Reissues
Casino Royale
Quartet Records and Metro-Goldwyn-Mayer presents a very special new edition of Burt Bacharach’s timeless classic soundtrack for the 1967 James Bond spoof Casino Royale to celebrate its 50th anniversary. The infectious main theme performed by Herb Alpert and the Tijuana Brass is just the starting point of an epic comedy ride that includes such highlights as the unforgettable “The Look of Love,” sung by Dusty Springfield, or the epic fight music at the end of the film. Produced by record industry …
Hearing Music
Deeply enchanting, original new age flute and electronic compositions with an elegant, classical minimalism. A total must have for fans of Maggi Payne or Iasos. Flowering from studies with at the esteemed Mills College CCM and with Robert Ashley and Terry Riley in the ‘70s, the breathtaking and little-known recordings in Hearing Music are testament to the lush, earthly beauty of Joanna Brooks’ privately issued new age tapes made between 1981 and 1985 in The Bay Area, west coast USA.
Channellin…
The Taste Of TG (A Beginner’s Guide To The Music Of Throbbing Gristle)
The Taste Of TG is a great entry point for anyone curious about the weird world of Throbbing Gristle, the Hull, UK four-piece who released only a handful of albums between 1977 and 1979 before splintering into equally-influential groups Psychic TV, Chris & Cosey and Coil. Their confrontational disposition and early tinkering with synthesizers, harsh noise and drum machines has attracted labels like “creators of industrial music” (likely more to do with their in-house recording imprint being call…
Journey Through A Body
Recorded as a piece of art for Italian National Radio RAI in Rome March 1981. On the recommendation of Robert Wyatt, RAI originally commissioned Cosey Fanni Tutti to create a sound work based on the theme of ‘A Journey Through The Body’. It became a Throbbing Gristle project which was later broadcast by RAI. This was the last studio recording by Throbbing Gristle. It was recorded in five days, a day per body section. No tracks were re-recorded or added to after their day. Each track was mixed im…
Sing For Very Important People
CD reissue of The Free Design's Sing For Very Important People, originally released in 1970. The Free Design make childhood a bit more psychedelic with this 1970’s children’s album, featuring many of the group’s classic favorites, plus a number of new cuts! Excerpt from CD Liner Notes (by The Free Design’s Bruce Dedrick):
Back in 1969, we were all big fans of PPM and when Mary Travers became a mother, they released the Peter, Paul and Mommy album. I think it was one of the seeds that resulted …
Tears In My Eyes (1983-1985)
Spittle Records present a compilation titled Tears In My Eyes (1983-1985) focusing on the Italian band The End. "The name was simple and maybe not so original, but very appropriate for a band active in provincial Italy of the early '80s. A band playing British post-punk inspired songs with English lyrics and a focus on man's existential crisis. Nothing to do with gothic or dark as we used to call it in Italy, in fact even if the boys (all under 20 at the time they got together in 1983) liked dre…
Les Nouvelles Musiques De Chambre Volume 2
CD digipack. "Following the reissue of the entire recorded output of South London-based experimental act This Heat and its successor, Camberwell Now, Modern Classics Recordings holds the lens up to a special split album created by one of the driving forces behind those groups - drummer Charles Hayward - in collaboration with Italian musician Gigi Masin, whose looping, rhythmic, electronic compositions have seen his cult following grow in his four decades as a recording artist. Originally release…
A House Safe For Tigers
A House Safe For Tigers is the soundtrack to one of the seven TV movies Lee Hazlewood made with the director Torbjörn Axelman during his period living in Sweden in the early 1970s. Hazlewood had moved there to lay low and to help his son avoid the draft, but wound up finding happiness and creative freedom. Many of the albums recorded in Sweden made their way no further than Scandinavia, but of them all, A House Safe For Tigers is the holy grail for collectors, often changing hands for hundreds o…
Something Special
The three years spent on MGM Records between 1966 and 1968 were golden ones for Lee Hazlewood. He spent them working with his muse, Suzi Jane Hokom, writing a still-unreleased book, The Quiet Revenge of Elmo Furback, competing with Phil Spector from their respective studios, and coming up with the formula for the "boy/girl” songs for which he’d become famous. In fact, the unflattering portrait on the cover of Something Special did little to hint at how hip this late-flowering talent (he was in h…
Lee Hazlewoodism - Its Cause And Cure
The mid-to-late ’60s were strange days for Lee Hazlewood. Having struck gold as songwriter and vocal foil for Nancy Sinatra, he signed up to MGM as an artist in his own right, and between 1966 and 1968, produced three ambitious solo albums that were eclectic, idiosyncratic, and most of all, unpredictable. It was a happy time for Lee; his music was hot on the charts, he was fully immersed in his collaboration with his muse, Suzi Jane Hokom.
