★Circum-Disc

With Dans-sons as we are, Audrey Lauro, Christian Pruvost and Peter Orins deliver an album shaped by subtle shifts, restrained tensions and slow transformations of sound matter. A music of listening as much as gesture, where each intervention seems to open a new space rather than occupy the previous one. Brought together through a shared practice of free improvisation, the three musicians develop a collective language that is both dense and constantly in motion. The trio never seeks spectacular …

With Ça commence par la marche (It Begins with the Walk), Jérémie Ternoy presents an immersive work in which repetition becomes movement and movement becomes sonic architecture. Building on a career shaped by major collaborations — notably with Magma — as well as his own projects (Organik Orkeztra, his trio, and TOC), he delivers here a fully realized synthesis of his artistic explorations. The album makes walking its founding principle: moving forward slowly, perceiving the world in its finest …

Drones, hums and overheard sounds, bladders and strange vibrations, air currents, roars and ticking, friction and the thudding of a drum-beating fish, the wail of a dervish’s mixer, the manic circling of a dreamt-of tone by sonic lathe-workers…

*2026 stock* Diffraction is the amplified reflection, across a wider sonic territory, of what takes place within the making of DDK’s music. A composition written for the GGRIL, in which the three musician-composers weave their texture by juxtaposition, by overlay, in parallel, always within the musical material itself. But Diffraction truly comes to life only through close collaboration with the GGRIL performers, where each person’s character becomes raw material. A compositional process intimat…

Third album by the Jérémie Ternoy Trio, Survol à basse altitude (“Low-Altitude Flight”) extends the story of a group that, for over twenty years, has moved beyond the well-trodden paths. Away from noise, effects, and speed, the trio continues its quest for clarity, balance, and meaning. Around Jérémie Ternoy (piano, compositions), Nicolas Mahieux (double bass), and Charles Duytschaever (drums), an open space for dialogue takes shape — one where listening drives everything, where each sound finds…

For more than fifteen years, Toc – the Lille-based trio of Jérémie Ternoy (Fender Rhodes, Piano Bass), Ivann Cruz (guitar) and Peter Orins (drums) – has been pursuing a singular sonic quest where the energies of experimental rock, the unpredictability of improvised music, and a constant drive toward excess converge. On stage as on record, Toc invents a telluric and ever-shifting music, built from flows, ruptures, and accumulations, where hypnosis and chaos feed off one another. For this new albu…

Kaze and Koichi Makigami Unleash Musical Mayhem on New Album Shishiodoshi.

“Creative collaboration could lead to tension or disagreements, but here it’s all about freedom, joy, and acceptance. Deeply rooted in respect and love. And that radiates through the music. I lived the process, but I hope people will feel that vibe.”
— Robbie Kuster

"A note, a sound, an air, you can write them down and then leave them to be read or played; but you can also write nothing, just sit down, play your note, watch it flow and expand, add another to it and then another, and on and on. There may also be two of you: the second sits down, plays a note, watches it flow, adds another to it, and watches it drift and blend with the others. And then there can be three; the third arrives, sits down, plays a note, adds another, and another, and watches them …

After a first album made up of 11 pieces from Tombstones by Michael Pisaro-Liu — works with delicate tones and dusty melodies that wrap us in an intimate atmosphere — the musicians of the Muzzix collective, brought together under the direction of Barbara Dang, present this second recording, which completes the entire collection. This new opus continues the sonic exploration: timbres become more diverse, textures thicken, and silence — in its rawest materiality or its faintest breaths — becomes a…

Petr Vrba and Joke Lanz met each other many years ago while standing in the cue for the Hermitage museum in Saint Petersburg Russia. They never made it into the museum, instead they went to eat Solyanka soup and drunk red wine from Georgia. That’s when they decided to join forces and create a power duo w/ electrified trumpet, turntables, electronics and voice. They have toured Czech Republic twice and performed several times in Vienna and Berlin. Mutants In Siberia is their debut album recorded …

