Matchless Recordings presents a live performance by Furt. The album includes four tracks performed by Richard Barrett and Paul Obermayer - electronics.Track 1 - recorded in Berlin, December 2001Track 2 - produced in Watford, October 1997Track 3 - produced in AmsterdamTrack 4 - recorded in Amsterdam, 29 February 2000
Solo percussion by Eddie Prévost: four pieces for drums, bowed cymbals, gongs and resonating objects, recorded at Gateway Studios, Kingston upon Thames, on 16 July 2001.
AMM (Eddie Prévost, Keith Rowe, John Tilbury) in a continuous improvisation of about 57 minutes, recorded live at the free radiCCAls festival, McLellan Galleries, Glasgow, on 4 May 2000.
Eddie Prévost (drums) in trio with Tom Chant (soprano saxophone) and John Edwards (double bass), six improvisations recorded at Gateway Studios, Kingston-upon-Thames, on 28 August 2000.
Matchless Recordings presents a live concert by Bark! recorded at LMC Sound, London, England on 10th April and 18th of September 1999.
The album includes nine tracks performed by Rex Casswell - electric guitar, Phillip Marks - percussion, Paul Obermayer - electronics.
"A wonderful album of crunch ‘n’ roll, as Manchester drumming -legend Phillip Marks leads Rex Casswell (electric guitar), best known for his tenure in Stock,Hausen & Walkman, and Paul Obermayer (sampler) through some entertaining a…
AMM (John Tilbury, Keith Rowe, Eddie Prévost) in a continuous performance created with the dancer Fine Kwiatkowski, recorded live at the Musique Action festival, Vandoeuvre-lès-Nancy, France, on 24 May 2001.
Debut CD by the trio of Yann Charaoui (cymbals, table-top samplers), John Lely (piano, prepared bal-bal tarang) and Seymour Wright (alto saxophone), recorded at Gateway Studios, Kingston-upon-Thames, on 2 August 2000.
Resound, the trio of Eddie Prévost, Tony Moore and Peter McPhail: studio pieces recorded at Globe Studios, London, in August and December 1985 and first issued on LP in 1986, plus a concert recording from the Fire Station Arts Centre, Oxford.
Chamber works by Earle Brown from Folio, Four Systems, Corroboree and Tracking Pierrot, played by musicians of Dal Niente Projects including John Tilbury, recorded at Gateway Studios, Kingston upon Thames, in 2002 and at the Union Chapel, London, in 1999.
Such: Yoshikazu Iwamoto (shakuhachi), John Tilbury (piano) and Eddie Prévost (percussion) in a continuous improvisation of about two and a half hours, recorded at Gateway Studios, Kingston-upon-Thames, on 3 August 1998.
Studio duets by Eddie Prévost (drums) and Veryan Weston (piano), twelve pieces in two parts recorded at Gateway Studios, Kingston, on 5 and 29 June 1998, mixed by Evan Parker.
Duo improvisations by Evan Parker (tenor and soprano saxophones) and John Tilbury (piano), two long chapters and a short epilogue, recorded at Gateway Studios, Kingston-upon-Thames, on 3 August 1998.
Matchless Recordings presents a live concert by the Eddie Prévost Trio recorded at Gateway Studio, Kingston, England on 9th March 1997. The album includes seven tracks performed by Eddie Prévost - Drums, Tom Chant - Soprano saxophone, and John Edwards - Double bass.
"This trio, quite intuitively (because I never spelt out what I hoped would happen) works in a subtle, attentive way: examining what the music is and where it is going all within the process of playing; feeling the sound to be comple…
Double CD of saxophone and percussion duets by Evan Parker and Eddie Prévost, nine pieces titled after Francis Bacon, recorded at Gateway Studios, Kingston, on 23 February and 13 April 1997.
John Tilbury plays Cornelius Cardew's piano works of 1959-1970 (February Pieces, Volo Solo, Winter Potatoes, Material, Unintended Piano Music), with Eddie Prévost on tam-tam in a Treatise excerpt. Recorded at the Royal College of Music, London, early 1996.
Superb 1996 triple-CD set on Matchless Recordings presenting 3 exceptional full live recordings spanning 25 years (1969-1994). AMM: Cornelius Cardew, Christopher Hobbs, Lou Gare, Keith Rowe, Eddie Prevost and John Tilbury in different combinations.
Awesome set with a sense of suspended time that marks out their musical world. Combined with the quality of attention and the virtuosic command that is evident in each stroke, it is almost hallucinatory in effect - Keith Rowe, John Tilbury, Eddie Prévost. Concert in Houston, Texas. 1996. "A stupendous continuation of the 90's AMM sound, ala previous documents such as Newfoundland, Live In Allentown and From A Strange Place. Shifting patterns consistently emerge; via Prévost's bowed percussion; v…
Tony Moore's double-tracked cello interpretations of four scores devised with the artist Josep Vallribera in Lower Saxony in February 1995, recorded at Basement Tape Studios, Amsterdam, on 7 May 1995.
