Jazz & Improvisation / All styles

On Air Time, Air - Henry Threadgill, Fred Hopkins and Steve McCall - hit their 1977 stride, stretching from tightly coiled themes to wide-open improvisation, turning the sax-bass-drums trio into a restless, three-way imagination engine.

On Signaling, Nick Mazzarella and Tomeka Reid compress a wide slice of Chicago’s creative music history into intimate alto–cello dialogues, tracing a clear line from Hemphill/Wadud’s 1970s duets to a present tense that feels urgent and newly carved.

On All the Numbers, Lester Bowie’s first sessions as a leader catch the future Art Ensemble core in 1967 workshop mode, running multiple takes of two pieces that keep splintering into different shapes, energies and internal logics.

On Early Combinations, Art Ensemble history is still in wet cement: Roscoe Mitchell’s proto‑Ensemble and Joseph Jarman’s quartet collide in two long 1967 tapes where themes for cancelled gigs and failed auditions already sound like future classics.

On Saga of the Outlaws, Charles Tyler turns his Albert Ayler-honed fire into a single, 36‑minute “polyphonic sonic tale,” driving a rough-riding Rivbea band through chants, stampedes and long, wind-scarred horizons of sound.

Battle Pieces uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier (piano), Ingrid Laubrock (saxophone), and Matt Moran (vibraphone).

Felis Catus and Silence is a breakthrough release for Tokyo composer-guitarist Leo Takami, following the milestone albums Children’s Song (2012) and Tree of Life (2017). Takami counterpoints the soothing aesthetics of prime-era Windham Hill New Age guitar-heroism with meditative, intellectual compositions comprised of ambitious, process-oriented arrangements. While Takami largely wears his genre influences on his sleeve -- jazz, classical, Japanese gagaku -- the influence of ambient music is a t…

"Now-Again Records presents limited edition deluxe reissues of the lauded black fire catalog in 2020. First up in the series, this previously unreleased live session recorded at the legendary Brooklyn venue The East in 1973. Magical, mystical, Afrocentric, progressive -- words that could be used to describe any number of musical compositions by Sun Ra or his cosmic brothers and sisters, from John to Alice Coltrane, early '70s projects on record labels like Detroit's Tribe or Houston's Lightin' o…

"One of a number of sessions cut at the Choreographers' Workshop, this 1963 set establishes Sun Ra's Arkestra as a New York band, sonically coupled to developments in the decidedly urbane downtown arts underground. The stargazing clamor of the music reflects the intensity of a cultural crossroads where concrete and dust pervade any skyward view, from East 3rd Street to Mars and beyond. One of Sun Ra's rarest releases, it had negligible circulation through shops. While most of the Saturn o…

Previously unreleased Spiritual Jazz from Norway recorded in Asker Church in the mid 1970s. Playful rhythmical jazz with Modal and Latin influences with band members from That's Why, Ruphus and En Tiempo.The Jan Simonsen Quintet was an active mid 1970's, Norwegian jazz group. Drawing up influences from Herbie Hancock to McCoy Tyner the group’s very rhythmical approach fell positive with the crowd and landed them regular gigs at the famous Club7 venue in Oslo, the group also performed at Molde Ja…

**250 copies** Two unreleased tracks from the critically acclaimed album sessions, limited 10 inch! Two groovy tracks from reed player Ville Vannemaa's Cassiopeia album, with him on this date is vibraphonist Panu Savolainen, Kasperi Sarikoski on trombone, Heikko Remmel on bass and Jaska Lukkarinen on drums. First time on vinyl.“… it’s the new album by Finnish saxophonist Ville Vannemaa, Cassiopeia, that has us swooning and reaching for the replay button.”- UKVibe

**250 copies** Three additional songs from the celebrated debut session, limited 10 inch! The talented drummer continues to explore the hard-bop sound of today with three more tracks; Bouncing at the S.U.P., Chasing the Spirit – two songs composed by the drummer and the quintet’s own hip rendition of Book’s Bossa by Walter Booker.“Heinola skilfully demonstrates the full range of his arsenal, skipping through his cherished hard bop style of jazz while interweaving subtle nods to Latin and Afro st…

