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Specially priced bundle drawn from the catalog of Nimbus West, the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportunit…
Solo piano from the heart of the Los Angeles underground. Horace Tapscott completely alone at the keyboard, recorded in the early '80s when the Nimbus label was documenting his every move. This is contemplative music of the deepest order - yet the cl…
Few copies available. The Los Angeles based pianist, band leader, and composer, Horace Tapscott, always stood apart from the pack. A true visionary who was fiercely principled and independent, across the 1960s, '70s, '80s, and '90s, leading his legen…
Specially priced bundle drawn from the catalog of Nimbus West, the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportunit…
A beautiful, dreamlike expression of spiritual jazz recorded in 1981 at City Recorders - a time when this kind of music was considered completely out of vogue. Yet here is Gary Bias, unspooling a suite of deeply soulful and profoundly far-reaching or…
The only album ever released under the name of saxophonist, bandleader and composer Jesse Sharps - a major, largely unsung figure in the history of jazz music in Los Angeles. Recorded in 1985 for Tom Albach's legendary Nimbus West imprint, Sharps And…
The only live recording the Pan-Afrikan Peoples Arkestra ever released - and arguably the most complete document of this extraordinary musical community in full flight. Recorded between February and June 1979 at the Immanuel United Church of Christ o…
A singular, radical entry in the Nimbus West catalogue from one of the true pioneers of the free jazz piano. Burton Greene was there at the very beginning - co-founding the Free Form Improvisation Ensemble with bassist Alan Silva in early-60s New Yor…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
A beautiful, dreamlike expression of spiritual jazz recorded in 1981 at City Recorders - a time when this kind of music was considered completely out of vogue. Yet here is Gary Bias, unspooling a suite of deeply soulful and profoundly far-reaching or…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
Geography lesson: "Riding the San Andreas" - living on a fault line, waiting for the shake. "Southwester Avenue Shuffle" - street-level LA, the neighborhood Tapscott never left. "On the Nile" - Africa, always Africa, even from a piano bench in South …
October in Los Angeles. Horace Tapscott sits down, plays for 38 minutes, gets up. No audience, no applause. Just Tom Albach and his tape machine. This is how monuments get built - one session at a time, one composition at a time, nobody watching. "An…
Solo (Steinway) piano. Los Angeles, September 1982. Just read the titles: "A Dress for Renee" - infectious melody, keeps coming back like a persistent thought. "Shades of Soweto" - South Africa seen from South Central. "The Hero's Last Dance" - whoev…
Solo piano. Recorded March 1983, Los Angeles. Five pieces, forty-one minutes. Where Sun Ra meets Erik Satie. This is the third volume in what would become Tapscott's monumental series of solo recordings - over thirty hours captured between 1982 and 1…
Solo piano. Recorded November 15, 1982 at the Lobero Theater, Santa Barbara. A Steinway piano and one man's soul, nothing else. Producer Tom Albach believed the solo sessions were the most important music Tapscott ever made. Between 1982 and 1985, ov…