We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the Planam catalogue until stocks last 🔥

New Arrivals

Raincoat In The River Vol.1 / ICA Concert
2025 stock Marvin Nunez, aka “Uncle Marvin,” was one of the few tenor saxophone players who explored the world of sub-tone music. A world of whispers heralded by vibrations so low and subtle they could not be heard by the naked ear. We don’t hear the bass, we feel it through the soul of the ear. Through our feet, fingers and the intuitive now. Marvin Nunez wore a black raincoat with a fur lining all year round. He seemed to appear and disappear at will, coming out of the shadows and returning th…
A White Horse Is Not a Horse
There was a school of philosophy in ancient China whose core theory stems from a debate entitled “A White Horse Is Not a Horse.” In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because ‘white’ is the color of a (particular) horse while a ‘horse’ is a shape and a generic term. It’s a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philos…
It's Now: R*Time Plays Doug Hammond
Doug Hammond is a veteran American composer, drummer, percussionist, bandleader, singer-songwriter, essayist, and educator who is not nearly as well known in the U.S. as his music warrants. That may be largely because he’s been based in Linz, Austria since 1989 as a professor at Bruckner University, making only periodic visits back to his native Detroit. Reut Regev is a boundary-crossing composer-trombonist born in Israel, living and active in New York City and its metroplex since 1998, noted fo…
Contact High With The Godz
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
Live On The Riviera
2025 stock When Albert Ayler's band went through Customs in July 1970 on their way to play at a festival in France, keyboardist Call Cobbs got held back and arrived a day late. Minus the keyboards, the band played anyway. The music-making of the resulting ensemble is freer and more adventurous than on the quintet's following Maeght Foundation concerts. This unique document, Ayler's penultimate recording, thus brings him back to something close to the trio setting in which he first found fame on …
Buleria
* 180g vinyl housed in tip-on sleeve + download code * Swiss saxophonist Gilles Torrent, perhaps known from our recent Spiritual Jazz collection 'A Tribute to 'Trane', leads the way with his new album 'Buleria'; a mesmerizing set of modal jazz pieces that will speak directly to any listener who has felt the other-worldly depths of John Coltrane. The album comprises of Torrent originals and explorations of John Coltrane standards. It reaches for something beyond the mundane, and blends complex ha…
Electroacoustic Works for Halldorophone
For her new and most radical album "Electroacoustic Works for Halldorophone", Martina Bertoni used the electronic instrument at EMS Stockholm to create four pieces that are massive in scale and incredibly intimate, sonically restrained and emotionally overwhelming—almost ambient and always demanding your full attention.
Sabeltanz
**200 copies, of which only 100 are available for distribution** A previously unreleased recording of Sven-Åke Johansson playing a solo set at the legendary Petersen Galerie in West Berlin, 1982. The concert took place inside an exhibition of drawings by Tomas Schmit and runs the gamut from Johansson's trademark Schlingerland-style drumming to accordion sabre dance and absurdist poetry. The gallery, owned by Jes Petersen, hosted Fluxus, Actionist, Art Brut and Surrealist exhibitions and performa…
Exotic Percussion
Now joining the Jackpot Record’s ever-expanding collection of Martin Denny re-issues is the hypnotic “visual sound” of Exotic Percussion, which has not been on vinyl since its original release in 1961. His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, sha…
The Enchanted Sea
Long before Martin Denny started heading into outer space with his Moog work, he was keeping us just floating slightly above the ground with the sounds of the earth—and The Enchanted Sea is one of his most grounded and beautiful works. Unlike many of his other exotica records (which are filled with the sounds of the jungle, its wildlife, and the smell of tiki bar smoke) this one has the feeling of a tumbler full of ice, walking barefoot on a sandy beach in the twilight, while breathing in the sa…
Forbidden Island
There’s a reason why Martin Denny remains a cultural touchstone—his records are as earthly as they are from outer space. Forbidden Island was Denny’s third record, recorded after a nine-month residency in Hawaii. This era finds Denny just on the cusp of being a household name, a period where his records would shortly become certified Gold. Forbidden Island is a solidification of Denny being the King of the Exotica sound, where his recordings could illuminate just enough darkness across the Tiki …
Before The War
2025 stock 180 gram exact repro reissue, manufactured by Rhino. "Great 1968 Atco US psych/pop/rock album by this Boston four piece, produced and arranged by Felix Pappalardi before he joined Mountain. Pappalardi also shares some writing credits with the band (there is an early version of 'Travelling In the Dark' later recorded with Mountain) and he plays on a couple of cuts, but this is by no means a heavy rock record. At times the album has quite an unusual spaced out folky pop feel to it and o…
Duck Baker Plays Monk
2025 stock On this new LP, recorded at studio sessions in 2010 and 2015, Duck Baker delves deeply into the thinking of one of our most challenging composers and renders guitar interpretations that are true to the original intent. That Baker's experience playing blues, gospel, ragtime, and swing serve him well on this project goes without saying. Available exclusively on high-quality vinyl and limited to this one pressing, Duck Baker Plays Monk contains solo acoustic guitar renditions of nine The…
Part One
Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band were considered by many to be the West Coast’s answer to the Velvet Underground. The group created California psych/rock music that was both fragile and dreamy.  Part One was originally released in 1967 on Frank Sinatra’s Reprise Records. Though they didn’t achieve the fame of other bands from the area, they have nonetheless achieved a cult status among collectors and people curious about a rich, albeit short-lived musical g…
The Souls Of Birds And Mice
2025 stock  Released in 2015, this is arguably Dan Melchior's stand alone release in a massively impressive catalog. Eschewing the gutbucket trawl & extended electro pedal-whomp,The Souls of Birds and Mice is more fugue like; it isn’t composed of elements so much as it is composed of the composing of elements. Recorded at a pivotal time in the his life, one can detect the influences varying from his wife, Letha Rodman-Melchior to Pale Cocoon, Martin Davorin Jagodić' & Pôle running through this l…
Handbook For Mortals
2025 stock Thought these were long gone, but hey, not so fast! Originally released in 2013, this was Letha's 1st foray into the vinyl game AND her 1st under her own name (as opposed to Tretetam, which she'd been using since 2008). 'Handbook' is a lovely sound pastiche of everyday day life turned inside out. Both ambient & disturbing, her sound distillations are wondrous & hypnotic respites in this suffocating modernity. FFO; Moondog, United Dairies label, John Bender. Very last copies.
Jack Ruby
2025 stock When Don Fleming was doing the initial transfers of the tapes we’d gotten retrieved from Randy Cohen’s barn, every evening seemed to bring a new surprise. But nothing was a bigger jawdropper than the material which makes up the second LP of our Jack Ruby archival series. The central core of the album is the sixteen-and-a-half minute track, “Destroy/Lost”, recorded at the band’s rehearsal space in January ’74. Robin Hall vocalizes and Boris plays electric viola, but the bulk of the pie…
Earl's Closet (The Lost Archive of Earl McGrath, 1970 to 1980)
2025 stock “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder ∫ gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977. Friend …
13
2025 stock 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewood’s greatest lines ever “One week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.” Lee Hazlewood…
Shuckin' Sugar
*2025 stock* In 1962, Karen Dalton summoned Richard Tucker to join her in Colorado, extolling the healthier lifestyle and plentiful gigs at Boulder folk club, The Attic. Upon his arrival, the pair solidified their personal and professional relationship, riding horses in the mountains, and performing as a duo at parties and venues throughout Denver and Boulder. Stories of the spell they conjured - and rumors of tapes - have circulated among friends and musicians who witnessed them, but until now,…