Sound Art / All styles

28 artists celebrate the 200th anniversary of the great philosopher and economist Karl Marx with a benefit compilation. Exclusive/previously unreleased tracks by AGF, Aidan Baker, Frank Bretschneider, Natalie Beridze, Schneider TM, Kammerflimmer Kollektief, Reinhold Friedl, Jasmine Guffond, Caspar Brötzmann, Andreas Reihse (Kreidler), and many more. In times of an untamed capitalism, seemingly endless greed and persisting exploitation of underprivileged humans, the 200th anniversary of Karl Marx…

**Edition of 50 copies in yellow vinyl, signed**Ricerca Sonora proudly presents, as its second release (RS2), a fantastic collaboration / improvisation between Philip Corner, Michel Vogel and Phoebe Neville.Phœbe Neville is musician, singer, and dancer. Philip Corner composer, musician, and former professor at Rutgers University in New Jersey. Michel Vogel, a musician and maker of instruments, principally percussion (gongs and bells). He has for this occasion installed a double frame for eight s…

Three decades of conversations with Genesis P-Orridge, provocateur, artist, gender revolutionary and leader of the bands Coum Transmission, Throbbing Gristle, Psychic TV and more

Brion Gysin (1916–86) has been an incredibly influential artist and iconoclast: his development of the “cut-up” technique with William S. Burroughs has inspired generations of writers, artists and musicians. Gysin was also a skilled networker and revered expat: together with his friend Paul Bowles, he more or less constructed the post-beatnik romanticism for life and magic in Morocco, and was also a protagonist in an international gay culture with inspirational reaches in both America and Europe…

Finally available fully on vinyl, here are the famous ‘Phonetic poems’ from Dadaist Raoul Hausmann – remastered from original tapes and for the first time with the correct track titles along with a 40 pages booklet including typescripts and texts. This LP is published on the occasion of the exhibition Raoul Hausmann and European Experimental Poetry (1945–1971). Musée d’art contemporain de la Haute-Vienne, château de Rochechouart.The ‘Phonetic poems” were conceived in 1918, simultaneously and wit…

**Edition 0f 200** The Crying Space holds music and sounds to spawn tears. This double-CD is comprised of two sound pieces by the Fluxus artist Eric Andersen (b. Denmark, 1940). The first CD, Le Chemin Des Larmes, is a sound collage made for French radio broadcast in 1990. Fragile narrations in French and English by the artist and other voice actors, played over a streaming assemblage of tragic classical music. The sound crying, that of a professional Karelian mourner, is infused periodically. T…

**Edition of 250 copies, includes CD and 20-page color booklet** "Ionisation is the first LP by Italian poet Adriano Spatola. Born in Yugoslavia in 1941, by the age of 23 he became a major force in the Italian avant-garde. 'Towards Total Poetry,' Spatola's critical study on the state of modern poetry, spells out his position: 'to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of cul…

A notorious, influential and radical critique of the avant-garde music of Stockhausen and Cage, by maverick composer Cornelius Cardew

Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer’s Work 1961-73 documents the artist’s landmark early works at the intersection of dance, performance, and art.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

Why did Andy Warhol decide to enter the music business by producing the Velvet Underground, and what did the band expect to gain in return? What made Yoko Ono use the skills she developed in the artistic avant-garde in pop music, and what in turn drew John Lennon to visual art? Why, in 1980s West Germany, did Joseph Beuys record a pop single and artists such as Walter Dahn, Albert and Markus Oehlen, and Michaela Melián form bands? What role does utopia play in the pop music and art of Brian Eno,…

Saltern presents its fifth release, Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Élia…

Visionary, challenging and beautiful, pushing the potentiality of organized sound incrementally ahead, Vanessa Rossetto's 'Self-care' is unquestionably one of the most engaging releases we've heard so far this year. A bristling expanse of environmental texture and incident, slowing building across its duration into a moody sonic space of startling psychological depth.

Visionary, challenging and beautiful, pushing the potentiality of organized sound incrementally ahead, Vanessa Rossetto's 'Self-care' is unquestionably one of the most engaging releases we've heard so far this year. A bristling expanse of environmental texture and incident, slowing building across its duration into a moody sonic space of startling psychological depth.

