Sound Art / All styles

Constellazione Seconda is the follower of  the Lombardi 1978 "Costellazione" a piano sound exploration based upon a map of sky constellation, planned as the first step of a large work focused on the exposition and 'performance' of constellations maps, planetaria and maps of the heavens. This new work breaks up into 21 short piano movements, concentrating on incredibly short staccato notes that sting violently between fractured harmonics leaving plenty of momentum-puncturing silences to really he…

37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010. Recorded 2011 at Piethopraxis Tonstudio, Cologne by Marcus Schmickler. Comes with 24 page booklet with liner notes by Gerhard Rühm in english & german.You can listen here to "Gebet" (Prayer), 1954, is an example of vocal constellation. The succession of vowels "a, e, i, o, u" repeated in this order is wrapped up in consonants to the point of producing syllabic coordinations.…

Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…

2CD set & a 32-page illustrated booklet with texts by Jean Dubuffet and Ilhan Mimaroglu in English & French. Noisy, pure, crazy, exuberant, yet also focused and inventive. Dubuffet creates an impression of Nrenetically playful improvisation, yet each piece has a strong concept, and even a form."The Musical Experiments of Jean Dubuffet, recorded in 1961, form a set of 20 pieces. They were released the same year as a box containing six 10” Vinyl-Records in an edition of 60 copies. In 1991 nine of …

Lovely second release by Austrian Edition Bierammer (after the Joseph Beuys / Nam June Paik 'Coyote III' LP). This time a long-overdue reissue of Jean Tinguely's 'Sound Sculptures' cassette from 1983. Presenting recordings of 13 of Tinguely's kinetic sculptures at the Tate Gallery exhibition in 1982 including a 18 minute piece performed by 'Meta-Harmonie'. Essential document of one of the important artists in this field. Edition of 150 copies with gold on white silkscreen cover.

Edition of 200. Giovanni Succi (Bachi da Pietra) guides our listening between pauses and words of this amazing Giorgio Caproni's work. A selection taken from the historic book in verse, where we hunt the beast, hidden behind every word. Presentation by Luigi Sudrich (Genova's University)

Volume 2 in EM Records' John Cage Shock series lifts off with a fiery example of David Tudor's piano virtuosity, his mastery of dynamics well-evident in a performance of Klavierstücke X (1961) by Karlheinz Stockhausen. The titular shock of this series is delivered even more forcefully with the next piece, John Cage's 26'55.988" for 2 Pianists and a String Player (1961), which was first performed the year before in Darmstadt by Tudor and Kenji Kobayashi, a combination of two of Cage's solo piece…

The final CD of the John Cage Shock series features John Cage's 0'00" (1962), also referred to as 4'33" No. 2, performed by the composer, with daily activities such as writing and drinking coffee amplified by contact microphones into sonic abstraction, following the score's directions: "with maximum amplification (no feedback), perform a disciplined action." Next is Composition II for 2 Pianos (1960/1961) by Michael von Biel, lovely and sparse, performed by David Tudor and Toshi Ichiyanagi. …

In October 1962, John Cage and his great interpreter/co-visionary David Tudor visited Japan, performing seven concerts and exposing listeners to new musical worlds. This legendary "John Cage Shock," as it was dubbed by the critic Hidekazu Yoshida, is the source of this series of releases -- three CDs and a "best hits" double LP compilation. Recorded primarily at the Sogetsu Art Center in Tokyo on October 24, 1962 (with two performances from October 17 at Mido-Kaikan in Osaka), all recordin…

Vanessa Rossetto lives in Austin, TX, one of two cities serving as the source material for her new LP, Exotic Exit. The other city is New York City, and the other material stems, of course, from her improvisational side, which centers around the creation of elaborate sound collages. According to a press release, Rossetto utilizes viola, violin, cello, dulcetina, and glockenspiel in order to create an effecting contrast and shroud over the sparse sounds of the aforementioned cities. In her o…

original field recordings made in Indonesia 2010; the Swiss radical performer presents again a completely different side of his work => environmental recordings of almost untouched nature & wildlife; lim. 200 in DVD box, comes with 5 colour photos

A big circle drawn with little hands was created from a box of things sent to Steve Roden by label owner Sylvian, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker of wood, a small electronic toy shaped like a butterfly that offered tones and animal noises, cardboard, a fan, and other things. i also used a banjo in the first track, and my voice in…

Vibractions, a sound installation and performance by Ferruccio Ascari, was conceived and created in 1978 within a program of sound installations organized by the center for visual arts Sixto/Notes (hich included site-specific works by Giuseppe Chiari, John Duncan, Walter Marchetti, Gianni Emilio Simonetti, along with contributions by representatives of the most radical researches of those years: Ant Farm, BDR Ensemble, Chris Burden, Paul Mc Carthy, Fredrick Nilsen, Barbara Smith, and Demetrio St…

