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Tommaso Rolando and Domiziano Maselli met at the release party for Emilio Pozzolini's latest album, thanks to Emilio's invitation. This proved to be a pivotal moment; Tommaso's planned tour of southern France had been cancelled due to COVID-related disruptions within Orchestra Bailam. Since that concert, the duo has shared common ground—stages, rehearsal spaces, video calls—and a shared goal: developing a genuine and personal musical vocabulary.Despite their different backgrounds and generationa…
"Then I heard the clear voice of the flute" is the 10th solo album by Ido Bukelman. In the last ten years, all of Bukelman's albums have been recorded live, during his solo tours in Europe, and this album is his first studio album since 2014. The new album consists of improvised pieces for bowed banjo and acoustic guitar, but includes one vocal piece with lyrics, as well as one old folk song "The Flute" - a debut expression of Bukelman's many years of exploring into folk music from the Middle Ea…
Ted Lucas' self-titled album, pressed in Detroit at Third Man Pressing. This self-titled work published album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. In 1972, the d…
100 copies limited edition. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing * From their early '90s inception to the latter years of the 21st century's first decade, No Neck Blues Band appeared (to distant observers, anyway), to be something of the Platonic ideal for the "improvisational collective," in turn confounding ideas of authorship, recognition, and fame. A fragile symbiosis at best, the scrim of anonymity began to fray sometime around the turn of…
Tip! 100 copies limited edition. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing * Tom Carter & Pat Murano - two adepts of improvisation again alight their paths with esoteric flame. The emotional tenor of their masterful double LP release 4 Infernal Rivers is maintained: frightful urgency blends with a kind of poised resolve, the auditory version of a thousand yard stare from an aloof predator. The guitar based sonics in evidence here on Songs of Éliphas…
2009 release ** "Bob Rutman was born in Berlin in 1931. His mother was Jewish and had to escape from Germany with her son when the Nazis rose to power. Rutman attended refugee schools in England during the Second World War and settled in the USA after having completed his education in 1950. He worked as a salesman in Texas before enroilling in art school in Mexico City, where he married and fathered a child. Together with his wife and son Rutman returned to the US in 1962 and started an art gall…
1992 release ** "A selection of futurist music which combines some very rare audio documents that have survived (for example, the Chorale by Antonio Russolo) with piano reinterpretations by the composer Daniele Lombardi."
1992 release - hand-numbered edition of 500 copies with fabric cover ** "A curiosity from Portugal. 9 pieces pursuing unusual sound and odd structural arrangement. Half minimal, half beyond it. Unusual packaging. Very Limited."-Chris Cutler
1993 release ** "Linea d'ombra is the CD from more than twenty years ago with which the author inaugurated his personal journey as an interpreter-composer on the border between the languages of jazz, classical music and rock. At the time, Roberto Verti wrote about it in the presentation of the CD: “A musician with a cult background who moves between the moods of the new age and the high craftsmanship of the academy, between the La Scala scene and minimal, jazz; plays with flutes and combines t…
1990 release ** "Rova Saxophone Quartet’s 1990 recording of music composed by Steve Adams, Fred Frith, Henry Kaiser, Larry Ochs and Jon Raskin. With music by Rova, Henry Kaiser (g), and Fred Frith, this was an outgrowth of a successful local concert series. It’s one of the few sax quartet albums that utilizes studio and sampling technology as an artistic tool."
1989 release (RARE) ** "The acRID acME [of] P16.D4 might be the most well known work, no doubt due to the unique approach taken for the first segment: in 1987, the P16.D4 dredged recordings from the 1981 punk incarnation and placed them in a completely different context. As a result, "Maba 4. 12." and "Rotting Outscratched" reveal their initial forms, the former with the occasionally perceptible fragment of punk thrash sipping out unscathed from the abused tapes, and the latter allowing a hint o…
1990 release ** "For fans of that particular brand of noisy avant-gardism for which Robert Christgau coined the term "skronk," guitarist/violinist Fred Frith and saxophonist Tim Hodgkinson need no introduction. Charter members of the 1970s avant rock outfit Henry Cow, each has spent a lot of time making unspeakable noises with his instrument, and often those noises have been unspeakably glorious. This collection of live recordings -- all of them taken from live gigs around England in May of 1990…
* White Vinyl * Meitei / 冥丁 is the moniker of Japanese producer, composer, and musician Daisuke Fujita. The project stemmed from a preoccupation with the customs and rituals of his country’s past, and a desire to cast light on an era and aesthetic that he noted was drifting out of the collective Japanese consciousness with each passing generation, what he calls “the lost Japanese mood”. First came “Kwaidan”, a study into the lost art of Japanese ghost story-telling, followed by “Komachi”, an att…
1995 release ** "Years ago there was a concert with the Zug percussionist Beat Föllmi in a factory in Cham that was supposed to be demolished, which was recorded on a CD with the title “unorthodox approach”. It was all about free improvisation and an extensive and unusual set of sound instruments: the most powerful piece was a gong over two meters in diameter. Today – 1996 – the same percussionist titles his latest recording “orthodox approach”. The change from “unorthodox” to “orthodox” is not …
1994 release ** "For this recording of nine improvised compositions by CCMC, the group has culled the best of a series of recording sessions of "spontaneous music". Snow likens this type of music to photographer Cartier-Bresson." Paul Dutton, John Oswald, Michael Snow, Al Mattes, John Kamevaar, Jack Vorvis."
1991 release ** "Based in Munich. Originally formed as an experimental music group in 1968 by Michael Kopfermann, its activities became morefold later on, most notably through the formation of the "PHREN-Theatergruppe" (PHREN theatre group). The name PHREN appeared in the mid-1970s, the earlier name was "Gruppe für Experimentelle Musik Michael Kopfermann" (Group for Experimental Music Michael Kopfermann)."
2025 stock ** Biannually, La Muse en Circuit and the SACEM organize an international contest of radiophonic creation open to young composers. They welcome the winners in La Muse en Circuit studios, produce a CD and the public performances of the pieces for the festival Archipel at Geneva which are performed again for the festival Extension in Paris.
Topographies nocturnes by DinahBird & Caroline BouissouCouvre-feux by Floy KrouchiAll In Time by Sarah Boothroyd
* 2025 edition, Cd in 6 panel digisleeve. With Obi strip * Ideologic Organ is proud to announce a rejuvinated version of Kali Malone's 2019 landmark album, The Sacrificial Code, featuring a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum.
Kali Malone’s landmark album The Sacrificial Code emerged from a momentous confluence of dedication and inspiration. In 2019, Malone was finishing a master's thesis in electroacoustic compositi…
2009 release ** "Hacking away on a homemade system and twisted electronic tools, eRikm and Noetinger gleefully activate levers, tactile screens and joysticks with the utmost concentration. Doneda makes the air shake with acoustic vibrations. Together, they give free rein to their audio tricks, buzzing, interference, constructive feedback, electro-shocks, concrete slipping, hazed quotes, white noise, saturations and incisive scratches."