We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind Of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as The Last Great Challenge in a Dull World (1990) and Electricity (1994), as well as numerous other albums of his singular songcraft. Grapefruit is releasing Jefferies’ latest, Last Ticket Home, which leaves the statio…
**200 copies** Already sold-out at the label, numbered edition in silkscreened covers by Alan Sherry. Personnel: Susan Alcorn - pedal steel; Chris Corsano - drums; Bill Nace - guitar. Recorded September 5. 2018 live at Rotunda Philadelphia, PA.
**300 copies** "Ned Collette's last album, the 2LP set Old Chestnut, was hailed as a masterpiece by almost everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog / folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-ins…
Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: Soft Machine and Pink Floyd 1967-68, The MC5’s Kick Out the Jams, The Stooges, Sun Ra’s Cosmic Tones For Mental Therapy and The Heat Is On by The Isley Brothers. Dirty Songs Play Dirty Songs is the musical offshoot of a project conceived by artist Maxime Rossi, originating in (among other thi…
Michael O’Shea’s sole, breathtaking album ranks among our favourite of all time - yet hardly anyone seems to have heard of it. Produced by Wire’s Bruce Gilbert and Graham Lewis at the Dome studio in 1982, it’s an utterly singular work of magick meshing myriad, worldly modes into music that rarely fails to reduce us to tears. It’s one of those albums that basically sounds like nothing else - the only record we can draw some parallels is Dariush Dolat-Shahi’s life changing 'Electronic Music, Tar a…
***80 copies*** Music by Spyros Emmanouilidis, singing Bowl and psaltery on side B played by Vasilis Liolios. Recorded by Spyros Emmanouilidis, mastered by Giuseppe Ielasi. Design and artwork by Yorgos Vourlidas (Opora).
**60 copies** Gianluca Favaron join forces with Lunus to present a new exciting project based on vintage technology. All noise, except from vocals, originate from Commodore C64 and Commodore Vic20 computers programming tape cassettes. No synths were harmed in the making of these audio recordings.
Hochono House is a re-imagining of Haruomi Hosono’s 1973 solo debut album Hosono House. Recorded 45 years after The Band-like sessions that produced the rootsy Japanese Americana classic, Hochono House is an entirely solo affair, with Hosono himself handling all the recording, engineering, programming, arrangements, instruments, and singing. It’s a perfect distillation of the various styles Hosono has cultivated over his 50 year career, from his folky beginnings through his techno-pop era, to pu…
**300 copies** The second in the Zoviet France reissue series compiles a pair of their early 12”s. Less murky and more stripped-down, rhythm driven than their debut, Garista (1982), the tracks on both $oviet France (1982) and Norsch (1983) are more easily identifiable as products of the post-punk / post-industrial era, yet they still sound as though from a parallel musical universe or overlapping timeline. We’d attribute this perceived difference to the rest of UK tape culture and post-industria…
**300 copies** Vinyl-On-Demand kick off a keenly anticipated Zoviet France reissue scheme with Garista, the sui generis Geordie unit’s 1982 debut slab of cranky, atavistic expression. Industrial-not-industrial, ambient-not-ambient, and so on, Garista gave the first glimpse of Zoviet France’s sprawling, organically freeform soundworld on a self-released tape in 1982. Like cracking open Hellraiser’s puzzlebox, all the variegated, phantasmagoric hallmarks of their sound began to emerge from their d…
CD Edition. Enchanting, gorgeous works for solo piano, strings, organ and Eastern percussion by preeminent composer Leo Svirsky. Seeming to unravel and weave simultaneously in mid-air, ‘River Without Banks’ is a significant new opus that taps into a rich vein somewhere between Charlemagne Palestine’s sustained ecstasies, the phasing pulses of Steve Reich, and the beatific glory of Alice Coltrane... ““How to begin? No beginning... never ending reverberation,” Antoine Beuger writes in the accompa…
CD Edition. Full title: In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims with the push of the button. For its 50th release, Black Truffle presents the ninth album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi. Drawn from a November 2015 performance at Tokyo's now-defunct SuperDeluxe, the record's opening piece drops us immediately into the maelstrom, ab…
2CD Edition. Trust in Rock documents the last evening of an epic concert series held at Berkeley’s University Art Museum in November 1976, featuring an all-star ensemble of the Bay Area’s most unclassifiable musicians performing works by “Blue” Gene Tyranny and Peter Gordon. Tyranny’s cycle “No Job, No Warm, No Nothing” contains songs “concerned with influence, trust, self-reliance, and having to re-do what is true for you;” three songs by Gordon, with lyrics by Kathy Acker, are complimented by …
Greetje Bijma, Mary Oliver and Nora Mulder form a seemingly impossible ensemble, whose concerts are marvelous adventures. We can hear the clean, lightly classical sounds, coming from the grand piano, grating against the viola’s screeching eruptions and wonderful jazz ballads segueing into dark throat singing. Piano strings growl, the viola snarls and vocals are vibrating in the highest or the lowest register; all of this with an added sense of drama.This highly original trio, which made its debu…
Double LP version. Includes a bonus track: Philip Glass's "Etude n°5". Inland is Vanessa Wagner's continuation of the exploration of the minimalist composers register to complete the solo continuum of the Statea released in 2016 with the Mexican producer Murcof. Inland highlights a set of pieces, mostly rare or unavailable to date (Moondog, Nico Muhly, William Susman, Bryce Dessner, Gavin Bryars...) and some other well known (Philip Glass, Wim Mertens, Michael Nyman) that Vanessa Wagner performs…
Black Truffle present Reservoir 1: Preservation, a gorgeous piece by American composer/percussionist Sarah Hennies. Sarah's work explores a variety of musical, sociopolitical, and psychological issues including queer and trans identity, love, intimacy, psychoacoustics, and percussion. The Reservoirs are a series of three one-hour pieces based on the relationship between the conscious and unconscious human mind. Jung and Freud described the unconscious mind as a reservoir, a repository for memori…
Penultimate Press present A Sunset for Walter, the first duo release from long-time collaborators Jérôme Noetinger and Anthony Pateras. "Having worked together in a number of different collaborative contexts over the years, the pair used Pateras' 2018 residency at Schloss Solitude in Stuttgart as an opportunity to develop a major durational work for Steinway piano and multiple Revox tape machines. Presenting four excerpts from a three-hour concert, the LP's opening moments immediately establish …
*Reduced price. Last copies* Besom Presse is pleased to announce the July 2019 release of Processions, a double LP by composer, performer, and instrument-maker Werner Durand, with Amelia Cuni and Victor Meertens. Recorded and mixed in his home studio in Berlin from 2012-16, Durand offers four just-intoned drone works distilling global influence into compositions of singular beauty. Performed on an unlikely array of instruments including various self-made wind and reed instruments, sarod, mirlito…
Besom Presse announces Ask the Axes, the first collaborative release by the duo of experimental bagpiper David Watson and famed percussionist of The Necks, Tony Buck. Watson and Buck’s premiere recording documents two twenty-plus minute tracks featuring the hallucinatory sound palette of the Highland bagpipes, drums and percussion
180 gram vinyl version. Dr. John's fourth album, originally released in 1971, following Remedies. Featuring the songs "Black John The Conqueror," "Where Ya At Mule," "Craney Crow," and "Zu Zu Mamou." Gatefold exact repro reissue, manufactured by Rhino