Tom Jacques and Eunsil Noh met recently on Tom’s first trip to South Korea. Their meeting was marked by instant musical chemistry and camaraderie. Their duo project, Oh ! Pebbles, consists of their complimentary singular practices in musical improvisation. Their sound centers on fusing minimalistic noise coming from mundane objects triggered by vibrating mini-motors and the re-actualisation of the storied history of voice art in the Pansori tradition. This combination, often supported by harmoni…

Torche! is a Euro-Quebec supergroup bringing together French clarinetist Xavier Charles, Austrian trumpeter Franz Hautzinger, and Quebec musicians Philippe Lauzier (bass clarinet), Éric Normand (bass), and Michel F. Côté (drums). All specialists in extended techniques and textured noise, the quintet delivers music that is mesmerizing, hypnotic, and abstract."It’s a highly evolved art…" - Stuart Brommer, Musicworks "…captivating bursts of fire, crackling energy, and beautiful incandescence—enough…

Brûlez les meubles is a dual-headed jazz project led primarily by Éric Normand (Rimouski) and Louis Beaudoin de la Sablonnière (Montreal). Born from their mutual passion for each other’s eccentric musical worlds, this duo is known for collaborating with experimental improvisers and renowned artists. Their music is abstract and meditative, both modern and simple, drawing inspiration from jazz guitar legends such as Jim Hall, Bill Frisell, René Thomas, and Brandon Ross. Their fifth album, Folio #5…

Almufaraka brings together the breath and voices of Gaëlle Debra, Patrick Guionnet, and Maryline Pruvost, alongside the sound textures of skins, wood, and metal played by Peter Orins. This quartet explores all technical means to create a music that is both archaic and avant-garde, drawing inspiration from a mythical primitive tradition. By recreating a form of serenity, the music immerses us in an original sonic imagination. The recording offers a journey through the full sound spectrum, from th…

Falter Bramnk, Philippe Lenglet (members of the Muzzix collective), and Samuel Bodart (Numero h.) have known each other for a long time, often crossing paths in various and diverse ensembles (always working with improvisation), but until now, never as a trio! A few years ago, they came together, and after a few concerts, they felt the desire to further develop their work and record it. For this project, they decided to blend plucked/struck strings (acoustic guitar surrounded and enhanced with a …

The Franco-Czech duo Kesherul Neg Pineg casts a spell on ritual reductionism, offering unsettling, even gloomy, psychedelic grooves. Frenzied attacks, atmospheric soundscapes, the music remains unpredictable but full of abundant energy and unexpected turns. The two musicians bewilder the senses, creating illusions and deceptions, diverting their instruments, extended trumpet, dizzying analog synthesis, prepared percussion… These two activists of improvised and experimental music met in Prague in…

Toc loves encounters and saxophonists. Alongside saxophonist Paulina Owczarek, the trio crafts a music composed of desynchronized layers, a mille-feuille of raw energy where rhythms are both suggested and suggestive. By exploring autonomous temporalities, the musicians naturally converge, with the saxophone finding its place seamlessly within Toc’s improvised kraut maelstrom, where one might even glimpse a few psychedelic jellyfish, a flapjack octopus, or a harp sponge. Regularly crossing paths …

Extraordinary, free, and expressive, the trio woo (Wodrascka Owczarek Orins) is the result of the moment and fortunate encounters. Paulina Owczarek and Peter Orins have been playing together for a few years, meeting in Berlin in Satoko Fujii’s orchestra, then venturing into a duo, producing music of subtle gestures, barely perceptible movements, but also of raw and liberated energy. Christine Wodrascka meets Peter Orins within the Franco-American ensemble Sangliers, with Dave Rempis, Keefe Jacks…

The Theory of Constraints (TOC) is a framework of interdisciplinary knowledge, methods, and management tools for organizations. It starts from the premise that imbalance is inevitable but also desirable. The flow management method of the Theory of Constraints, called Drum – Buffer – Rope, involves pacing the release of manufacturing orders to the pace of the bottleneck to avoid excess work in progress and reduce cycle times, while ensuring that parts arrive sufficiently early to never stop the s…

