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Inspired split LP that pairs feral European art soundists Kommissar Hjuler and Mama Baer with the avant garage surrealism of LAFMS stalwarts Smegma. Numbered edition of 177 copies with colour paste-on sleeves. The Smegma side bundles an eerie track from 1975 with two pieces from 2008/2009 that use loops, electronics and waves of extended muzzy tone to confuse time lines completely. The Kommissar side is less about outlaw sound poetry and more plugged into their destructo rock style as documented by the sides that came out via Alga Marghen last year, with simple two/three note melodies and crunching fuzz submerging one of Mama Baer’s hypnotic nursery rhymes (volcanic Tongue)
Part 2 in a series of 12 split records.
Smegma: A1 and A3 recorded 2008/9 Portland, OR
A2 recorded 1975 Pasadena
Kommissar Hjuler Und Frau: recorded 2009 Flensburg
Numbered edition of 177. Packaged in white jacket with A4 color paste-on.
Part 2 in a series of 12 split records. Smegma: A1 and A3 recorded 2008/9 Portland, OR A2 recorded 1975 Pasadena Kommissar Hjuler Und Frau: recorded 2009 Flensburg Numbered edition of 177. Packaged in white jacket with A4 color paste-on.
| A1 | The Good Fight | 8:45 | |
| A2 | Blues For M. | 6:32 | |
| A3 | Self-Hypnosis | 2:22 | |
| B | Bred You Get | 17:04 |