I met Rolf Julius only once in September of 2009. Knowing I had studied his works for over a decade, he graciously invited me to meet him for his solo exhibition and performance in Montreal that year. By strange coincidence, not only did we end up staying in the same hotel in this city foreign to both of us, but our rooms were directly next to each other! He greeted me with such humility Ð and like roommates, for 4 days we shared every meal and nearly every conversation. It was there tha…

2010 release. With Vandalia Walter Marchetti focuses his concrete and radical themes. Also including is an homage to John Cage. Action Music! Vandalia includes "Perpetuum mobile" (1981), "Song for John Cage" (1985) and "Le secche del delirio" (1989). The 8-page booklet presents the photo of the "Perpetuum mobile" performance at Musicalia in 1981, the score of "Song for John Cage," the photos of two "Musica Da Camera" installations, as well as the reproduction of the original Vandalia CD layo…

LP version, previously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP). It’s abundance is a foil to the hauntingly minimal musical piece. A very simple sequence of piano accidents, according to Robert Ashley one of the most beautiful piano pieces ever recorded. Natura Morta includes the piece with the same title from 1980. "The LP sleeve reproduces a photo of the performance at Milanopoesia in 1988, as well as the text In My Music. The full color inner sleeve reproduces a photo of t…

LP version, previously released in the Il Divano Dell'orecchio 5LP box (ALGA 083LP). "Includes the same materials as the original 1974 Cramps LP titled La Caccia (1965). The LP sleeve reproduces the original scores, photos of both the 1965 ZAJ performances and of Walter Marchetti recording La Caccia. The full-color inner sleeve reproduces the original La Caccia LP layout.

Long deleted, last copies around: This is a simultaneous performance of "Coyote III" and "Pianovariation 1984". Recording of a performance at Seibu Museum of Art (Sôgetsu Hall), Tokyo, June 2nd 1984. Paste-on front cover with rubber stamped back cover. Includes double sided b&w insert. Blank white labels

Comes in digipak with 12-page booklet. Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to. Featuring Carl Michael Von Hausswolff, Gal, Maria De Alvear, Miki Yui, Alvin Lu…

Re-emerging from deep Fluxus celebrations in this 2012 summer, alga marghen realized that Philip Corner “Coldwater Basin” LP was instantly sold out. Could there be a better decision than issuing an alternative version of this masterpieces from the glorious 60s, by master of ecstatic music Philip Corner? If you fluctuated over sonic landscapes with the first version, then “Coldwater Basin No.2” will knock your socks off! More intense that Whitehouse, more liquid than your wildest dreams.  “Rememb…

Ulises Carrión's audio works clearly reflect his passion for language, its structures, sounds and meanings. He greatly enjoyed grammatically dissecting languages and trying to understand and explore their structures. His many initiatives and projects bear witness to his boundless obsessions with communication and circulation of works and ideas as a cultural strategy. This LP includes “Hamlet for Two Voices” (1977) in which two voices read out the names of the characters in the Shakespearean play…

Ricerca Sonora proudly presents, as its second release (RS2), a fantastic collaboration / improvisation between Philip Corner, Michel Vogel and Phoebe Neville.Phœbe Neville is musician, singer, and dancer. Philip Corner composer, musician, and former professor at Rutgers University in New Jersey. Michel Vogel, a musician and maker of instruments, principally percussion (gongs and bells). He has for this occasion installed a double frame for eight steel bells inspired by a Burmese model.  In the …

Pioneering American electronic music composer Annea Lockwood presents "In Our Name", based upon two of the many poems written in Guantánamo by detainees, with no expectation that they could ever be heard "outside the wire". Many poems were confiscated by the Pentagon before the writers' lawyers could read them and remain locked away, the Pentagon "arguing that poetry 'presents a special risk' to national security because of its 'content and format.'" Marc Falkoff writes, in his introduction to t…

Hermann Nitsch outstanding performance on the organ, his favorite instrument,  in Pauluskerk, Tilburg... 4 heavy organ drones recorded in a church during the Incubate Festival where Nitsch also did a performance. Comes in a gatefold sleeve with pictures of the performance. Limited to 300 copies

Written in response to: robert m. cooper's lost on both sides, dante; gabriel rossetti: critic and poet. written by mike kelley. produced by mike kelley and scott benzel. music by scott benzel.

vision vulkano" documents two performances by the düsseldorf-based artists angela fette and christian jendreiko, made during their collaborative show at kunstverein schwerte "orakel konkret" in spring 2011. the a-side contains "orakel konkret", a live recording of an action commissioned for the opening. christian jendreiko plays a vintage vibraphone and angela fette performs as a blindfolded oracle. the b-side is a spontaneous playful dialogue between the artists, playing with the termino…

Mike Kelley and Tony Oursler reunited in 1997 to make this recording to coincide with the opening of the poetics project installation at document x. all new material; 19 tracks. dreary background music for the era of the personal computer. features musicians: art byington, dave muller, steven vitiello, etc.

