★Matchless Recordings
Meetings With Remarkable Saxophonists - Volume 2
The second volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with John Butcher on tenor & soprano, with Guillaume Viltard on double bass. The concerts are also notable as Eddie Prevost returns to the drum kit to extend the function of the basic jazz element into AMM-style improvisation.
Two London Concerts
Restocked, reduced price. Two live recordings by master improvisers John Tilbury (piano) and Eddie Prevost (percussion) playing two emotional sets that are quiet at just the right times and allow for a balanced amount of white space, creating beautiful music. "A new AMM album then, always a welcome arrival, capturing two relatively recent London performances from the duo of Eddie Prévost and John Tilbury. one of which I attended, and the other I could not. Both capture really rather wonderful se…
Meetings With Remarkable Saxophonists - Volume 1
Meetings with Remarkable Saxophonists - Volume 1. John Edwards, double bass. Evan Parker, tenor saxophone. Eddie Prévost, drums. First of a series of recordings made at The Network Theatre, London on 30th May 2011.
Impossibility In Its Purest Form
Percussionist Eddie Prévost not only co-founded the British improvising collective AMM more than 45 years ago, he is its chief annotator and its sole consistent member. With these dual roles he has both explained the aesthetic, political and ethical dimensions of an enterprise dedicated to constant self-examination and on-stage negotiation, and ensured the music’s immediacy through the agency of his exactingly tuned-in playing. But before he did any of that, he was a fine jazz drummer wit…
Music for Piano and Strings by Morton Feldman. Volume 2
The 2nd volume of "Music for Piano and Strings" by Morton Feldman is performed by The Smith Quartet with John Tilbury, presenting "Patterns In a Chromatic Field", and "Piano, violin, Viola, Cello", on DVD audio to allow for the length of these large works
Several lifetimes ago, when I was nineteen, I was interviewed by Wilfrid Mellers for a place at York University. That I failed to win a place may have been due in part to the confinement of our discussions to the music of Morton Feldman. Wilfr…
Whobub
The great surprise with the French quintet Hubbub comes with seeing them in performance before you’ve heard one of their recordings. Five men walk on stage, two carry saxophones, one a guitar, the pianist and drummer sit down at their instruments. It looks like a conventional notion of a band, the sole concession to the world of electronics the Gibson Les Paul, itself a guitar design that has changed little in the past sixty years. Every instrument carries with it the expectation of a characteri…
Penumbrae
Matchless Recordings presents a live concert by Eddie Prévost - bowed percussion and Jennifer Allum - violin.
This album is composed of two parts: Investigative Study recorded at The Welsh Chapel, Southwark Bridge, Road, London on 13th July 2010, and Dolwilym Penumbra, recorded at the Mwnci Studios on the Dolwilym Estate, west Wales on 12th October 2010.
Jennifer Allum alternates two bows, a 17th century German one and a 'conveyor-belt' bow. Eddie Prévost picks a mass-produced model and two more…
Sounding Music
AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser. "[...] Certainly in places this sounds like AMM through and through. When Prévost and Tilbury are working together it really cannot be anything else. I find myself hearing the connections between these two musicians through everything else, no matter what other sounds are there to be heard. There are the little climaxes…
Music for Piano and Strings by Morton Feldman. Volume 1
The Smith Quartet with pianist John Tilbury perform two long works by Morton Feldman: "For John Cage" (1982) and "Piano and String Quartet" (1985) on DVD Audio. Several lifetimes ago, when I was nineteen, I was interviewed by Wilfrid Mellers for a place at York University. That I failed to win a place may have been due in part to the confinement of our discussions to the music of Morton Feldman. Wilfrid (a friend of Feldman's and, in later years, a friend of mine) saw Debussy as a powerful influ…
Memories for the Future
The late Paul Rutherford (trombone), Harrison Smith (saxophones, bass clarinet), Tony Moore (cello) and Eddie Prevost (drums); this is a newly discovered recording of a concert given in Bristol in 1986.' The late Paul Rutherford (trombone), Harrison Smith (saxophones, bass clarinet), Tony Moore (cello) and Eddie Prevost (drums); this is a newly discovered recording of a concert given in Bristol in 1986.' 'A lazier title would have been Memories Of The Future, a predictable contradiction that suc…
Dazwischen
Sebastian Lexer piano +. Recorded at the Electronic Music Studios, Goldsmiths, University of London on 16th November 2008. Max/MSP programming, recording and mastering by Sebastian Lexer. Notes by Eddie Prévost, Ian Stonehouse and John Tilbuy. Design by Myah Chun. I am impressed by the varying degrees of intentionality and the spatial deployment of sounds (isolated, remote, etc.) which enrich Lexer's music. Shades of Cardew and Wolff. For example, in an ensemble the piano sound can be effectivel…
Gamut
Seymour Wright, alto saxophone. Eddie Prévost, roto toms. Recorded at Trinity College of Music, Greenwich, England on 2nd April 2008. Recording and mastering Sebastian Lexer. CD booklet image photograph by Paulo Wright. Notes Seymour Wright and Eddie Prévost respectively.
