2026 stock* Oval's album Popp started as a concept album. It was neither meant as a pop record nor as "the Markus Popp signature album". At first, Popp was all about playing around. And about changing the musical outlook from the earlier hyper-detailed, improvisational Oval style to straight-up sequencing, old-school glitch tricks and beat-making. Popp explains, "Working on these new 'club tracks' was like going from cucina povera (my 1990s student-budget glitch style) and hi-tech fusion cuisin…