An 8-cd box set of solo recordings by shaw produced during, and just after, the period of his involvement with the early improvisational incarnation of the proto-noise band Destroy All Monsters. there guitar assaults, tape cut-ups, and loop experiments are guaranteed to turn your mind to jelly.Jim Shaw is an atypical figure in California’s art circles, sharing with Paul McCarthy and Mike Kelley the same desire to produce a visual body of work aimed at exploring the dark side of an American …

A 2-CD collection of Shaw/Kelley Duets from the early Destroy All Monsters period. Primarily featuring Shaw on guitar and Kelley on percussion, these extended improvisations also incorporate tape loops, tape collage, and primitive electronics. (Original Release Date: 2011)

This 2CD pair features performances in Tokyo in 1996. Sod and Sodie Sock documents a performance at the P-House Gallery, where the three musicians performed together and separately. The action extended beyond the gallery, into the street in front, and down the block to a local hair salon. Recordings documenting the simultaneous activities of Kelley, McCarthy, and Violent Onsen Geisha have been combined to allow the listener to experience the entire group of, spatially separated, performances at …

Unbelievable but true! baudrillard recites his poetry backed up by an all star band featuring tom watson, mike kelley, george hurley, lynn johnston, dave muller and amy stoll ­ special guest vocalist allucquère rosanne stone. recorded live as part of the chance festival at whiskey pete's casino in stateline nevada, 1996. you've never heard baudrillard like this before! music to read nietzsche to.

Edition Omega Point presents a collection of early work from Japanese experimental composer Kazuo Uehara. "'Seoul 1982' was composed using recorded sounds as raw material to reassemble the 'historical' soundscape of Korea's capital city, Seoul, in the early 1980s. During this time, despite the political chaos and the tension in the city under the Korean military government, I felt the lively energy in people's lives. The raw material comprised a wide range of different sounds, including th…

Forty minutes and Eleven Seconds is a limited-edition vinyl LP created for the remaining performances of the Merce Cunningham Dance Company during their precedent-setting Legacy Tour. The record contains never-before-heard recordings of works by MCDC's Music Committee, Takehisa Kosugi, David Behrman, John King, and Christian Wolff and MCDC's Music Coordinator, Jesse Stiles. These pieces were recorded live over the course of the Legacy Tour using a variety of acoustic and electronic instruments. …

This album is for the downward gaze. Taken from leftover piano sounds of simple sound sequences which Aki Takahashi had recorded for him. There were these irregular noises to be found which makes the connection from ear to eye. At the exhibition the piece was played back under a sheet of glass. Over which black pigment was sprinkled through a sieve. whereas a simple. Open loudspeaker was installed underneath the glass... Rolf Julius' works are always catalyzers for increasing attention to the th…

Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…

Kye is proud to present in association with Penultimate Press the fully authorized reissue of Henning Christiansen's Kreuzmusik FLUXID BEHANDLUNG Op 189. Kreuzmusik FLUXID BEHANDLUNG Op 189 was commissioned by the Bonner Kunstverein Gallery, Kunstfond, Germany in August 1989, for inclusion in their Taking Fluxus Around for a Drive happening, (also featuring performances by Dieter Daniels, George Maciunas, Allan Kaprow, Al Hansen, Joe Jones and others) and originally issued on cassette in …

“Strings” documents the long awaited first encounter of David Maranha and Stephan Mathieu, taking place in the Tennis Court of the Parque de Serralves, in Porto, on a sun-drenched yet gusty late-afternoon in July 2011. Having discussed in advance which instruments, tuning and notes to use, the piece was accomplished as an improvisation on the violin, shruti-box and virginals, reflecting both players love for classic minimalism, but also their ability to transform this language and make it their …

Three years ago we suggested to Mattin the possibility of publishing a book containing all his texts to date. Mattin was a little reluctant since much of the material was already available online in one form or another. However, at that stage this material was both distributed and disorganised. With the help of Anthony Iles this material has been revised, edited, and is presented here alongside newly commissioned materials. This book contains texts, interviews and responses to performance…

Two short sides of sound collage from Tokyo's masterful sample artist Otomo Yoshihide. These pieces are made up of short sound samples of almost any instrument imaginable: saxophone blasts, cello strokes, short metallic chord bursts, single plucks of the guitar as well as the noises made by hand movements all set to a metronomic sampled drumbeat. Quite interesting, but not a fully realized work. If Otomo chooses to continue this process, it could potentially have wonderful results.

**Limited edition of 300 including two inserts** The first release on Ricerca Sonora is a new album by the important American Avant-Garde figure Philip Corner. A contemporary of John Cage, Corner studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messaiaen. He was a founding member of the Fluxus movement, founder (with James Tenney and Malcolm Goldstein) of the Tone Roads Ensemble, the resident musician and composer for the Judson dance theatre, and co-founde…