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These tracks capture Ra's electronic peregrinations during the 1970s and '80s. The Arkestra occasionally makes a cameo appearance but Ra commands the spotlight, not so much composing music as painting soundscapes with electronic keyboards. In the col…
*60 copies limited edition* Noising Sheng documents Zhang Meng’s attempt to reinvent the Chinese sheng into a noise instrument. Since ancient time, the sheng has been associated with the virtue of “he” central to Confucian ethics, denoting peace, har…
*60 copies limited edition* Xu Shaoyang makes music about the fragmented beauty of everyday life. Over the years, he has sustained a fresh spirit of amateurism by travelling and performing in many different parts of the world, occasionally as a membe…
Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."
A landmark debut reissued: Barons Court finds Sarah Davachi crafting mesmerizing electroacoustic landscapes that invite deep listening and contemplation. Blending vintage synths and acoustic timbres with patient, immersive composition, Davachi’s sing…
A quietly stunning meditation on sound and space, Let Night Come On Bells End The Day sees Sarah Davachi sculpting slow, luminous improvisations for Mellotron and organ. Each piece unfolds with patient restraint, revealing rich overtone complexity an…
* 200 copies limited edition. Comes with a Risograph pamphlet insert. * Permanent Draft founders Valentina Magaletti and Fanny Chiarello return with Gym Douce, a playful and surreal suite of percussion and spoken word that reimagines the gym as a spa…
** Rare original copies. Second pressing on Jazz Workshop from the mid '70s (estimated) of this impossible to obtain album, the original issue being available only as a mail-order release. Unplayed copies from a dead-stock, possible wear due to agein…
Ostranenie is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage a…
*300 copies limited edition* The Might of Stars Sublime is Dirk Serries' debut on German label Audiophob. Drawing from his oeuvre and experience in ambient and experimental music, projects like his Microphonics project, "The Might Of Stars Sublime" f…
"Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pi…
“Night Dreamer is an album that finds Wayne Shorter in a state of transition as he was still rooted in the hard bop style that started his career, but also starting to lean toward the more abstract style that will serve for the greater part of his re…
"One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that i…
"Wayne Shorter’s Schizophrenia found the legendary saxophonist at the pinnacle of post-bop with a sextet of like-minded musical explorers including James Spaulding, Curtis Fuller, Herbie Hancock, Ron Carter & Joe Chambers performing Shorter originals…
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together…
Track 1 recorded May 21, 1976 at the Wildflowers festival
Track 2 recorded June 20, 1974
Jimmy Lyons - alto saxophone
Karen Borca - bassoon
Hayes Burnett - bass
Henry Letcher - drums
Syd Smart - drums
Recorded August 22, 1979 at Campagne Premiere, Paris, France
All compositions by Dave Burrell and Monica Larsson, unless otherwise noted
Dave Burrell - piano
Sam Woodyard - drums
Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan
Motoharu Yoshizawa - homemade electric vertical five strings bass
Kim Dae Hwan - percussion