Following closely on the heels of his ravishing solo album Tomorrow is Too Late, Stockholm-based synthesist and improviser John Chantler switches gears to unleash the stunning second album by his trio with saxophonist Seymour Wright and drummer Steve Noble, Atlantis. Chantler is well-known for his solo electronic work, which frequently explodes richly layered ambient soundscapes into visceral explosions and thrilling physicality, to say nothing of his imaginative experimentation with the organ, …

A compilation of poems by the jazz musician and poet Sun Ra, in a bilingual edition (English / Spanish). The adventure began in a library that looks like a spaceship, next to a monument in the shape of a burned marshmallow that celebrates the first atomic reaction generated by humans. A plaque in the monument suggests that the powerful energy should be used for beneficial purposes. Inside this lunar library is the Special Collections Centre at the University of Chicago, that keeps the archive of…

**30 copies square lathe cut 7" records, in 3 color silk-screened pack with insert** Avant guitarists Bill Nace and Sandy Ewen join forces on this extremely limited release, offering two very dense improvised tracks which, as per title, were recorded live.

"Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: they borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vit…

Black Saint present a reissue of John Carter Octet's Dauwhe, originally released in 1982. Dawhe is the first chapter in John Carter's Roots and Folklore saga. A five-part epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford (cornet), James Newton (flute), Charles Owens (soprano sax, oboe, clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis P…

Rare Brazilian spiritual jazz reissued for the first time worldwide from the original master tapes. Legendary sessions produced by Amado Maita, deluxe numbered limited edition with OBI and thick cover. Recorded live at São Paulo in 1982, the album was originally issued on Amado Maita’s small indie label called Poitou in the '80s, and features one of the best Brazilian sax players, the legendary Nestico and his sister composer, piano player Lilu. Nestico joined several Jazz ensembles in São Paulo…

In the summer of 1978, an ambitious twelve-day experimental jazz project was undertaken at the ancient amphitheatre, Tasso della Quercia, on the slopes of Rome’s Gianicolo hill. The idea was to assemble the leading players from Italy’s avante-garde jazz scene, revolving around members of Grande Elenco Musicisti (or GEM), such as saxophonists Tommaso Vittorini, Eugenio Colombo and Maurizio Giammarco, trumpeter Alberto Corvini and trombonist/composer Danilo Terenzi, together with visiting American…

Fronted by alto maestro Byard Lancaster, this eponymous 1972 recording from the Philadelphian spiritual jazz / funk ensemble marks another wonderful release from Dogtown Records.Formed in the early 70s, the Sounds of Liberation was a group of Philadelphia musicians made up of Byard Lancaster, Khan Jamal, Monnette Sudler, Omar Hill, Dwight James, Rashid Salim and Billy Mills. The Sounds of Liberation mixed jazz, funk, free jazz and spiritual jazz into a harmonious celebration of sound.  With thei…

Anma Ott is  excited to announce the debut LP of Spemakh, a six-piece surprisemusic-group from across Germany (Saarbrücken, Nürnberg, Berlin, Bonn). Drawing from all corners of the compositional sphere, from free-jazz to serialism and concrète,  and using a wide range of homemade and custombuilt wind and percussion instruments, as well as viola, doublebass, voice-noise, guitar, objects and miniature electronics, the band is aiming for a radical play with uncertainty, involving humour, gesture an…

**Super limited** The musician and spiritual seeker Alice Coltrane was much more than just John Coltrane’s second wife. One of the few harpists to feature prominently in jazz, she was also a renowned pianist and composer and her interest in spiritual matters greatly helped steer her husband deeper into Krishna consciousness, which had significant bearing on his music, most notably evident on A Love Supreme. This mesmerizing performance, held at Carnegie Hall four years after John’s untimely pass…