** Restocked, reduced price** A re-issue of the Pogus LP format with additional material taken from the same concert at the Arts Club, Chicago, USA, 25th May 1984. The difference in the music included on this CD version is the addition of Treatise '84. This, as the audience was aware, was an Amm improvisation inspired and guided, rather than dictated or controlled by Cornelius Cardew's graphic masterpiece. There is, of course, no way that this work could be identified as a composition in the acc…
2024 Stock. Minor signs of wear from long-time storage. ** "Recorded in 1994 at a concert in Manchester, England, Band on the Wall -- which is literally where they played -- features the divine dancing of Eddie Prévost's drumming in tandem with the piano of Marilyn Crispell, who was just then emerging out from under the shadows of her two mentors, Cecil Taylor and Anthony Braxton. Since Crispell was used to working with Gerry Hemingway, this set provides an amazing contrast for the pianist, in t…
Organum (David Jackman) with Michael Prime, Dinah Jane Rowe, Roger Sutherland, Robert Hampson and Jim O'Rourke: five drone pieces recorded between 1985 and 1994, including a 1990 live track from Recommended Records, London.
Eddie Prévost's quartet with Geoff Hawkins, Gerry Gold and Marcio Mattos, recorded live at the Mumford Theatre, Cambridge College of Art and Technology, on 19 May 1977. The two 1979 LPs MR 1 and MR 2 on one CD, minus one short piece.
Sixteen solo cello improvisations by Tony Moore, recorded without overdubs and in playing order at the Basement Studios, Amsterdam, on 16 and 17 August 1993.
One of the best ever recordings by the mighty AMM, here composed of Eddie Prevost, Keith Rowe and John Tilbury. Original 1992 CD on Matchless Recordings.
A single 76-minute concert by AMM (Eddie Prévost, John Tilbury, Keith Rowe), recorded at the School of Music, Memorial University, St. John's, Newfoundland, on 2 July 1992 during Sound Symposium 6.
The British Free Jazz Quartet (Paul Rutherford, Harrison Smith, Tony Moore, Eddie Prévost) recorded live at the Holywell Music Room, Oxford, on 6 July 1989. The group's first album, issued on CD by Matchless Recordings the same year.
Tom Phillips's opera Irma (1969), built from phrases of W.H. Mallock's novel A Human Document, performed by AMM (Rowe, Tilbury, Prévost) with Phil Minton, Lol Coxhill, Elise Lorraine and others at the Union Chapel, London, on 20 May 1988.
John Tilbury plays sonatas 1 to 12 of Dave Smith's First Piano Concert (1985-86), short pieces each based on a different genre, recorded in London in April 1988.
rare original LP, recorded live in London on 1/10/87. Prévost, Rowe, Tilbury, and Rohan de Saram (cello). The organic control of sound on this disc is spectacular; pretty much a must for serious listeners worldwide. One copy only available, new and unplayed
The Eddie Prévost Quartet with Larry Stabbins, Veryan Weston and Marcio Mattos: Continuum, recorded live at the Bracknell Jazz Festival on 3 July 1983, plus four pieces recorded at Porcupine Studios, London, on 27 and 28 March 1985.
very rare, long out of print studio recording from 1982. This marks the recording debut of John Tilbury (piano) in the group, plus the now reunited core of Prévost and Keith Rowe (guitar, electronics). Absolutely stunning improvisational "noise" from a very serious standpoint ensemble. One copy only available, new and unplayed
Double CD of unaccompanied reed solos by Nathaniel Catchpole, Seymour Wright, Lou Gare, Kai Fagaschinski, John Butcher and Evan Parker, recorded at 291 Gallery, Hackney, London, on 9 January 2005.
Sakada (Mattin, computer feedback; Rosy Parlane, computer and radio; Eddie Prévost, percussion) recorded live at the Audit Club, London, Worm, Rotterdam, and the Baggage Reclaim, London, between January and March 2002.
Flayed, a drumming sequence by Eddie Prévost with David Jackman, and Crux, a drone piece by Organum (Jackman, Dinah Jane Rowe, Andrew Chalk, Steven Stapleton), first issued on a 1987 Silent Records LP and reissued on CD by Matchless in 1995.
Duo of John Tilbury (piano, prepared piano, organ) and Eddie Prévost (drums, stringed barrel, tam-tam, percussion), recorded at Gateway Studios, Kingston upon Thames, on 6 January 2004.
Duo of John Butcher (tenor and soprano saxophones) and Eddie Prévost (tam-tam and percussion), six improvisations recorded at Gateway Studios, Kingston upon Thames, on 17 July 2005.
Eddie Prévost alone on tam-tam: four pieces that beat, scrape and bow the instrument, and the long title piece in which a small electric motor sets it sounding, recorded at the Electronic Music Studios of Goldsmiths College, London.
Christian Wolff's piano music of 1951-1961: solo works played by John Tilbury, and duos and Trio II with Wolff at the second piano and Eddie Prévost on percussion, recorded at Gateway Studios, Kingston upon Thames, in 2001 and 2002.