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Live At Fondazione Museo Pino Pascali sees Grischa Lichtenberger transfigure a forty-minute set into a tactile, visual, and kinetic experience. Industrial clangor, mechanical pulses, and fleeting ambience merge, sculpted with rigor. Issued by Hermit Records as a collector’s vinyl, it stands at the edge between noise, rhythm, and abstraction
FRKWYS Vol. 18: Extended Field witnesses Horse Lords and Arnold Dreyblatt in deep collaboration, melting minimal composition and polyrhythmic invention into a sprawling sound experiment. The album pulses and stretches, dissolving genre boundaries and conjuring a space where tradition is not static, but ever-evolving.
The cellist who became a living sculpture. Four decades of performances with Paik, Cage, Chiari — from WBAI broadcasts to the TV Cello. Now: 4CDs, 154-page book, 16 festival posters, plus a previously unreleased LP featuring answering machine messages and rare performances. Edition of 80.
Matthias Puech’s La Traversée ventures through atmospheric electronic landscapes, offering an evocative journey with immersive soundscapes. Released on Hallow Ground as an LP, this album invites listeners to experience a visionary fusion of music and art from a renowned artist-led label, dedicated to inspiring sonic exploration.
Pick a small spot (a point) in front of you (a small knot of wood, a dog down the way). And tightly focus on this spot. And now slowly unfocus your gaze. Widen your gaze. Pan out without moving your eyes. Take it all in.
2025 Stock. 180 minutes of cybernetic music made available in a unique 3 cd box. Recent years have seen the release and reissue of dozens of hours of Roland Kayn’s music, on several labels and in both physical and digital formats. Our interconnected yet chaotically imbued age seems to be the seeing in which Kayn has truly found his audience. The scene is now set for one of the most momentous works in his oeuvre to return to the shelves.
Reissued by Reiger Records Reeks – the composer’s own label…
Brindisi Paradiso is a cassette mixtape reuniting Marco Foresta and Enrico Ascoli, two artists who previously collaborated on the 2018 track "Alma" from the Fabio Fabio release Amore Cannibale. Marco Foresta (aka Fabio Fabio) is co-founder of the Ivreatronic collective alongside Cosmo, Enea Pascal, and Splendore. A former percussionist who began working with turntables in the 1990s, Foresta has developed a distinctive sound that combines exotica, tribal psychedelia, and downtempo techno. His mus…
Liz Harris's debut as Grouper returns—the album that established her approach to ambient music as something other than comfort. Songs that refuse to be remembered, fog that won't lift, secrets kept just on the other side of the speakers. Kranky reissues the 2005 original.
Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.
*Limited Edition of 299 copies. Black vinyl * Masami Akita has been making noise since before most people understood noise could be made on purpose, and Animal Magnetism is what happens when forty years of sonic terrorism suddenly decides to sit you down and explain itself without raising its voice. Originally released on CD in 2003, this double LP reissue—remastered by Lasse Marhaug and pressed on black or purple vinyl in a gatefold sleeve featuring Akita's own photographs—adds a previously unr…
Interstitial Spaces marks Martin Brandlmayr’s first venture with Faitiche and explores those rarefied, nearly invisible moments at the threshold of musical narrative—what lingers after conclusion, what bristles before commencement. Here, Brandlmayr—Radian and Polwechsel's celebrated percussion mind—deploys field, film and record scraps, sculpting from absence a delicate, audio micro-drama.
Framed by Almodóvar’s saturated, performative world, Ryuichi Sakamoto’s score for Tacones Lejanos (High Heels), newly reissued by Quartet Records, layers melancholy minimalism and luminous melodrama, offering ornament rather than excess, with bolero and chanson threading through Sakamoto’s reflective atmospheres. The soundtrack’s architecture is subtle, emotionally surgical, quietly powerful in its dialogue with Luz Casal’s iconic voice.
Deluxe 2LP Three-sided with etched artwork on Side 4. Raven Chacon begins by listening. The Diné composer, born in Fort Defiance, Arizona within the Navajo Nation in 1977, describes himself simply as a listener, but the attention he gives to sound encompasses far more than what's immediately audible—it includes what has been deliberately silenced. Yucca Alta Records now presents the first vinyl edition of Voiceless Mass, a three-sided double LP featuring Chacon's 2022 Pulitzer Prize-winning titl…
The tape Wildlife & it’s Results by Sue Fishbein, reissued by Counter Culture Chronicles, captures a collage-based soundpiece from early 1980s San Francisco. A key figure in the mail art network, Fishbein constructs an aural patchwork where found sound, irony, and cultural debris converge into a sharp yet playful critique of everyday noise.
From the archives vol. 13, released by Counter Culture Chronicles, gathers rare recordings from key figures such as Lawrence Weiner, Ulises Carrión, Michael Gibbs, and others. This collection traces the porous boundaries between conceptual art and sound, where language, gesture, and environment intersect in works both fleeting and resonant.
This tape by Dick Higgins, released by Counter Culture Chronicles, documents a 1977 interview conducted by Michael Gibbs in Barton, Vermont. A crucial Fluxus figure, Higgins reflects on intermedia, publishing, and experimentation, creating a vivid self-portrait where personal recollection and artistic theory flow into one another.
The tape Afrikan Klavierkonzert by Rolf Julius, recorded in 1980 and now reissued by Counter Culture Chronicles, reveals the German artist’s delicate approach to sound: sparse piano textures, environmental resonance, and a restrained poetics of listening that dissolve boundaries between music, silence, and space itself.
The self-titled tape by Ulises Carrión, reissued by Counter Culture Chronicles, revisits his elusive Trios & Boleros, a work once privately circulated. Here, Carrión reimagines popular form through a deconstructed lens, where fragments of music and voice are refracted into conceptual gestures that linger between intimacy, satire, and radical sonic experimentation.
Morgen II by Pier van Dijk and Robert Joseph revives the radical Dutch sound poetry of the 1980s. This tape, released by Counter Culture Chronicles, documents a sprawling word-piece where language fractures, collides, and reforms, blurring the divide between voice and noise, gesture and rhythm, memory and rupture.
*Edition of 300* Melodies are alive, remolded and reshaped in each performance. Guitarist Shane Parish embraces this continual evolution by transcribing songs from across musical genres, instruments, and eras for solo guitar. Recent albums like 2024’s Repertoire, which features 14 songs across jazz, folk, and electronic music and played on acoustic guitar, showcase his skill in transcription, as does his work transforming Bill Orcutt’s Four Guitars from a multi-tracked solo project into a quarte…