Recorded Live in Sweden in September 1961, the Uppsala Concert is an important document from Eric Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson (piano), Kurt Lindgren (bass), and Rune Carlsson (drums). Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards such as Milt Jackson's Bags Groove, Monk's 52nd Street Theme, Cole Porter's What Is This Th…

The George Russell Sextet caught in a rare live recording from a concert held at Music Inn, in Lenox Massachusetts on September 1, 1960. George Russell's kaleidoscopic sound conception takes shape through the collective interplay of a brilliant tight band featuring George Russell himself on piano, Al Kiger (trumpet), Dave Baker (trombone), Dave Young (tenor sax), Chuck Israels (bass), and Joe Hunt (drums). A great example of challenging modern and yet swinging jazz, including highlights such as …

Naked Lunch present a reissue of Sestetto Basso Valdambrini's The Best Modern Jazz In Italy 1962. Back in the early '60s, the Basso Valdambrini Sextet represented without doubt the best Italian jazz example. Under the direction of tenor saxophonist Gianni Basso and trumpeter Oscar Valdambrini, there was a super-dynamic combo featuring a bunch of young, expert musicians, such as Dino Piana (trombone), Renato Sellani (piano), Giorgio Azzolini (bass) and Lionello Bionda (drums). As winners of the 1…

This is the legendary Krzystof Komeda Quintet caught live at the Jazz Jamboree Festival in Warsaw in 1963. A marvelous combo featuring some of the greatest Polish jazz musicians, such as Tomasz Stanko (trumpet), Michal Urbaniak (tenor sax), Maciej Suzin (bass), and Czeslaw Bartowski (drums). Komeda, Stanko, and Urbaniak were sort of pioneers who effectively opened up a way for jazz in Poland. Komeda's fluent modern jazz conception was a perfect synthesis between the American influence and a cert…

Leon Thomas' debut solo recording after his tenure with Pharoah Sanders is a fine one. Teaming with a cast of musicians that includes bassist Cecil McBee, flutist James Spaulding, Roy Haynes, Lonnie Liston Smith, Richard Davis, and Sanders (listed here as "Little Rock"), etc. Thomas' patented yodel is in fine shape here, displayed alongside his singular lyric style and scat singing trademark. The set begins with a shorter, more lyrical version of Thomas' signature tune The Creator Has a Master P…

** 180 gram audiophile vinyl ** On The Blue Yusef Lateef (1968), listeners get an amazing chapter from the late '60s, an amazing period when everything in the world of Jazz was changing. Yuseef Lateef was big on concept recordings. This album examines all the different ranges of emotion contained within the blues genre. With a band that included Detroit Jazz gods Roy Brooks on drums and Kenny Burrell on guitar, Blue Mitchell on trumpet, Hugh Lawson on piano, Sonny Red on alto, Bob Cranshaw on el…

2023 repress. LP version. 180 gram virgin vinyl, with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, le…

**500 copies** Steve Lacy had plenty of fantastic moments on the European scene of the 70s – but this unique album may well stand as one of his best! The set's very different than any of Steve's recordings with his own group – partly because the core energy here comes from trumpeter Franz Koglmann – who sets things up in a really unusual way, by often embracing rhythm – but also setting it free in all these other erratic patterns too – which proves to be a perfect foil for Steve's soprano sax, a…

**500 copies** "This gem of a recording has been a collector's dream prize for decades. Recorded and released in the mid-1970s on flugelhorn / trumpeter Franz Koglmann's Pipe Recordings, each copy of Opium For Franz was issued with an original hand painted cover. Back in the day, we wouldn't speak of a limited issue release, even though this one probably came out in an edition of 200. Certainly it was a labor of love, with no such thing as our modern digital capture of sound and pro tools. We're…