"Panelák. Fenced square garden at the entrance. Tree limbs, dried skin of snake, snails with cracked shells. Once upon a time there were plants. Soaked orange peel in front of the door. Buzzing of door bells. Elevator drone. You count the floors while you follow the picture instructions. Capacity and weight of three-dimensional space. You are entering the apartment. Horseshoe above the door. A wooden mask next to a whistling kettle. Seashells in plastic box. Phantom signal. Sheep fur on the couc…

Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.

**Small repress soon available** First reissue of this enigmatic and sought-after Japanese rarity from the 80's, originally released on the cultish Unbalance label (run by Naoto Hayashi and Jojo Hiroshige of Hijokaidan fame). Comprised of cut-up and collaged recordings from various unspecified French movies intertwined with the occasional spoken word segments ~ all seemingly recorded using a cheap-o cassette player making for quite the lo-fi work. A walk in Paris somewhere between the 30's and t…

**100 copies** Using a singular repetitive gesture, Liz Rácz draws on a 10 metre-long roll of paper that she gradually unfurls, revealing a mass of regular strokes. Jérôme Noetinger records this gesture on magnetic tape, capturing, repeating, and transforming it. An auscultation of detail in a magnetic tape loop continuum.Jérôme Noetinger is a composer, improviser and sound artist who works with electroacoustic devices such as the Revox B77 reel-to-reel tape recorder and magnetic tape, analogue …

**Special edition of 50 numbered copies. Includes signed photograph (13x18 cm) and reproduction of the score of "Liquid Piece“ (245g linen-stock, 29,7 x 42 cm) handcoloured with china ink by Christina Kubisch, signed & numbered.** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zon…

**Edition of 300. Also available as a 50 copies special Art edition** Sound is almost always at its most thrilling, whether in practice or source, when it can not be easily defined. This is the liminal zone within which only the bravest and most ambitious among the avant-garde dare to tread, constantly pushing forward into unexplored zones which are yet to be claimed by the known. Of those artists who have taken on such a task, it is hard to call to mind any as important as the German composer, …

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.Deconceptual Voicings is a 12" record, which uses the extensive archive of interviews with artists of the historical post-minimal and conceptual art as a starting point. It was generated for the documentary film Conceptual Paradise (Stefan Römer, 2006).“Deconceptual Voicings consis…

Listening Patterns is dedicated to facing the great diversity of discourses on listening in today's literature and to proposing a possible key of interpretation. The book develops the analysis of listening, in its most general sense, in three parts with the aim of presenting a versatile model which can be used in a wide variety of applications. After setting the discussion on the experience of listening as an eminently epistemological problem, the first part focuses on the examination of theorie…

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier. Sound artist, performer and composer Nicolas Bernier (born 1977 in Ottawa, Canada, lives and works in Montreal, Québec) creates audiovisual performances and installations aiming to carve a dialogue between sound and tangible matter. Shaped by his work within the fields of cinema, literature, dance and theatre companies, his own language blend together elements of music, photography, design, sci…

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”. The publication Music as Seismographic Sound / Tracking Down the Idea of Cultural Translation is a written radio pitch by Ania Mauruschat, closely following musicians in bi- or multi-lingual cultural contexts.Ania Mauruschat is a radio journalist who has produced several features on sound art, with the German radio station Bayerischer Rundfunk, and the Swiss nation…

Ellen Fullman began developing The Long String Instrument in her St. Paul, Minnesota studio in 1980 and moved to Brooklyn the following year. Inspired by composer and instrument builder Harry Partch, Fullman’s large-scale work creates droning, organ-like overtones that are as unique in the world of sound as her vision of the instrument itself.Along with her 1985 debut album—appropriately titled The Long String Instrument—Fullman’s only output in the 1980s would be two self-released cassettes, In…

**Beautiful  hard-cover edition, 300+ pages **  A rich collection of essays tracing the relationship between art and sound. In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, s…

**Massive hard-cover catalogue, nearly 800 pages, big size** This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established sound art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume t…

