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On Balladyna, Tomasz Stanko leads Tomasz Szukalski, Dave Holland and Edward Vesala through seven originals that weld lyrical, Slavic melancholy to volcanic free‑jazz undercurrents, forging a 1970s European classic that still feels startlingly alive.
At a time when the Japanese jazz scene was rapidly maturing and one accomplished musician after another was emerging, another saxophonist worthy of new attention joined the scene: Masafumi Yamaguchi. This work, his memorable first album as a leader…
A refined jazz work by Hiromasa Suzuki. Featuring Nobuyoshi Ino on bass and the accomplished Steve Jackson on drums, this album unfolds through interplay that is tightly knit yet relaxed throughout, and now makes its long-awaited first appearance as …
Following the great response to the previous release "Flash Up," a live recording from Shinjuku Pit Inn in March 1977, this new work composed by Takeo Moriyama was recorded about a year later. The second release left by the Takeo Moriyama Group on Te…
It happens very rarely that you can praise a records without any reservations, this is the case here!!! A lot of ink has flowed across the page since the Vogue/Swing release (1955) of that founding solo record. The repertoire was made up of pieces th…
Art Blakey was the new hero on the Paris jazz scene, thanks to his Olympia concert on November 22nd 1958, and his subsequent appearances at the Club St. Germain. People swore by his 'Blues March' and 'Moanin', so why not get him to do the soundtrack …
On Firebirds Live At Berkeley Jazz Festival Volume 1, Prince Lawsha convenes a dream quintet with Hadley Caliman, Bobby Hutcherson, Buster Williams and Charles Moffett, igniting a front‑line of reeds over vibraphone‑lit rhythms that balance spiritual…
On their self‑titled debut, Kenako deliver a tightly wound set of organic funk and Afro‑soul instrumentals, where heavy drums, hot horns and deep, unhurried grooves feel cut for both dusty dancefloors.
On Foraging, The Blassics Experiment dig deeper into their analogue-funk soil, spinning nature-tuned grooves and mossy dub atmospheres into an eight-track crate of break-ready instrumentals that feel both forest-floor organic and dancefloor precise.
Sometimes the title of an album tells you everything you need to know. Laurence Pike’s Possible Utopias for Jazz Quintet is like that: The music within represents a search for freedom, potentiality—liberatory strategies that transcend the ego and the…
577 Records announces the release of Atlântico, the new album by Portuguese vocalist and composer Manuel Linhares, arriving June 12, 2026. Shaped between New York and Porto, the record moves through experimental and contemporary currents, marking Lin…
4LP set. Gatefold sleeve with photographs, concert poster, and new liner notes. Centenary edition. Limited to 2,500 copies worldwide. June 28, 1965: John Coltrane records Ascension at Van Gelder Studio - forty minutes of collective free improvisation…
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
On Convergence: Live In China, William Hooker and John King turn a Shenzhen stage into a pressure chamber, stretching one unbroken hour of drums and guitar from whispering tension to volcanic release in a charged act of real‑time communication.
On Klotski, Lao Dan Quartet throws tenor, bamboo flute and suona into a Chicago crucible, where Mabel Kwan, Joshua Abrams and Michael Zerang keep reshaping time and texture until free jazz feels like a sliding puzzle in permanent motion.
Open Sky Unit capture a warm‑blooded corner of 1970s Belgian jazz where a family of musicians stretches soul songs into jazz‑funk sermons, turning a small Liège club into a glowing, rough‑edged sanctuary.
On Circumstantial, Ira Sullivan returns to Chicago after fourteen years away, sounding both relaxed and razor‑sharp as he trades easy, hard‑won wisdom with a seasoned hometown rhythm section and a fiery young guitarist at his side.
On Procession of the Great Ancestry, Wadada Leo Smith threads trumpet history and civil rights struggle into a lean, glowing suite where dedications to Davis, Gillespie, Little and Eldridge sit alongside blues testifying and a closing hymn for Martin…
On Spirit Catcher, Wadada Leo Smith moves between luminous small‑group ritual and radical chamber experiment, setting airy trumpet-and-vibes lyricism against the austere blaze of a muted horn surrounded by three harps.
On Generation, Hal Russell’s NRG Ensemble collides with Charles Tyler to turbo‑charge its already volatile chemistry, turning multi‑author charts into a raucous, shape‑shifting suite of free‑jazz blowouts, sly grooves and side‑eyed melody.