Deathstar
Since 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt …
Animal Electrique
In retrospection it seems significant that Reinhold Friedl and Eryck Abecassis met for the first time in Marseille, a brute and operatic melting pot of cultures and sounds and noises. The idea of a common project came up, but it took almost ten years to be realized. Finally, François Bonnet (GRM artistic director) supported enthusiastically the collaboration and invited the two composer-performer to the Akousma Festival 2019 at Radio France in Paris.
Intense rehearsal periods in Vienna and at la…
Chronic Shift
Robin Hayward, Microtonal F-tuba. Peder Simonsen, Microtonal C-tuba. Martin Taxt, microtonal C-tuba. Microtub is the world’s first and only microtonal tuba trio, exploring Just Intonation and the rich harmonic potential of the tuba. In collaboration with bohemian drips and Ace Tunes they bring us their new release “Chronic Shift”, featuring recorded material from the stunning “Großer Wasserspeicher” (large water tower) in Berlin-Pankow, mixed with analog synthesizers. Carefully recorded in binau…
Songs to the Sirens
*Edition of 200. CD + 8" 36-page photographic booklet.** "This work is loosely inspired by the title of a song by Tim Buckley included in his 1970 album "Starsailor" (a cover version by This Mortal Coil released in the '80s by 4AD was quite formative for me). My passion for the sea, observed, listened and lived mainly - but not only - from the beaches of my land and during winter. A solitary invocation, a project still open, in progress for several years during which the photographs and field re…
Jomon-sho 縄文頌
Peaceful, percussive and idyllic. Three words that describe perfectly ‘Jomon-sho’, the key New Age album from Japanese composer and expert of gamelan music, Yas-Kaz. This seminal composition is a cornerstone to understand the Japanese ambient and environmental movement, heavily influenced by this record and the whole New Age scene that developed in Japan throughout the 80s. The album features a wide range of entirely acoustic instruments and field recordings and was made for stage performance by…
Format
* Opaque Purple vinyl. 2020 Stock * Format draws from its Latin origin: “formatus”, meaning “to be formed”. Over two years, Germany’s Max Würden produced a variety of tracks using completely different approaches. It wasn’t until they were placed together in unison that the strengths from the variety of productions came together. Max’s studio recordings lined up alongside live performances; field recordings of foot-steps and sounds from deep forests amongst broken leaves and custom synthesizers; …
Relax and Implode
* White-marbled Vinyl * Retro future past explorer. Ultraromance, hazy desire, a whiff of nostalgia. Excitement, confusion, and disenchantment. Internalization leads to alienation. And the cognition that everything can turn into a straight up joke after a while. So relax and implode… The second full-length album of Berlin musician and futurologist André Uhl invites the listener to a sonic adventure with high emotional impact. Eleven songs are carefully crafted like sculptures in a swampy landsca…
Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
L'inutile
* Edition of 100 * Tsss Tapes presents L'inutile, a new cassette release by Giovanni di Domenico. Recorded at Elektronmusikonstudion EMS, Stockholm and Studio W, Brussels, 2017 - 2019. Mixed and mastered at The Nest Cellar, 2020.
This one if for WH - Giovanni di Domenico
Caraguata / Moxoto
* Edition of 100 * Tsss Tapes presents Caraguatá / Moxotó a new cassette release Marco Scarassatti and Thelmo Cristovam. Composed and recorded in Hobart, Australia, 2020. Released on September 4, 2020. Mastered by Francesco Covarino.
Tre Månader
Listening to Thomas E. Frank’s debut solo album for the first time, I’m amazed at how recognizable and familiar it sounds. Not in the heard-it-a-thousand-times-before kind of way, but more in how direct and self-evident every single one of the 12 tracks is. Genuinely timeless stuff with songs that should have been written some 40 years ago but weren’t. It’s hard to avoid mention the mothership Den Stora Vilan, the band that Frank is more known from, but while there may be sonic similarities this…
Bass To Bass
Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
New York City 1980-1984
Stunning debut release from Confuso Editions, a new label operating out of NYC/Rio de Janeiro here venturing into the furthest realms of outsider pop with the first ever public airing of recordings by John Zieman, a student of electronic synthesis at Hampshire College and collaborator with Nam June Paik, John Sanborn, and Dara Birnbaum. Distilling 80s midtown sleaze (digi-saxophones, drum machines, listless ballads), we’re once again reminded of the sheer volume and wealth of outsider brilliance…
Umwelt
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Polyptyque
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.
Unknowns
LP version. Some bands struggle to transcend their initial mythos, those stories that introduce them to the public eye. But The Dead C is a notable exception. They appeared in 1986 under a cloud of mystery, their unconventional location (South Island, New Zealand) helping to fuel their erratic sound. Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo, they gained influence and acclaim but never strayed from their original mainlined performing technique, which can sound …
Unaccompanied Acoustic Guitar Vol. 1
Edition of 500. "Here is the first volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. It was committed to tape on February 20, 1979 and pressed to vinyl soon after. As with the two earlier LPs on Loren's Daggett label, singer/recorder-player Kath Bloom also appears on this record, although only on the second side. Those prior LPs were both issued in 1978, The first was Acoustic Guitar/Gifts a split LP with Loren solo on one side and …
Survival of Laments
* Edition of 150 * Two long compositions performed by Marcia Bassett and Manuel Mota on Guitar and Margarida Garcia on Bass, capturing a dark, metallic, almost reverberating atmosphere that we imagine in a cistern, a contained and often claustrophobic space. When the sound echoes, we sense the lament of the title in the face of physical constraint - the sound itself does not seem to have the capacity to cross the walls. Music of deep reflection, marking, through the constant sonic search, a worn…
Recursos Inhumanos
Varsovia’s Recursos Inhumanos (Inhuman Resources), a classic album of Peruvian synth punk, is finally available in vinyl format. Since it’s appearance in 2014, Varsovia surprised many listeners with its combination of punk and synthesizer electronics, in the best tradition of groups such as Kraftwerk, Suicide, Chris & Cosey or Aviador Dro. Using sequencers and drum machines, loud guitars and a voice that oscillates between whispers and shouts, the band builds songs that offer a freewheeling and …
Cathedral
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…