New Arrivals
Quantum Gate
*2026 stock* The first collaboration between Atsuhiro Ito (optron) and Masataka Fujikake (drums) is a quartet featuring Yasuhiro Usui (guitar) and Hideki Tachibana (alto saxophone). 55-minute sound scroll edited and reconstructed from a live recording at Shibuya Park Avenue Classics.
Understatements
*2026 stock* This is the first recording by the unique trio of Tetuzi Akiyama (guitar), Toshimaru Nakamura (no-input mixing board), and Masataka Fujikake (drums). This is a full album of six songs recorded at the now-defunct Asagaya Yellow Vision and is an isolated work in which the inner universe of the three members is clearly imprinted on the disc.
Honnomajika~Naharu × Otomo Yoshihide
This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…
1001 Est Cremazie
On 1001 Est Crémazie, the self‑titled orchestra of middle‑schoolers and Cégep staff capture the exuberant birth of modern Quebec: raw jazz‑rock, DIY tape lore and Quiet Revolution aftershocks pressed into one unlikely, fiercely alive school‑band artefact.
Who's Gonna Buy?
Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.
Guitar, Solo
On Guitar, Solo, Michael Scott Dawson distills his tender ambient language to its essence: frayed guitar melodies, soft tape ghosts and pastoral field recordings breathing in unison on a Japan‑toured sister album to Music For Listening.
Closed for the Festival
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.
Flood Coil
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
Displaces
On Displaces, sound artist Francesco Fabris fashions a high‑dimensional cartography of memory, hyperobjects and matter, where langspil, biophonies and geophonies are folded into phased time‑space, drifting between suffocation and release in an eerily tactile sonic ecosystem.
Los Mandatos del Aire
On Los Mandatos del Aire, Peruvian flautist Camilo Ángeles deconstructs his instrument into a bridge between worlds, channeling Amazonian cosmology and ayahuasca visions through extended techniques, microtonalities, analog processing and reverb‑chamber acoustics in dialogue with Musuk Nolte's photography.
Nuó Xiǎng
On Nuó Xiǎng, Camilo Ángeles and Qiujiang Levi Lu forge an electroacoustic ritual: custom DSP, live processing, extended voice and augmented flute merge into abstract yet visceral soundscapes, echoing ancient Nuó ceremony while stepping beyond any fixed genre.
Driving Through Belgium
*300 copies limited edition* There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything. That feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squi…
s/t
Strategic electronics & static crash test748 cables arranged pseudo-randomly for a spectacular effectPost-scientific research electroacoustic minimalism
Kaarst
Recessed bass, effective concatenationPolyrhythmic electricity, dub stasis, glitchy technologyFirst solo album & special guestsOn-body cassette printing & informational insert
Asteroid*
*70 copies limited edition* Flung is pleased to present Raphaël Languillat’s Asteroid*, which renders celestial debris and deep-space signals as volatile synthesiser improvisations, released on limited edition cassette, exclusively on Bandcamp. Asteroid* arrives as four transmissions extracted from a self-modulating Korg MS-20 — a closed-circuit system driven by feedback and fracture. What surfaces are compositions as pressure events: ruptured drones, scorched frequencies, and signal debris spil…
Bardo Thödol
In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.
Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s i…
Recollections VII-VIII
Recollections VII-VIII marks the fourth in a planned series of 7” releases, each built from Glonti’s expanding archive of Soviet-era recordings. The artwork by Dmytro Nikolaienko (Day Night) once again reflects the utilitarian aesthetic of Soviet-era record design.
In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market. The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of…
Chant
Over the last couple of decades Magda Mayas has developed a rigorous and distinctive prepared piano practice, working inside the piano with great musicality. The music on Chant captures a dramatic expansion of the pianist’s vision. Reflecting her devotion to social and musical communities through recent stretches of political upheaval and the disruption of the pandemic, she’s found solace in harmony and repetition, and after a period of exploring such sounds with clavinet and Fender-Rhodes, she …
The Ipcress File
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
I Still Feel the Future Is Far Away
Stifled wailing distortion, suspended chords, glistening bundles of gentle mallet strikes, streams of notes produced by handheld fans. A nearly hour long session of free improvisation - played and recorded without pretense in a basement - by two of St. Louis's most dedicated improvisers and organizers of the city's warped and faded experimental music scene.