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Jazz & Improvisation /

Traces
*2026 stock* Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg and Juan Romero. Their debut album Traces is released by We Jazz Records on 23rd of May, 2025. Including 6 deep cuts, Traces is…
Whistle Stop
Renowned jazz trumpeter Kenny Dorham, one of the most underrated virtuosos in jazz history, invites listeners to revisit his landmark 1961 Blue Note masterpiece Whistle Stop – a bluesy, swinging hard bop session that captures the golden era of modern…
The Cat Walk
Blue Note Records proudly unveils a stunning all-analog reissue of Donald Byrd's seminal 1961 hard bop masterpiece, The Cat Walk, as part of its acclaimed Classic Vinyl Series. Scheduled for release on May 15th, 2026, this limited-edition pressing on…
Muriel Grossmann, Tõnu Naissoo
On this new NooPop Records session, Muriel Grossmann and Tõnu Naissoo ignite a live‑wired studio communion: fully improvised Tallinn meditations where spiritual jazz fervour, modal trance and molten organ grooves collide in real time.
East Two + 5
East Two + 5 comprises previously unreleased tracks from one of Sun Ra's most productive periods: 1972–73. Those two hectic years saw Sun Ra recording numerous albums, staging concerts, teaching at Berkeley, acting in and composing the score for a fu…
Downwind
On Downwind, Pierre Moerlen's Gong trades cosmic whimsy for aerodynamic precision, fusing mallet‑drunk jazz‑rock, prog heft and a dash of pop clarity into a sleek late‑70s vessel where vibraphones, drums and guest guitar gods share the same thermal u…
Cosmos Nucleus
On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ag…
Hidden Fire
On Hidden Fire, Sun Ra turns the late‑’80s Arkestra into a digital seance, using Yamaha DX7 shards, strings and haunted vocals to swap cosmic swing for dissonant ritual, opening one last, ominously glowing portal in his Saturnian saga.
Oscillations
On Oscillations, Sol Sol stretch their free‑jazz vocabulary into something almost cosmic: ten pieces where Elin Forkelid’s four saxes, David Stackenäs’ guitar and the Agnas brothers’ rhythm team move from feather‑light drift to razor‑edged intensity …
Balladyna
On Balladyna, Tomasz Stanko leads Tomasz Szukalski, Dave Holland and Edward Vesala through seven originals that weld lyrical, Slavic melancholy to volcanic free‑jazz undercurrents, forging a 1970s European classic that still feels startlingly alive.
After The Rain
At a time when the Japanese jazz scene was rapidly maturing and one accomplished musician after  another was emerging, another saxophonist worthy of new attention joined the scene: Masafumi  Yamaguchi. This work, his memorable first album as a leader…
Primrose
A refined jazz work by Hiromasa Suzuki. Featuring Nobuyoshi Ino on bass and the accomplished Steve Jackson on drums, this album unfolds through interplay that is tightly knit yet relaxed throughout, and now makes its long-awaited first appearance as …
Hush-A-Bye
Following the great response to the previous release "Flash Up," a live recording from Shinjuku Pit Inn in March 1977, this new work composed by Takeo Moriyama was recorded about a year later. The second release left by the Takeo Moriyama Group on Te…
Piano Solo
It happens very rarely that you can praise a records without any reservations, this is the case here!!! A lot of ink has flowed across the page since the Vogue/Swing release (1955) of that founding solo record. The repertoire was made up of pieces th…
Des Femmes Disparaissent
Art Blakey was the new hero on the Paris jazz scene, thanks to his Olympia concert on November 22nd 1958, and his subsequent appearances at the Club St. Germain. People swore by his 'Blues March' and 'Moanin', so why not get him to do the soundtrack …
Firebirds Live At Berkeley Jazz Festival Vol I
On Firebirds Live At Berkeley Jazz Festival Volume 1, Prince Lawsha convenes a dream quintet with Hadley Caliman, Bobby Hutcherson, Buster Williams and Charles Moffett, igniting a front‑line of reeds over vibraphone‑lit rhythms that balance spiritual…
Kenako
On their self‑titled debut, Kenako deliver a tightly wound set of organic funk and Afro‑soul instrumentals, where heavy drums, hot horns and deep, unhurried grooves feel cut for both dusty dancefloors.
Foraging
On Foraging, The Blassics Experiment dig deeper into their analogue-funk soil, spinning nature-tuned grooves and mossy dub atmospheres into an eight-track crate of break-ready instrumentals that feel both forest-floor organic and dancefloor precise.