Blackheath
Alexander von SCHLIPPENBACH, piano. Eddie Prévost, drums. Piano solo, drums solo and then a duet. Recorded at a concert given at Blackheath Halls, London, England on 30th March 2008. Recording and mastering Sebastian Lexer. Notes by Christoph Wagner. Cover artwork Myah Chun.
That Mysterious Forest Below London Bridge
1. Chant-Lambert-Lexer-Milton (Tom Chant (soprano and tenor saxophones), Ross Lambert (guitar), Sebastian Lexer (piano and laptop), Matt Milton (violin). 2. Coleman-Wastell-Wright (Jamie Coleman (trumpet), Mark Wastell (harmonium), Seymour Wright (alto saxophone). 3. AMM (Eddie Prévost (percussion), John Tilbury (piano). Recorded by Rick Campion, edited and mastered by Sebastian Lexer.
Generative Themes
very rare, long out of print studio recording from 1982. This marks the recording debut of John Tilbury (piano) in the group, plus the now reunited core of Prévost and Keith Rowe (guitar, electronics). Absolutely stunning improvisational "noise" from a very serious standpoint ensemble. One copy only available, new and unplayed
The Inexhaustible Document
rare original LP, recorded live in London on 1/10/87. Prévost, Rowe, Tilbury, and Rohan de Saram (cello). The organic control of sound on this disc is spectacular; pretty much a must for serious listeners worldwide. One copy only available, new and unplayed
Seventh May 2001 - Freedom of the City
Matchless Recordings presents a double selection CD of recordings from "Freedom of the City - festival of radical improvised musics", London, England on 7th May 2001.
CD 1 features:
Bark! with Rex Caswell - electric guitar, Phillip Marks - drums and Paul Obermayer -electronics.
Eddie Prévost - perussion solo.
Seymour Wright - alto saxophone, Yann Charaoui - snare drum, vocals, John Lely - piano, electronics.
CD 2 features:
Eddie Prévost Trio with Tom Chant - soprano saxophone and John Edwards -…
The Issue at Hand
The musicians who perform together on this CD are as unlikely a group of individuals that you are ever likely to find. Yoshikazu Iwamoto brings a cultural past that has deep aesthetic roots in Japanese Buddhism, while John Tilbury's classical European training brings a sensibility that has matured through contract with cultivated traditions of learning and discipline. Eddie Prévost by his presence draws everything together into an indivisible whole, through responses that have been honed from ye…
Undistilled
Sakada is: Mattin (computer feedback), Rosy Parlane (computers and radio) and Eddie Prevost (percussion). "Undistilled was recorded at live performances in London and Rotterdam in 2002. Components are a restricted range of percussion (Eddie Prevost), electronic sounds confected earlier for intuitive, tweaked release (Rosy Parlane), and nervous hyper-attention to every noise present, allowing spontaneous digital transfiguration of some (Mattin). The product is a formidably dense mesh of textures …
Most Materiall
"Double album, double solos of two distinctive musicians, becoming duets in a relatively rare space between solo playing and ensemble. Reed and percussion start at different places, the working through breath, the other pulse of materials being struck, one typically characterised by line, the other by attack, producing in the first pitch configurations, in the second beat patterns (Eddie Prévost doesn't use the specifically pitched mallet instruments). Each player comes with a distinctive sonic …