I must admit that I was relatively new to LeWitt's work. Searching for more information and images, my admiration for his art grew and grew. I found it extremely inspiring, and I became so (over) enthusiastic that within a week or two, I'd recorded more than one and a half hours of music before any footage had been shot.
These Sol Sketches can be seen as meditations on LeWitt's work. With some books of his work opened in front of me, I started improvising on the piano. This resulted in a few hours of raw material, which were then chopped up and edited into shorter pieces. I made about 40 of 'em, from which I've selected 21 for this release.The yet untitled documentary is still a work in progress. Some of the Sol Sketches may appear in the movie, probably in revised form. Others might not be used at all, and maybe additional music will be composed. But these 'behind the scenes' early versions of the soundtrack felt too good not to document.