New Arrivals
Unfinished Studies
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
Transkript 17-Transkript 18
The source material for these recordings, produced between 2007 and 2009, originates from found objects and treated acoustic instruments such as cello, viola, double bass (Nikolaus Gerszewski), bass clarinet (Nicolas Wiese), as well as conga, cymbal, wood, paper, marbles, wallpapering table and chains. Further sounds have been produced using my voice and limbs. A basic rule for my work with digital tools is to maintain the liveliness of the source material within the structure of my compositions…
Polyphtong
Polyphtong was conceived as a live quadraphonic composition for voice and computer. It was premiered at Stanford University in March of 2012. In August of 2013, Blonk radically reworked the piece to create the stereo version presented on this album. All sounds heard in it are derived from Blonk's vocals. Spatial placement and movement are extended by electronic means. The phonetic concepts of diphtong and approximant are an important focus in the more meditative sectons of the work. It also uses…
Super.Trigger
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Die letzte Rache
Der Plan (Moritz R, Frank Fenstermacher, Pyrolator) were instrumental in ushering in the German New Wave (NDW) and are considered free spirits of synthesizer pop: electronic music created with minimal means, sometimes experimental, playful or even bordering on dilettantism, but always with a sense of humour.
Retrospectively, it makes perfect sense that Der Plan created a soundtrack. For one thing, visuals were almost as important to Der Plan as their music. And if every self-respecting pop b…
Bamboo for two
"A Hypnagogic supergroup of sorts with a blast of hallucinatory and tropical rhythmic synth adventures - new on OESB! Comes with free download coupon redeemable from the label** Seductively heavy-lidded inter-species avian-eroticism from the hypnagogic allstars Spencer Clarke (Skaters), Lieven Martens (Dolphins Into The Future), Eva Van Duren (Orphan Fairytale) and James Ferraro (CEO Airhead Entertainment) on the ever-compelling OESB imprint. Monopoly Child Star Searchers is usually the reserve …
Guff Vout Mulch
The Smegma & Blood Stereo collab LP "Guff Vout Mulch" on Nashazphonehas finally landed. Old fashioned postal collab finished up in 2009, sweet printed colour sleeves and bonkers liner notes by the noise soulman John Olson.Good old fashioned Trans-Atlantic postal collaboration LP between Smegma and Blood Stereo, recorded in Brighton, Pasadena and Portland. The whole shebang was finished in 2009, but Cairo's Nashazphone label didn't think you dinks were ready for it then, now they reckon yo…
Old News 9
Jim O'Rourke's Old News series continues with this, the ninth installment. This new release is unique in the series in that it is the first to feature an all-new composition. The work here showcases the kind of experimental concrete drift which O'Rourke has been exploring for a number of years, resulting in a magical blend of musical abstraction. With the measured hand and alchemical technique of a François Bayle classic, Jim has us spellbound with A-side, transmuting spectral whistles in…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Phantom Horse
Phantom Horse is the duo of Ulf Schütte and Niklas Dommaschk from Hamburg and Kiel (home of seminal Digitalis Recordings artist Jürgen Müller). Schütte is a (part-time) member of Datashock, Black To Comm, Aosuke et al and has recently released his modular synth explorations under the Alien Radio moniker on a (sold-out) Dekorder split-LP with Keith Fullerton Whitman and a 4-way split 7" with Köhn, Ducktails and Peaking Lights on Kraak. Dommaschk plays guitar, synth and electric piano.
With…
Occlusions
… Occlusion is a loose framework for a multi-channel, freely improvised piece of LIVE ELECTRONIC MUSIC, performed without the aid or consent of pre-recorded or even pre-arranged materials of any kind. A given realization will last between 10 and 30 minutes ; time is elastic. Every effort has been made to avoid divisible rhythms (although mistakes are occasionally made) ... Still, I consider it a "kind" of Dance Music. These two realizations, recorded a week apart at festivals in France and…
Amniocentesi / Envoise 30 05 82
Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.
With helpful hands
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …
Alpha Recordings
*Another precious find from Andy Votel and Demdike Stare\'s Dead-Cert imprint featuring foundational Concrète experiments from the director of IPEM, Belgium\'s equivalent of the Radiophonic Workshop. Transferred from the original Mastertapes by Andrew Popplewell and remastered by Gareth Mallinson and Matt Colton, limited Edition pressing of 500 copies* Dead Cert illuminate three unique and chilling electro-acoustic compositions by the pioneering head of Belgium\'s Institute of Psychoacoustic and…
Infinitesimal
Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…
Solitaire
Beautifully presented reissue of classic archival electroacoustic works, within "Warszawa-Oslo" project, a recollection, phonographic documentation and reactivation of bonds between Polish and Norwegian electro-acoustic music, presentation of their individual character and unquestionable significance on the international scale. This beautifully designed set (with extensive booklet of note) collects some of the most exciting, shimmering and crystalline electronic sounds to be unearthed in quite a…
Unfinished. For William Turner, painter
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
Ensemble Pearl
Double LP edition. Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba H…
A Rebours
Depuis que Minizza existe (le groupe se forme en 2000), ses membres ont toujours eu dans l'idée, un jour, d'adapter un roman en musique. Lorsque France Culture leur commande un Atelier de Création Radiophonique, l'occasion est saisie, et le choix se porte rapidement sur A Rebours (1884) de Joris-Karl Huysmans, chef-d'œuvre séminal, manifeste du décadentisme, dévoré par les membres du groupe dès l'adolescence.Ce travail pour France Culture donne naissance au troisième album du groupe qui, bien qu…
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…