Corbett Vs. Dempsey present a reissue of Willem Breuker and Han Bennink's New Acoustic Swing Duo, originally released in 1967. Late in 1967, saxophonist Willem Breuker and drummer Han Bennink recorded the first LP for the new artist-run free improvised music label, ICP Records. New Acoustic Swing Duo was an instant classic, and remains one of the most enduring documents of Dutch improvised music ever recorded. With Breuker's omnidirectional reed work, which ranges from plaintive to excoriating, …

Despite having worked together in innumerable settings, including the longstanding Survival Unit III, with drummer Michael Zerang, cellist Fred Lonberg-Holm and multi-instrumentalist Joe McPhee have never released a CD of duets. In an extra intimate studio setting in upstate New York, where both players reside, No Time Left for Sadness demonstrates their incredible musical understanding. Recalling some of McPhee's landmark records with Marseilles musicians in terms of telepathy and trust, it's a…

One day in the studio, something ridiculously great happened. It was deep Chicago winter, cold as shit. Four musicians assembled for a round-robin set of improvisations -- duets, trios, a few quartets. Approached casually, the late morning bloomed into Largest Afternoon, 15 crackling encounters between guitarist Arto Lindsay, saxophonists Joe McPhee, and Ken Vandermark, and drummer Phil Sudderberg. No expectations -- open minds and creative intent. Lindsay, a brilliant singer and songwriter and …

An übertrio drawn from distinct parts of the creative music spectrum, The Underflow was recorded during a sizzling two-night stand in May 2019. In a series of duets and trios, guitarist David Grubbs, saxophonist Mats Gustafsson, and trumpeter Rob Mazurek met headlong for the first time, converging not only their acoustic and electric instruments, but at times submerging themselves in a tangle of electronics, then emerging into shamanic bell-shaking chant or chest-rattling howl. Ranging from extr…

In 2018, Mats Gustafsson provided raw saxophonic material for the elusive Wendy Gondeln, who sometimes applied a scalpel, sometimes a pneumatic drill, to rework, remix, reimagine all the Swede's squeaks, pops, blats, and tones. In some places, Gondeln adds violent violin to thicken the roux, making Ornette's fiddling seem like Yehudi Menuhin. Uncommon bedfellows: disjunct techno and improvised music. But the Shitholes make it work brilliantly, even inviting minimal techno pioneer and co-founder …

Pour Alto Seul is Johan Arrias’ first solo work. It came about as a result of a work period early 2018 and does not claim to provide a comprehensive picture of the artist, but is an exploration of more specific ideas. In eight tracks with strong musical identities Arrias explores the saxophone as a sole voice and sound source and, to some extent, his own identity.The recordings create an atmosphere of being alone among ruins; a desolate environment, a harsh but promising and exiting place full o…

* Brand new extended and remastered version of the original LP from 1981. Gatefold with new photography and liner notes * Slickest Afro-jazz-funk swerve from legendary South African cornet player and anti-apartheid figure Hugh Masakela, recorded at the Maseru Holiday Inn before a small audience during days surrounding his defiant 1981 performance in Lesotho while banned from performing just over the border in SA proper. Newly remastered and recut from the original single LP over a 2LP pressing."…

**100 copies** Certain to become a collectors item, One Instrument Sessions 04, is pressed onto 7” vinyl in run a very limited edition of only 100 copies. On this record One Instrument presents their most minimal work to date; three one-take vibraphone tracks recorded by Alessandro Di Puccio eighteen years ago.The tracks are a selection from eleven pieces that were originally created for a theatre piece called Il silenzio è d’oro (Silence Is Golden). After 18 years of being kept in a drawer in D…

Mitsuko & Svetlana Records present the first reissue of Bells Of Kyoto's self-titled album, originally released in 1984. Archival reissue of rare 1984 jazz-funk fusion diamond in the rough by German-Australian-British madcap ensemble Bells Of Kyoto, produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame. Fusions grooves with Orient-funk detours and looking out the window of a Swissair aircraft moments of cool mid 1980s contemplation. Highly recommended to porthole dream…