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Double LP version. Originally released in 2004 on the Les Disques Du Soliel Et De L'Acier label and now reissued by Type, this is the debut release by On -- the collaborative duo of Chicago-based percussionist Steven Hess (Haptic, Pan American) and French composer/producer Sylvain Chauveau. The concept behind Your Naked Ghost... is simple: the duo record an album in the studio, and then place it in the hands of a third party. The resulting work is then "remixed" (for want of a better word) and t…
Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
'Editions Mego is proud to announce this double vinyl set. Five tracks recorded live (Valencia, Stockholm, Frankfurt, Brighton, Paris) + 'Bonus Recording', Russell HASWELL & Toshiji Mikawa live in Japan. Cut by Rashad Becker at Dubplates & Mastering, Berlin, April 2008. Follow up to the award winning 'Live Salvage 1997->2000' CD (mego 012, 2000). Hot on the heels of recent collaborative releases with Florian Hecker (as HASWELL & Hecker) on Warner Classics and Warp Records, Russell HASWELL (b.1…
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
LP has tracks not on the CD and not available via download. The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record w…
Thurston Moore, Jim O'Rourke and Mats Gustafsson last convened for the monumentally noisy Diskaholics Anonymous LP, Weapons of Ass Destruction. Now the trio have returned to Smalltown Superjazz for yet more sonic carnage, this time joined by ace drummer Paal Nilssen-Love, guitarist Terrie Ex and bassist Massimo Pupillo. There's a tremendous breadth to the kind of ground covered by these musicians. At no point do you feel as if the ensemble is running out of ideas or stagnating on one particular …
Following on from 2008's Polaris Prize-winning Andorra, Dan Snaith returns with a fresh take on the Caribou sound, working more dance-friendly structures into his work, which makes for quite a revelation given the project's tendencies towards jazz and frayed-edge psychedelia. Snaith outlined his approach to the new record by stating: "I got excited by the idea of making dance music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan... Dance mus…
In some ways, Commitment was typical of many bands of their time. Between 1978 and 1984, they enjoyed a modest success by the subterranean standards of the Lower East Side. They struggled for gigs during the waning years of the New York loft scene, enjoyed higher profile gigs at several Kool Jazz Festivals, made one short European tour, and recorded one LP. But their music is more significant than this story might indicate. Hwang was among the first improvisers to emerge out of the Asia…
The frazzled and fractured electronic rhythms of Brooklyn noisemakers Black Dice are bent into shape once again on this fifth studio album from the band. The album, titled Repo, is comprised of home recordings and sessions from New York’s Rare Book Room studios. It’s another fine example of Black Dice’s singular aesthetic, which has been carefully honed through years of equipment abuse in low rent venues, art galleries and other improvised performance spaces. The record comes with a 20-page book…
Goodiepal or Gæoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a controversial Danish/Faroese musician and composer. The eccentric and self-made Goodiepal has influenced the course of modern music through radical excursions into computer technology and media art. Until recently he has been employed as a teacher at DIEM (Danish Institute for Electro-acoustic Music) at the Royal Academy of Music in Aarhus, Denmark. Goodiepal declared intellectual war against …
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…
"Suburban Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. Here Graveyard's Ben Hall and Lambsbread's Zac Davis create a monolithic one-sider influenced by too many private press jazz records and abstract instrumentalism. Davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. Ben Hall drums like a man with…
Wierd Records is proud to announce the release of a vinyl edition of Xeno & Oaklander's Vigils EP, originally self-released by the band as a limited edition CDR in 2006, here remastered with a previously unavailable bonus track. Merging the cold, cinematic aesthetics of artist Liz Wendelbo with the architectural exactitude of Sean McBride (a.k.a. Martial Canterel), Xeno & Oaklander have been the sharpest spearheads of twenty-first-century minimal synth since their formation in 2004. Using analog…
As Takaaaki says, this is NOT usual Dubstep. He makes it evolve to a new Dubstep, with a heavy, dark and aggressive side, clinging to the bass and various BPMs, but some harmonies and even hints of melodies take all these sounds to a new level, creating a mutant Dubstep that hypnotizes the listener and takes him to lunar seas or snowy landscapes. But be aware that with Takaaaki decadence and crazyness are never far and Netsu might give you fever very quickly.
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
Panabrite is the solo project of Seattle-based Norman Chambers, utilizing analog synthesis, vintage drum machines, various effects and occasional guitar. Inspired by science fiction, new age music, soundtracks and library production music, nature/science documentaries, and vintage electronic sounds... His first lp release Sub Aquatic Meditation is an exciting record replete with underwater tunes. The outer space & the deep blue sea collide into two sides of spellbinding adventures reminis…
This is a very unique electroacoustic work by an unknown French artist. Two records self produced that sometimes sounds a bit like the first Lieutenant Caramel."There is an outside music to the man, the wind, the sound of leaves, thunder and birdsong. In what he hears, the man develops the idea that sounds refers to forces that exceed it. The music of nature is a communication with God. Or with gods. [...]Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestr…
A fantastic musical performance took place on 27th March 2006 at Vilniaus Congress Hall. Three musical giants - Joe McPhee, Dominic Duval and Jay Rosen (also known as Trio X) made that evening unforgettable for their fans. Rich, colourful, intense, played almost on a telepathic level, this music is a true masterpiece of this amazing group.NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Joe McPhee : pocket trumpet, tenor sa…