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The third and final part of the Partikel trilogy is finally here! Another beautifully constructed collaboration from the two noise giants - Japanoise King Masami Akita (aka Merzbow) and Swedish Overlord Henrik Nordvargr Björkk (MZ.412, Folkstorm, Toroidh). The styles on ÔPartikel III' range from total noise barrages, to intelligent electronics, to subtle dark ambient pieces. Essential! Presented in a luxurious matt laminate digipak.
Through several duos, a picture of improvised music in Slovenia. Tao G. Vrhovec Sambolec, computer & Vid Dra ler, drums, percussion. Andrej Fon, bagpipes, clarinet & Ana Kravanja, violin. Matija Schellander, double bass & Toma Grom, double bass. Samo Kutin, hurdy gurdy & Marko Jeni , violin. Andrej Fon, el. guitar, clarinet & iga Pucelj, feedback loops. Vid Dra ler, drums, percussion & Marko Karlov ec, alto saxophone. Vitja Bal alorsky, el. guitar, analog electronics & Bo tjan Simon, alto saxoph…
Kudo’s to Lieven Martens of Dolphins Into The Future for bringing J.D. Emmanuel back into the spotlights. In 2007 Lieven dug up the masterpiece album Wizards and re-issued it on his own label. A few years later, in 2011, J.D. was asked to tour through Europe where he was accompanied by Dolphins Into The Future and Paul Labreque. Denmark, Belgium, Sweden, Germany and Holland welcomed J.D and the people attending the concerts knew they were in for an electronic blast from the past!This 2xLP set co…
This Berlin-based group combining the talents of artists Marcel Türkowsky, Hanayo, Christopher Kline, Domink Noé and Jan Pfeiffer, who each seem to spread themselves between a number of different projects. Interestingly, Noé is credited as a member of "krautrock legends Lustfaust", which is the fictional band created by conceptual artist Jamie Sholvin for the 2006 Beck's Futures exhibition, which might prompt you to think that Wooden Veil re made up too. There's definitely some sort o…
Julian Cope Review on Head Heritage Site: VILKÉ is the particularly fine and sprawling new 2LP by American composer, field recordist and hiker Daniel Menche. Inspired by the wolves of his travels in the N. West and named for the Lithuanian for ‘she-wolf’, VILKÉ presents us with four side-long pieces of haunted and eerie atmosphere music whose dilating post-industrial rhythms, and seemingly ever-decaying, ever-degrading, cicadas-driven post-industrial drone-o-drudge inhabits a parallel half-world…
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Macronympha side project focusing on the heavy low end sound often the basis for Macronympha compositions. OVMN III removes the layers of sound to reveal the thick crumbling distorted base. Constantly moving forward while seemingly static, this piece is enveloped by and progresses in a wave of distortion. Recorded in 1995 by Joe Roemer and Rodger Stella with cover art by Sam McKinlay. Lp comes in a deluxe silver silkscreen on black cardboard sleeve. Edition of 99 copies w/insert.
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
Eric Cordier, amplified and live processed hurdy gurdy. Jean-Luc Guionnet, amplified and live mixed church organ. Recorded live in the Temple Neuf (Metz - France) in February 2004 - organized by Fragment
Keeping a record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.
'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser sho…
There's a disarming honesty to the way Michigan-based husband and wife duo Windy & Carl communicate with one another. A blog post from Windy, published in late 2011, describes the making of We Will Always Be, framing it in the context of their relationship. "Yeah, we have had bumps in the road, and on occasion it seems as if we may never recover from these bumps, but we do," she wrote. That type of candor doesn't stop at the written word; it also bleeds through into the duo's music. Often their …
After the mind-erasing and shamanic Amaranthine released in January 2012, MIE is ecstatic to be working with Richard again on a true magnum opus of the Youngsian experimental catalogue. Regions of the Old School is an epic and proudly sprawling collection of instrumentals and songs. In a conceptual nod to the long out of print Festival, released in 1994 by Table of the Elements, it features five extended tracks scored for a diverse array of instruments with guest vocals by Madeleine Hynes and ad…
I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando and Islam Tata, his two drummers pounding furiously asthe signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, thevolume was deafening, and the energy was high. Thirty minutes into the set, the trio pulled out blindfolds and put them on…
Peter Becker is one half of famous Eyeless in Gaza. In 1979/80 Peter Becker and Martyn Bates formed their own label called „Ambivalent Scale Recordings“ in order to release their own music as well as projects of friends like Kevin Harrison or Bron Area. Peter released two Solo-Tapes called "They brought the Statosphere" (ASR04) and By Train to the Coast (ASR10, which also found release on Ian Dobson's Flowmotion Label)
Peters recordings from those two Solo-Tapes contain a wide variety from athmo…
Born in Japan and a resident of New York since 2001, Aya Nishina is a very special and beautiful spirit whose work touches upon nature, spirituality and the deepest human emotions. Five years in the making "Flora" is a brilliant suite of pieces for the human voice. At times layering hundreds of voices at the same time, the music is lush, orchestral and healing. Meticulously written, rehearsed, guided and recorded, this is a fabulous debut CD by a unique composer who has worked with Ryuic…
Mind Over Mirrors is the solitary reeling of American harmoniumist/electronicist Jaime Fennelly. Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly-building, repetitive melodies into massive sonic mountains. When the Rest Are Up at Four is the fourth Mind Over Mirrors album following releases on Digitalis, Hands In the Dark, & Aguirre/Gift Tapes."Jaime Fennelly’s Mind Over Mirrors is the true dark star. The Chicag…
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
Mordant Music beautifully join the dots between the hauntological zeitgeist and original library music with the 2nd of two vinyl reissues of seminal tape music by Tod Dockstader. Born 1932 in Saint Paul, Minneapolis, Dockstader majored in psychology and art but would go on to explore his interests in painting and film as an apprentice editor in Hollywood. This led to a job as a sound engineer in 1958, employed at Gotham Recording studios, where he started meticulously composing during lon…
Zeitkratzer releasing "songs"? Isn't Zeitkratzer a contemporary music group? Or a noise band? Songs? These songs actually have been developed over several years and evolved from a fashion show zeitkratzer was making the music for. Marc Weiser a.k.a. rechenzentrum, since then a member of zeitkratzer, sings. Marc has already caused some furore as Mark Markowitch, singing fake songs in fake languages in some hidden Berlin bars. So now all of those together: zeitkratzer's noise, zeitkratzer's…