Music For Peace and Harmony
Hiro Ama turned to an obscure 1980s Japanese synthesiser called the Waraku – literally translated to “peace and harmony” – to craft an album that blends electro-acoustic textures and warm melodies, while drawing on classical romanticism, spiritual jazz and electronic music. The album features collaborations from British singer Keeley Forsyth and flautist Gail Tasker. “A lot of things are fragile and chaotic at the moment in this world, and I wanted to make music to soothe my mind and heart. Mode…
Where The Sidewalks Are Safe For The Little Guy
NM is very, very satisfied to announce 'Where The Sidewalks Are Safe For The Little Guy', a new release from tape recordist, conversationalist and punk music vocalist Mark Groves (Index Clean, Red Wine and Sugar, Voice Imitator) as Absurd Cosmos Late Nite.
Folded Volume 33
NM presents a new work from Naarm/Melbourne producer Rita Revell, 'Folded Volume 33'. Her flawless, uncategorisable self-release ‘Depozit’ (2022) and subsequent live shows led us to virtually demand more material from this largely mysterious, protean sound assembler.
Strata
*2024 stock. 30 copies limited edition. A little cardboard box containing three mini CDr some stuff and fictional samples.The inside is filled with coconut fiber, dry grass, and paper. Check if there are some limitations in your country for receiving this kind of stuff. The whole package is assembled by hand!*
Stratifications of landscapes, concepts, and microscopic events among the horizons of the soil and the gases of the air. A parametric, digital, and generative study, delving into the strat…
Sterne Über Der Stadt
Günter Schlienz is a Stuttgart-based ambient artist whose work uses modular synthesizers, tape machines and field recordings to create emotive and captivating ambient textures. Günter has released albums on diverse labels around the world - Sacred Phrases, SicSic, Goldtimers, Constellation Tatsu, Preservation - amongst others. "Sterne über der Stadt" was first released in 2017 in a handmade four-panel cardboard envelope CDr limited edition of 50 copies on Pantheophania. Inspired by a picture cap…
Nothing Is True; Everything Is Permitted
40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zuric…
The Ortho-Project
Returning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.
Orphée Aux Enfers
*2024 stock* Orphée Aux Enfers is a comic operetta and satirical treatment of the ancient Greek myth of Orpheus by French composer Jacques Offenbach. The classic story of Orpheus concerns a renowned musician who is so distraught over the death of his wife, Eurydice, that he attempts to rescue her from the Underworld, the place of the dead. It’s a myth of enduring love between Orpheus and Eurydice that has inspired artists, writers and composers such as Günter Schlienz.
Neurotransmitters-Sphere-Music
*200 copies limited edition* "Neurotransmitters-Sphere-Music" is Jarl’s sixth album on Reverse Alignment, following on from 2021’s CD release "Spectrum Confusion". And once again Karolina Urbaniak has masterfully created the cover artwork, as she’s done for the five earlier Jarl releases for Reverse Alignment. Neurotransmitters are chemical messengers that help nerve cells communicate with each other. Referring to this concept, "Neurotransmitters Sphere Music" consists of four pieces showcasing …
One Day
*2024 stock* In the summer of 2007, Jones visited Foster in South Korea and did a series of shows there and in Japan, both as their duo English and in other combinations. In Tokyo, they made time in their schedule to spend a day recording with Nakamura, and “One Day” documents the results, as captured by recording engineer Taku Unami at Kid Ailack Hall. Three lengthy improvisations showcase a unique collective aesthetic, dense and organic, pointillistic but rough, focused but not overly polished…
Anguilliform
Original cassette (tracks 1-6) by EE Tapes (ET36, 1996).CD reissue + bonus "Sound Effects Library 22" (tracks 7-21) by EE Tapes, Belgium and Tribe Tapes, USA.Mastering by Grant Richardson, Hex Audio Labs.
A Secret Opus
Compilation of tracks originally recorded for DSS side projects Opus Vix Inchoatum and A Secret Person during the early 1990s.
All sounds generated with an Ensoniq EPS
Cover photos and artwork by Paolo Beltrame
Kosmoloko 3
We are delighted that Kosmoloko 3 becomes a reality on Galakthorrö’s 30th birthday. The concept hasn’t changed: Kosmoloko 3 is still a label sampler. Like its predecessors, it features only artists from the Galakthorrö label. No leftovers, no duplicates, no rehashes, ten tracks of exclusive material, no title has been released in any form before. Karl Runau’s contribution comes as a surprise after countless years with no signs of life. As a colleague from the early days of Galakthorrö, his contr…
Amer Armor
The debut EP Kelc’h-Lizher is now followed by Mode In Gliany’s first full-length album Amer Armor on Galakthorrö. The unique synth wave of Boris Völt is freed from all exhilarating characteristics. The minimal wave pleasures of the early days are making way for that melancholy that is inherent in the music of Mode In Gliany anyway. Nourished by Boris Völt’s deep connection to his home on the north coast of Brittany. Instead of blood, the cool water of the seas flows through his veins, cold wave,…
Sore
The third album by Da-Sein fits seamlessly into the duo’s previous sphere of work. A gloom-ridden sound panorama, packed full of pulsating bass frequencies, swathes of feverish synths and noise-rhythms, spreads itself out before us. The voice of Kas Visions combines the manifold creative streams of Da-Sein to a cohesive whole. No matter how cold and unemotional the voice is, on this album it’s often the last human signal before the blackness absorbs the listener’s soul. Power electronics violenc…
Schmerzportrait
Sühne Mensch has no musical past history. This is seldom in times when a trace is left behind early, even if it is merely digital. But this debut album is in no way the work of a beginner. The brain behind Sühne Mensch has collected many experiences even if primarily from other musical fields. Now he impressively channels all his knowledge into this very different music. Schmerzportrait is incredibly rounded and mature, complex yet compact, fitting in perfectly with the Galakthorrö style, but po…
1982
I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …
Tropical Church
I was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense. The rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations ec…
Tránsitos Sónicos - Música electrónica y para cinta de compositores peruanos (1964-1984)
Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …