My Life's A Gunshot -(2LP)
2010 retrospective 2LP set on Hrönir with material spanning from 1989 to 2009 by aktionist Schimpfluch group's main band using unconventional sound sources, lo-fi electronics and turntables.
End Of Autumn
2008 live collaboration of the two masters of violent power electronic music released by Troubleman Unlimited as a double-LP set in an edition of 800 copies.
Black Chapel (LP)
Ultra-noise 2008 album by Richard Ramirez and the first Urashima release, in an edition of 114 hand-numbered copies.
Eiste Skilohissia (LP)
2007 collaborative LP by four recent harsh-noise projects co-released by three labels in an edition of 300 numbered copies.
Il Moto delle Onde
Tip! ** Edition of 55, glass-mastered CD in handmade cover featuring a unique collage made by the artist, also includes a numbered insert and a poster - all copies are different. ** After years of activity under the pseudonym Petroglifi Solubili, Italian sound artist Loris Zecchin releases his first album under his own name - a natural evolution that coincides with some of his most accomplished and fully realised work to date. Constructed using his characteristic toolkit - contact microphones, a…
Das Kreuz
* Edition of 150 * The other side of the coin. Where its companion single, Organum Electronics' Fiire, delivers compressed walls of metallic noise, David Jackman's Das Kreuz strips everything back to a handful of quiet, elemental sounds - and in doing so arrives at something close to the essence of his recent work under his own name.
Across the two tracks, the music unfolds with the stillness of an overheard moment: birdsong, the cry of crows, the strike of a distant bell, and behind it all, a r…
Fiire
* Edition of 150 * A short blast and a fitting coda. Organum Electronics' Fiire is the first - and quite possibly the last - appearance of David Jackman's harsh electronic project on vinyl. Released on Die Stadt in a limited edition of 150 copies on black vinyl, it arrives as a companion piece to the Das Kreuz 7" released under Jackman's own name, the two singles together forming an epilogue to the monumental seven-album CD subscription series that unfolded on the label between 2023 and 2025.
Ja…
Land
On Land, Deep Earth Network (composer Danny Hammond) stretches field recordings, shack instruments and spoken-word fragments into a slowly mutating earth‑drone, half sound meditation and half psychedelic nature ritual that feels both intimate and vast.
Quando crolla
*70 copies limited edition* I was invited to a Drove session in October 2023. It was my first time engaging with a sound environment centered on prolonged, mellow listening outside of club chillouts. I set out to rework the live recordings and distill something distant and quiet that I felt was unfolding beneath the surface — a simpler texture, a droning blanket for the ears, a couple of mind pillows.
Recordings 83 - 88
Huge tip! It was a cold winter's night in late 1978 when Chris Connelly, fourteen years old, lay in bed with his radio and heard Throbbing Gristle's Hamburger Lady for the first time. It changed his life permanently. He had already been making sounds at home on a reel-to-reel tape recorder, building loops and feedback, using shortwave radio in the middle of the night, with no instruments and no desire for any. He had also been obsessively scouring record shops guided by a copy of Zig Zag magazin…
Situation Modulaire
Local Distorsion is a French duo formed in 2012 consisting of Cyril (vocals, lyrics, synthesizer) and Caroline (vocals, lyrics). Explicitly described as an "illusory collective concept," the project draws on surrealist and nihilist literature, metaphysics, and the aesthetics of the 1980s DIY scene as filtered through a contemporary sensibility. Rather than claiming a fixed identity, Local Distorsion operates across different group names and tonal approaches to move freely between coldwave, minim…
Pointless
Greg Horn started out in West Lafayette, Indiana as guitarist and vocalist of Dow Jones and the Industrials, a punk and new wave band with a wiry, keyboard-inflected sound that earned them a split LP with the Gizmos in 1980 before the group dissolved in 1981. Horn relocated to Phoenix, Arizona, where he found work at the PBS station KAET and met synthesist Galen Herod. Together they formed Tone Set, the minimal synth-pop duo that released Cal's Ranch and Calibrate and earned rare praise from Mar…
A Celebration of iDeath
Funeral Danceparty began in 1979 in Newcastle. Their debut cassette, The Curiosity Shop (1980), was advertised in the national weekly music paper Sounds in the established DIY fashion of the era: interested parties were requested to send a blank cassette and a self-addressed envelope. Approximately 100 copies reached destinations worldwide. A national fanzine review compared the music to Cabaret Voltaire, Faust, and The Residents. Their second cassette, The Attractions of Fixed Interest, was als…
Recordings 1979-1983
Everfriend was the project of New Jersey-based keyboardist Bill Rhodes (real surname Rupprecht), operating with drummer Mike Jacoby and bassist Paul Kozub, all previously connected through a band called the All Night Flyers. Rhodes self-released Everfriend's recordings between 1980 and 1983 on his own Jazzical Records label in very limited vinyl editions: Tropicsphere (1980), Sphere of Influence (1981), and Shoot to Kill (1983), the latter first released as a tape. The project sits in an unusual…
Applied Synthesis
Bill Rhodes was a Florida-based synthesist and composer who spent the 1980s building an idiosyncratic body of work across a series of self-released cassettes and limited vinyl pressings, entirely outside the commercial music industry and largely unknown beyond the tape-trading network he plugged into through South Florida connections and fanzine advertisements. His music was described by Boomkat as spanning "lounge jazz flair to doomy John Carpenter feels," evoking a library's worth of themes an…
Fluorochrome
On Fluorochrome, Sara Ayers turns a tiny kitchen studio into a prism for synth‑pop, ambient and art‑song, layering her own voice and machines into intimate electronic miniatures that feel both handmade and quietly otherworldly.
Sad Songs
On Sad Songs, Scott Alexander steps away from American Music Club into a one‑man synth lab, fusing Eno‑tinged ambience, noir synth‑pop and fuzzed‑out psychedelia into a solitary, homespun detour that never repeats itself.
Recordings 1980-82
On Recordings 1980–82, Sea of Wires condense Coventry bedroom kosmische into slow‑burn circuits: Chris Jones and Tony “T” Murphy channel Hawkwind and German electronics into looping, improvised voyages that feel handmade yet eerily vast.
Synth Pop Art
On Synth Pop Art, The Toy Shop turn Paul Klein’s one‑man Leeds project into a sharp, neon‑lit partnership with Philip Walsh, distilling early‑80s UK minimal synth, big‑chorus ambition and nearly‑was pop history into a tight set of lost singles.
Recordings 1982-1987
On Recordings 1982–1987, YU - Dwaine Woodliff, his brother David and Gaylon - turn Austin’s DIY tape underground into a lo‑fi philosophy lab, smuggling post‑punk, bedroom electronics and dark humour into concept‑cassettes about how not to come apart.