The first book to explore the extraordinary career of musician and performance artist Charlotte Moorman, whose work combined classical rigor, avant-garde experiment, and madcap daring.  The Juilliard-trained cellist Charlotte Moorman sat nude behind a cello of carved ice, performed while dangling from helium-filled balloons, and deployed an array of instruments on The Mike Douglas Show that included her cello, a whistle, a cap gun, a gong, and a belch. She did a striptease while playing Bach in …

Essential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades.  Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technolog…

Art making and criticism have focused mainly on the visual media. This book, which originally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experimental possibilities of radiophony and sound art. Taking the approach that there is no single entity that constitutes "radio," but rather a multitude of radios, the essays explore various aspects of its apparatus, practice, forms, and utopias. The approaches include historical, political, popular cult…

Below the level of the musical note lies the realm of microsound, of sound particles lasting less than one-tenth of a second. Recent technological advances allow us to probe and manipulate these pinpoints of sound, dissolving the traditional building blocks of music—notes and their intervals—into a more fluid and supple medium. The sensations of point, pulse (series of points), line (tone), and surface (texture) emerge as particle density increases. Sounds coalesce, evaporate, and mutate into ot…

**Hard-cover edition** A meditation on what was lost—and on what is worth preserving—in the movement away from analog music and culture.  Although digital media have created new possibilities for music making and sharing, they have also given rise to new concerns. What do we lose in embracing the digital? Do streaming services discourage us from listening closely? In this book, musician Damon Krukowski uses the sound engineer's distinction between signal and noise to examine what we have lost as…

Our voices carry farther than ever before, thanks to digital media. But how are they being heard? In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In Ways of Hearing—modeled on Ways of Seeing, John Berger's influential 1972 book on visual culture—Damon Krukowski offers readers a set of tools for critical listening in the digital age. Just as Ways of Seeing began as a BBC television series, Ways …

In 1999, the British artist Mark Leckey released his video-montage Fiorucci made me Hardcore, a dreamscape vignette that communes with the rapturous promises of youth. Putting archive material to use, Leckey entwined footage of underground dance and street culture in Britain with audio grifted and recorded in the artist's studio. In this illustrated study, the first comprehensive examination of the work, Mitch Speed argues that by interweaving personal and collective memory, this work gives voic…

Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happen…

2017 edition. 'This extraordinary and brilliantly curated book reveals how the tropes of cultured living were disseminated through the universal medium of music decades before the era of 'designer pop.' Revisionary and essential.' wrote Peter Saville, artist and designer; founder and art director of Factory Records. How record albums and their covers delivered mood music, lifestyle advice, global sounds, and travel tips to midcentury Americans who longed to be modern. The sleek hi-fi console in …

In process of restock **300 copies, 2020 stock** This LP marks the first ever release of Sverre Larssen’s infamous wind harp recordings from the late 1970s – tonal long-form drone music akin to the works of Paul Panhuysen and Ellen Fullman.In the early 1970s the Norwegian businessman Sverre Larssen decided to construct a wind harp at his cabin at Sele, Jæren on the west coast of Norway. Using his free imagination and amateur engineering skills, Larssen constructed a harp with 12-strings, which w…

**numbered edition of 25 copies** Gatefold Cover with Artwork by Ragnar Grippe. Signed by Ragnar Grippe. Unpublished Work from the 80’s by the Swedish  legendary composer, who had relocated to Paris in the early 70’s to study at the famous Groupe de Recherches Musicales (more commonly known as GRM) founded by musique concrète pioneers Pierre Schaeffer, Pierre Henry and Jacques Poullin. Around the same time, Grippe had struck up a close friendship with French avant-garde minimalist Luc Ferrari. I…

Limited edition of 25 hand-numbered copies. Silkscreened wooden box includes; audiotape & 6 inserts (info-sheet, discography, biography, magazine with a selection of recipes, signed name card & portrait (photograph attached to sheet). Eric Andersen developed an interest in intermedia art very early on (as from 1959). In his Opus works from the early 60s, he investigated primarily the open interaction between performer and audience. He developed open works, works that altered themselves, “arte st…

Wounds captures David Toop and Paul Burwell at their most relentlessly inventive, distilling the London Musicians Collective’s radical energy into tactile, improvised sound rituals. Edited from a single 1979 performance, it’s a landmark of British experimental music: two artists in conversation with objects, timbre, and the primal roots of musical creation.​