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Sergio Sorrentino plays American music for electric guitar by Cage, Feldman, Wolff, Lang, Vees, Sharp, Curran, Polansky and Stiefel, including the first CD release of Feldman's The Possibility of a New Work for Electric Guitar.
Eric Schmid’s most musical edition so far. Playing Coldplay on a synth, acoustic guitar bar-chords, DJing LPs, annoying sampler, cooking hamburgers. All you could hope for.
Edition of 80 Cassettes, housed in a plastic box
10-page Pamphlet
Caramel chocolate square
Marlboro Red Cigarette
Suite by guitarist Marco Cappelli inspired by the characters of Fred Vargas's detective novels, played by the Marco Cappelli Acoustic Trio with Ken Filiano on double bass and Satoshi Takeishi on percussion.
Italian guitarist Marco Cappelli's take on Spaghetti Western music and 1960s surf sound as the Italian Surf Academy, with Luca Lo Bianco on bass, Francesco Cusa on drums and guest voice Gaia Mattiuzzi, plus a cover of Secret Agent Man.
Jazz settings of Langston Hughes's poems, including The Weary Blues, The Dream Keeper and Daybreak in Alabama, with Eric Mingus on voice, David Amram on piano and Larry Simon with Groove Bacteria. Avant series.
Italian Surf Academy, led by guitarist Marco Cappelli, reworks the 1968 film soundtrack of Barbarella by Bob Crewe and Charles Fox, recorded in Paris in 2013, post-produced by JD Foster and mastered by Brian Brandt and Paul Howells.
In the early 1970′s, Brazilian popular music was approaching a high water mark of creativity and popularity. Artists like Elis Regina, Chico Buarque and Milton Nascimento were delivering top-shelf Brazilian pop, while tropicalists Caetano Veloso, Gilberto Gil and Os Mutantes (see World Psychedelic Classics 1) were entertaining the college set with avant-garde fuzz-pop poetry. Enter Tim Maia with a massive cannonball into the pool. It was the only dive Tim knew. Standing just 5’7 (6′ with the Afr…
Paul Dolden’s maximalist take on ancient myths and tuning systems, 2012 to 2016: the five-movement Music of Another Present Era plus two pieces for soloist and tape with guitarist Maurizio Grandinetti and trumpeter Łukasz Gothszalk.
Recital is joyed to bring to you the new Idea Fire Company album, Lost at Sea. Lost At Sea imagines the Idea Fire Company as the bar band on a small cruise ship. There are approximately 40 passengers aboard. Around 2/3 of them are in the lounge for the nightly IFCO performance. Most of them seem more interested in drink than in music. The ship has become lost and seems to be endlessly circling. Well stocked with booze and food, etc., the ship continues on. IFCO, armed with only a piano and…
*In process of stocking. 2022 stock.* Research diver, underwater videographer, world traveler, film director and guitarist extraordinaire, Henry Kaiser has been a central figure in the Bay Area music scene since the late 1970s. A member of the first generation of American free improvisers, his style is completely unique and touches on Rock, Blues, World Music, Folk, Jazz, Classical and so much more. Here he steps out on his own for a solo guitar album that pays tribute to a handful of his heroes…
First recording of Peter Ablinger's 33-127 (2002) for electric guitar and CD, played by Seth Josel: 95 pieces in which a descending scale meets recorded street noise, in just under an hour.
Keiji Haino and Masami Akita as Kikuri, live at Victoriaville on 21 May 2007: guitar, voice, strings and drums against electronics and computer, in their first concert together outside Japan.
Chamber music by Hans Werner Henze, weighted toward pieces drawn from his theatre works, played by the Naples-based Ensemble Dissonanzen: Ein kleines Potpourri from Boulevard Solitude, Toccata Mistica, Drei Tentos and Neue Volkslieder und Hirtengesänge among others.
Early works by Gavin Bryars from 1969-71: first recordings of Pre-Mediaeval Metrics and Made in Hong Kong, plus 1, 2, 1-2-3-4 and The Squirrel and The Ricketty Racketty Bridge, played by Ulrich Kreiger, Seth Josel and others.
Double LP by Dave Okumu, Tom Herbert and Tom Skinner, recorded live at The Crypt in Camberwell, London, on 15 June 2018: covers of Abercrombie, Björk, A.K. Paul and Miles Davis alongside originals.
Four works by Stéphane Roy from 1987 to 1994 that move from expressive early tape pieces to Mimetismo, where Arturo Parra's guitar blends into the tape, and Crystal Music, composed largely at CCRMA in Stanford.
Six duos (2000-2016) by Tokyo-born composer Keiko Harada for pairs such as trombone and accordion or flute and koto, with Stefan Hussong, Carin Levine, Naoko Kikuchi, Yumiko Meguri, Jürgen Ruck and Mike Svoboda. First recordings, co-produced with Radio Bremen.
Seven works (1994-2016) by the Bucharest-born composer Tom Sora, in first recordings by Sarah Maria Sun, TrioCoriolis, the Steuber-Öllinger guitar duo, Andreas Skouras, Thomas Hastreiter and Sora himself. Co-production with Bayerischer Rundfunk, 2017.
Five orchestral works by Chaya Czernowin (2010-13), including The Crescendo Trilogy, with the BR Symphony Orchestra, Berner Symphonieorchester, SWR Sinfonieorchester, West-Eastern Divan Orchestra and others, recorded live 2011-2013.
Four works by Rolf Riehm (2007-2011): Lenz in Moskau with Ensemble ascolta, Im Nachtigallental for cello (Erik Borgir), Ton für Ton for contrabass clarinet (Theo Nabicht) and Au bord d'une source with Jeremias Schwarzer and the hr-Sinfonieorchester under Sian Edwards.