Dead Dead Gang is a musical piece composed by drummer Peter Orins, inspired by the 2016 novel Jerusalem by British writer Alan Moore. The music is forged during a residency in 2022 with the Muzzix collective at La Malterie in Lille, and is nourished by the proposals and initiatives of Barbara Dang (piano), Maryline Pruvost (voice and Indian harmonium) and Gordon Pym (electronics and amplified objects).A true world-story, disproportionate and monumental in size and time, Alan Moore’s novel is an …

Toc Did It Again, and uses the celebration of fifteen years of sonic ebullition to add a tenth stone to its discographic edifice, a quadruple live album majestically underlined by the fineness of the line of the drawer Jérôme Minard and by the verb of the journalist Petr Slabý. The trio lives only by the confrontation with its public. After almost two years without being able to hit the road, the musicians are finally leaving in October 2020 for Central Europe for a dozen concerts that are wild …

Furinkazan* ” Wind, forest, fire and mountain “, is a suite of pieces constituting in music a travel diary in Japan. The orchestration of this trio gives it an identity between jazz trio and percussion trio. The music, composed by Ludovic Montet, alternates between very written themes and large improvisation areas. It is meant to be evocative of this fascinating island that is Japan, where a great mystical breath and a striking modernity are mixed. The three musicians of this trio have used thei…

This almost acoustic duet is the result of instrumental introspection on both sides, over the long term, so that one day the encounter will happen. These two figures of improvised music, with contrasting backgrounds but common values, explore together the sound matter, and reveal the surprising complementarity of their playgrounds. Sakina Abdou and Raymond Boni give us to hear the spontaneity of a game cultivated with as much seriousness as casualness, in which the incarnation prevails to any fo…

Points sans surface is a composition by Jean-Luc Guionnet for the Un Ensemble, a large ensemble created in 2012 under the direction of David Chiesa. The piece includes a sound system for 25 musicians and 8 speakers. It is also a visual experience generated by light. The general device consists of an acoustic and electroacoustic spatialization of sound. The audience is surrounded by musicians and speakers. Each instrumentalist is picked up by a microphone connected to a mixing console offering th…

2025 stock ** "It’s been almost 10 years since Louis Minus XVI reigned over the free jazz of the Flandres. Fortunately for us, his reign is not ready to stop with this new album “De Anima “. This Art Ensemble of Lille is hyperactive. In addition to three albums and a split with the Berber artist Lahcen Akil, we find members of the quartet in equally ambitious projects, such as Unik Ubik, M.Thibault, Hook, L’Atelier d’Education Musicale du Centre Social Raymond Poulidor, but also in the company o…

The project “Glassical Music” is born from an astonishing hearing sensation, barely perceptible, coming from returned glasses rinsed with hot water. The resulting phenomenon of condensation reveals, between water, air and glass, the presence of specific timbric textures and continuous rhythmic patterns, quite different according to the choice of containers (glasses, bottles, and by extension of the materials: plastic or metal). Glass and water vapour are thus the only sound materials used, and l…

“I work since 1993 to an experimental approach of the church organ (Pentes, Tirets) : 1) we control a machine 2) the organ is halfway between vehicle and artificial intelligence : it is a public transport : a ship, a barque, a boat, a building within a building 3) passing the machinery to the filter of listening, gesture and architecture 4) bringing the blast into the space : ventilate 5) make this organ sound not like this other one 6) express the organ as one says about lemon.The blast is endl…

Peter Orins project could be called an accompanied solo. The drummer has designed an electronic device autonomous enough to influence him in his play in an almost unpredictable way. Therefore a kind of dialogue is established between the musician and the electronics where the usual roles are reversed: the drummer offers an insistent and repetitive form, transformations and random treatments performed live cause the disorder conducive to improvisation. Magnified timbres or on the contrary disturb…