The second of his MGM trilogy–1967’s peculiarly named Le…
Live Rockpalast 1970
Can, live from Soest, Rockpalast, Germany in November 1970. This remarkable set is the earliest full concert recording of the mighty Can. Performed in November 1970 for broadcast on the WDR TV show Karussell für die Jugend (‘Youth Carousel) in Soest, 80 miles north of their base in Cologne, it features vocalist Damo Suzuki (who’d replaced Malcolm Mooney in May), alongside Michael Karoli (guitar), Irmin Schmidt (keyboards), Holger Czukay (bass) and Jaki Liebezeit (drums), and is presented here wi…
God Bless The Red Krayola And All Who Sail With It
Charly's superlative International Artists reissue campaign continues with a deluxe edition of The Red Krayola's 1968 classic second album, 'God Bless The Red Krayola And All Who Sail With It'. Along with the Elevators, The Red Krayola were the mainstays of the International Artists label, and are recognised in Psychedelic circles as producing some of the strangest music ever (combining elements of avant-garde and garage with wild, experimental freak-outs and chilling stripped down songs which s…
Zimbabwe
** 2021 Stock ** Assagai's second and final album. This Afro-funk band from Zimbabwe was based in London in the very early 70s, and released their second album in 1972. Seems that members of UK prog band Jade Warrior helped out in the recording of this as well. Assagai is as fresh and alive as it was when it was recorded in 1971, hypnotic in its rhythm and tantalising in its mix of punctured brass and provocative vocals. Their ruthless brand of handsome rhythm offers copious potent vibes, but si…
A=Mh2
2023 Stock As virtuoso musicians and members of Sam Gopal’s Dream, Andy Clark and Mick Hutchinson were well-known to regulars at legendary London clubs such as UFO and Middle Earth when they decided to branch out as a duo. Recorded in two intense overnight sessions in May 1969, A=MH2 is a scorching blend of jazz, raga, blues and psychedelia that has long been established as one of the key recordings to have emerged from the UK psychedelic underground. It’s presented here as a two-disc set, toge…
The World Of Genius Hans
* 2023 much-needed repress * Reissue of the 2nd Moving Gelatine Plates album, originally issued in 1972; with 5 bonus tracks from 1980. "The World of Genius Hans is often given the nod over Moving Gelatine Plates' self-titled debut album as their defining moment, which is surprising considering both albums are extremely close in quality. Certainly, the second release by this band is a continuation stylistically, perhaps more compositionally refined and taken a step further.
The opening title tr…
Moving Gelatine Plates
* 2023 much-needed repress * Debut album (1971) of this french progressive jazz/rock fusion band from the early 1970's included in the infamous NWW list. "On their impressive 1971 debut, France's Moving Gelatine Plates create a unique brand of jazz-influenced progressive rock. Parts of the album are reminiscent of the music recorded by groups from England's Canterbury scene (e.g., Soft Machine), but the Moving Gelatine Plates' driving rhythms and catchy thematic shifts set the band apart from t…
German Oak
Grey-area reissue of this classic, as well as a lauded and misunderstood Krautrock album, German Oak's Down in the Bunker. The release has been fetishized and demonized, lauded and misunderstood for nearly four decades. In this definitive reissue of the album, the German Oak trio -- together again after 30 years apart -- have approved the remastering of their 70s music; finally tell the story behind the creation of their dark, brooding album -- and the occult-obsessed record collector behind the…
Arzachel
One of the great lost albums of British psychedelia, original copies of Arzachel's 1969 self-titled debut fetch huge sums on the collectors' market and it is not difficult to understand why. Originally released in 1969 on the small Evolution label, this album quite simply contains some of the best psych to ever come out of the UK. However, like so many other great albums of the era, it soon dropped entirely from the radar due to bad promotion. In fact, it may not have ever been rediscovered at a…
666
* 2023 stock * Aphrodite's Child was Vangelis' (Papathanassiou) and Demis Roussos' first step to international fame. They have recorded 3 albums between 1969 and 1972 full of excellent pop, psychedelic and/or progressive rock tracks. This is their magnum opus, their third and last album, which sold more than 20 million copies worldwide. It is considered to be among the best and most original European albums of the 70s. A monster prog release that combines psychedelic and progressive rock with et…
Blues Para Un Cosmonauta
Fans of Coltrane will certainly dig this historical 1970s spiritual jazz album from Argentina which left an everlasting imprint in the local jazz scene. From the eerie “Blues para un cosmonauta” —which could easily fit in the Twin Peaks soundtrack—, to the majestic “Líneas Torcidas” or the mid-tempo groove of “Mi amigo Tarzán”, new landscapes in jazz are explored without hiding, at moments, the musicians’ bebop pedigree. Venturing into uncharted dimensions, the album breaks with traditionalism a…