Possible Utopias for Jazz Quintet
Sometimes the title of an album tells you everything you need to know. Laurence Pike’s Possible Utopias for Jazz Quintet is like that: The music within represents a search for freedom, potentiality—liberatory strategies that transcend the ego and the…
Atlântico
577 Records announces the release of Atlântico, the new album by Portuguese vocalist and composer Manuel Linhares, arriving June 12, 2026. Shaped between New York and Porto, the record moves through experimental and contemporary currents, marking Lin…
France 1965: The Complete Concerts
4LP set. Gatefold sleeve with photographs, concert poster, and new liner notes. Centenary edition. Limited to 2,500 copies worldwide. June 28, 1965: John Coltrane records Ascension at Van Gelder Studio - forty minutes of collective free improvisation…
Schematics For A Blank Stare - Volume Four
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
Convergence: Live In China
On Convergence: Live In China, William Hooker and John King turn a Shenzhen stage into a pressure chamber, stretching one unbroken hour of drums and guitar from whispering tension to volcanic release in a charged act of real‑time communication.
Klotski
On Klotski, Lao Dan Quartet throws tenor, bamboo flute and suona into a Chicago crucible, where Mabel Kwan, Joshua Abrams and Michael Zerang keep reshaping time and texture until free jazz feels like a sliding puzzle in permanent motion.
Open Sky Unit
Open Sky Unit capture a warm‑blooded corner of 1970s Belgian jazz where a family of musicians stretches soul songs into jazz‑funk sermons, turning a small Liège club into a glowing, rough‑edged sanctuary.
Circumstantial
On Circumstantial, Ira Sullivan returns to Chicago after fourteen years away, sounding both relaxed and razor‑sharp as he trades easy, hard‑won wisdom with a seasoned hometown rhythm section and a fiery young guitarist at his side.
Procession of the Great Ancestry
On Procession of the Great Ancestry, Wadada Leo Smith threads trumpet history and civil rights struggle into a lean, glowing suite where dedications to Davis, Gillespie, Little and Eldridge sit alongside blues testifying and a closing hymn for Martin…
Spirit Catcher
On Spirit Catcher, Wadada Leo Smith moves between luminous small‑group ritual and radical chamber experiment, setting airy trumpet-and-vibes lyricism against the austere blaze of a muted horn surrounded by three harps.
Generation
On Generation, Hal Russell’s NRG Ensemble collides with Charles Tyler to turbo‑charge its already volatile chemistry, turning multi‑author charts into a raucous, shape‑shifting suite of free‑jazz blowouts, sly grooves and side‑eyed melody.
Hal Russell NRG Ensemble
On their 1981 debut, NRG Ensemble, Hal Russell and his much younger bandmates detonate a joyous, combustible mix of free jazz, skewed swing and dada humour, turning multi-instrumental chaos into a sharply etched group identity.
Ride The Wind
On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.
Four Ways
On Four Ways, Roscoe Mitchell joins Stephen Rush’s shape-shifting Yuganaut trio for an electrically unstable encounter, where reeds, synths and oddball acoustics melt into one long, multi-hued improvising organism.
Celebrating Fred Anderson
On Celebrating Fred Anderson, Roscoe Mitchell honors a fellow Chicago giant with a live quartet that turns remembrance into motion, weaving Fred’s themes and Mitchell’s originals into long, tensile arcs of chant, swing and open-form ritual.
Before There Was Sound
On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
Old / Quartet Sessions
On Old/Quartet Sessions, Roscoe Mitchell’s 1967 Art Ensemble - with Lester Bowie, Malachi Favors and Phillip Wilson - appears in raw formation, sketching the grammar that would soon detonate as one of free music’s most inventive bands.
N.Y.C.
One of the most distinctive and influential instrumental ensembles of the 1980s, Steps Ahead injected urgently needed vitality into a stagnating fusion landscape with their own brand of intelligent, living jazz. With N.Y.C., their debut for Intuition…
Sueño
Eddie Palmieri stands among the most influential pianists and arrangers in salsa and Latin jazz history. His singular voice fuses the rhythmic urgency of his Puerto Rican roots with the harmonic sophistication of jazz visionaries like Thelonious Monk…
Snurdy McGurdy And Her Dancin' Shoes
On Snurdy McGur dy and Her Dancin’ Shoes, Roscoe Mitchell launches the Sound Ensemble with a volatile mix of abstraction and groove, folding AACM rigor into slyly funky frameworks that keep tilting from tight forms into open risk.
L-R-G / The Maze / S II Examples
On LRG/The Maze/S II Examples, Roscoe Mitchell frames three radically different constructions - a lucid brass-and-reeds trio, a labyrinthine percussion octet and a stark soprano solo - as parallel studies in space, timbre and compositional intelligen…
Nonaah
On Nonaah, Roscoe Mitchell turns the alto saxophone into a fault line, setting stark solos, prickly duets and dense small‑group pieces against one another to test how far a single composition and a single sound can be stretched.