Psych /
Issue 22 (Magazine)
Audion 22 (7/1992) 44 pages. Cover article: Sound Sculptures: Lasry Baschet, Jean Tinguely, Sonde, etc. plus: Caravan Of Dreams - Live 91, Ozric Tentacles - Live 92, Hawkwind - Live 92, Djam Karet & Atavism Of Twilight, Richard Pinhas (interview), Current 93 - Keeping Up With The Current..., Anckartsröm, Igra Staklenih Perli, Harry Partch, Mario Bertoncini, Sonde, Ian Boddy (interview), plus: Harmonium, Voiceprint, Alquimia, reviews, etc.
Issue 15 (Magazine)
Audion 15 (7/1990) 36 pages Experience the Italian Progressive Rock reissue explosion! plus: Peter Schaefer (interview), Silence Records (update), Far Out, Artis, Grobschnitt, New World, Musea Records, Rescued Relics Beggars Opera, Marsupilami, Steel Mill, etc., Direction Music, reviews: Ashra, Chris & Cosey, Achim Gieseler, Kennedy, Nurse With Wound/Current 93/Sol Invictus "Cerne" box set, etc.'
Issue 14 (Magazine)
Audion 14 (3/1990) 32 pages. cover article: Silence Records plus: Welcome Back Germany!, Jack Tamul, French Progressif, Musea Records, Lawrence Ball, Recommended Records, Gerard, GRRR! Un Drame Musical Instantane, Bernard Vitet, etc., Live In Leicester: Nexus, Amadinda, Shiva Nova, From The Archives Banco, East Of Eden, High Tide, Electronical Dreams, reviews, etc. rear cover: artist list, part 4 Pump to Zweistein
Issue 11 (Magazine)
Audion 11 (3/1989) 32 pages. Cover article: Brain 1000 Series - Classic labels, part #1 plus: David Torn!, Better Days Distribution, Peter Frohmader new releases, Friendsound, Behind The Iron Curtain -Part 3: East Germany, Due (interview), Eduardo Polonio (interview), Musea Records, Pierrot Lunaire - An Italian Rock Legend, Clonicos, Circadian Rhythm, Reviews: Tonspur Tapes, Jabir, reviews, etc.
Live/Dead
Gatefold sleeve. Includes a 4-page booklet. Live/Dead is the first official live album (and fourth overall) released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. "The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real t…
Red
*50th anniversary edition of the 1974 classic, featuring a new 2024 mix by Steven Wilson and an album of Elemental mixes by David Singleton - all mixes approved by Robert Fripp. 200-gram super-heavyweight vinyl* Red is the fourth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. One of the most powerful and influential albums in the band's remarkable c…
San Michael's
*100 copies limited edition black vinyl* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progre…
Nattåg
*100 copies limited edition black vinyl* The re-release of the 2 seminal psych/prog albums by San Michael’s, the self-titled (1971) one and Nattåg (1972), overlaps not at all coincidentally with the appearance of Kaipa’s 15th studio album Sommargryningsljus, as the fabular universe of the latter revolves around counterfactual rebirth, that is, becoming (re)born as one is getting older. These 2 evergreen albums, essential for savvy collectors of Scandinavian psych/prog, showcase the smooth progre…
Etna
CD sized paper sleeve album replica, with obi-strip and insert of notes mostly in Japanese. The album was recorded at the Catoca studio in Rome in a week, under the name of Etna, and contains some absolute pearls of Jazz Rock, with completely personal and absolutely Mediterranean flavors and musicality. The album is a perfect blend of rock, jazz, funky, free, played with great technique and vituosity, with many references to Bitches Brew era Miles Davis and early-70s Soft Machine
In this album y…
Live
CD gatefold mini LP replica with obi & Japanese insert. The third and last album from Wolfgang Dauner's Et Cetera, for the very first time available on double CD / an incredible live studio album captured in 1973 by Et Cetera, a band fronted by Wolfgang Dauner, one of the foremost pianists in contemporary and experimental jazz in Germany. The quintet took their 1970 ECM masterpiece "Output" to the next level, infusing it with vibrant Indian/eastern and trancey elements that elevate the experienc…
Lintunen / Ethän Tanssi Haudallain
Grooving, radical low-fi psychedelic, fuzz guitar rock.Jutta Luhtinen - drums, vocalsVille Pirinen - bass guitar, vocals
Babylonia
Well-versed in vintage vernaculars, Oakland-based producer/musician Mike Walti is about to return with his sophomore offering under the Organi moniker – as new album “Babylonia” follows 2020’s “Parlez-vous Français?,” a landmark in vibe acquisition ever since.
屋根裏 = YaneUra Sept. '80
In 1980, Fujio Yamaguchi joined Les Rallizes Dénudés for a legendary studio recording session. Now, the fiery intensity of those early sessions will finally be unleashed from the archived tapes!
Aguaturbia
"Aguaturbia" (1970) is an essential album to understand the construction of what we know today as Chilean rock. This very influential album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. It comprises original compositions and electrifying renditions of songs brought to fame by the likes of Tommy James & The Shondells, The Beatles and, of course, Jefferson Airplane elevating these classics to new heights of intensit…
Snowbug
After the high times and critical-mass arrangements of the previous two records, Snowbug exuded a breezy, spare, morning-after vibe. Edified by all manner of world-folk, classic Brazilian pop and the first volumes of the Ethiopiques comp, the Llamas recorded in London with Fulton Dingley and in Chicago with Bundy Brown and Jim O’Rourke engineering at Electrical Audio and John McEntire mixing at Soma. Snowbug is an understated, underrated gem.
Cold And Bouncy
Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Gane and Stereolab caused a healthy dose of electronica to spike the Llamas’ already heady brew, creating an apex of late 90s-style neo-exotica. RIYL: Mouse On Mars, Oval, Grand Royal, Dots and Loops.
Hawaii
The High Llamas discover America – yes, it had been done before, but not via their envisaged pilgrims’ passage. Energized by the breakthroughs of Gideon Gaye, they went all-in, producing a wide-screen epic further exploring their unique agenda. The reference points multiplied, stretching through realms of classic pop and jazz, soundtrack music, exotica and neo-Americana, while charting a journey through musical landscapes of abiding lightness.
Gideon Gaye
This brave foray into conceptual art music produced a jaw-dropping reset on the 20th century pop perspective. The High Llamas engaged songwriting and production with an eye toward filmmaking. Digging through ephemera of choice vintages with post-modern zest, they struck a rich vein they could call their own – a kind of gothic Americana, formal aspects pushed to extremes. The spirit of discovery here can be vibrantly felt over 30 years later.
Santa Barbara
*1st ever LP pressing!* For The Llamas’ 1992 debut, Sean O’Hagan, working the sextant to navigate a post-Microdisney course in the musical world, posted them up as a guitar pop band (RIYL: NRBQ, Big Star, Steely Dan), with nine exquisitely crafted examples of the oft out-of-step sound. Had there been no more after this, Santa Barbara would still be sought-after buried treasure by the perennial waves of voyagers seeking these sweet, jangling spices to this very day.
Monster A Go-Go (Teen Trash From Psychedelic Tokyio '66-'69)
Sought-after compilation exploring the Group Sound movement that swept Japan in the mid 1960s. Under the influence of the Beatles dozens of Japanese bands devoted themselves to exporting a wide genre that ranged from surf-rock, garage fuzz, psych and wild R&B. Featuring the influential The Mops, the Filipino band (relocated to Hong Kong) D’Swooners and The Golden Cups.