We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
play
Out of stock
1

Steve Beresford, David Toop, John Zorn, Tonie Marshall

Deadly Weapons

Label: NATO

Format: CD

Genre: Experimental

Out of stock

Recent digipack CD reissue "This collective of jazz improv weirdoes banded together for a one-off in 1986 to riff on the deep vibe of all things French and cinematic. Backing vocalist Toni Marshall, Zorn, Beresford, and Toop created a virtual and highly experimental film noir soundtrack to a movie that perhaps existed in the mind of Jean-Luc Godard in the 1950s, but was never made. David Toop is clearly the sonic architect here, haunting the proceedings with his deep use of effects, subdued percussion, and strategically placed guitars among the keyboards and Zorn's unmistakable alto. The set beings with a theme written around a narrative by Benjamin Peret, and comes out of the box as a R&B vamp that paints a picture of foggy wharfs, smoky bars, and people in trench coats. It gives way quickly, however, to a noisier kind of meditation that somehow keeps the vibe. As we move through "Du Gris" and Zorn's "King Cobra," the textured and sampled passages become more pronounced but the eerie, foreboding feeling remains. When Marshall begins, in her grainy, soft voice, to sing the gorgeous "Tallulah," -- one of two tributes to actresses here, the other is to Jayne Mansfield -- the effect is complete as we enter into a dreamy soundscape of pure cinéma vérité. From here on, the listener has fully entered a landscape that is familiar yet somehow strange, as if the color mix were off on a TV or movie screen. We can understand the images but not the language, and there are no subtitles. And that's what this quartet is going for, a manner of creating musical images that are outside the specific languages they employ in the architecture of their chosen sounds. By the time the end credits roll (on "Jayne Mansfield"), this quartet has done what so many attempt, but so few actually succeed at: They've created a virtual cinema of the unconscious, colored by sound yet evoking not only images but sounds, feelings, and textural awareness; beautiful and harrowing." AllMusicGuide

Details
Cat. number: nato 950
Year: 2015

More by Steve Beresford, David Toop, John Zorn, Tonie Marshall