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*2025 Stock* 'Speaking With Hamas' was compiled by Bryn Jones himself early 1997 and he thought it would be nice to include a new, previously unreleased track. In his words:"It's for people who don't deserve it". "A tourist asked Ali muhamad, a second-hand camel salesman, why camels look so dam supercilious. He replied the Arabs know 99 names for god. But only the camel knows the 100th."
If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…
*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…
*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…
*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…
Italian Library Songbook Vol. 1 | Alessandro Alessandroni by Jessica Duncan, pAd, and Alessandro Alessandroni inaugurates Four Flies Records’ new series reimagining Italian library and soundtrack music as modern pop. Revisiting Alessandroni’s soulful archives, the EP bridges vintage jazz-funk and contemporary Balearic groove with refined sensuality and cinematic warmth.
Green Is Beautiful by Grant Green is a lively jazz-funk album recorded in 1970 at Van Gelder Studio and released on the Blue Note label. Marking a shift from his hard bop and soul jazz roots, Green embraces energetic funk grooves, supported by a stellar lineup including Blue Mitchell, Claude Bartee, Jimmy Lewis, Idris Muhammad, and organists Neal Creque and Emmanuel Riggins. The album’s five tracks, including covers of James Brown and The Beatles, showcase Green’s distinctive, melodic approach a…
The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.
Origi…
Favorite Recordings is proud to announce the release of Endless – Universal Cosmic Sounds, a visionary compilation celebrating a decade of musical archaeology and a special milestone: the thirteenth release curated by Charles Maurice since his debut in 2015. Endless is an immersive journey through cosmic soundscapes, where jazz-funk, pioneering electronics, and ambient experimentation merge into a unique listening experience. The collection features 10 rare recordings, meticulously selected from…
Patrick Cowley’s Hard Ware is a ten-track time capsule from the late disco era, weaving together raw synth grooves, industrial textures, and playful electronic vamps. The album is expansive, sensual, and just a touch sardonic, showcasing Cowley’s boundary-pushing imagination and pioneering electronic production sensibility.
Monitor, the 1981 solo album by Gianni Leone (Leonero), stands at the crossroads of Italian New Wave and progressive rock, offering a singular listening experience that both anticipates and transcends its era. Conceived in California following Leone’s transformative years with Balletto di Bronzo and his ventures in New York, this release embodies a synthesis of transatlantic influences and personal artistic exploration.
Luurankolauluja is Uusi Aika’s deep dive into spiritual fusion, where Nordic folk, modal jazz, and raga-like improvisations meet. Rooted in forest myth and cosmic calm, the album’s six compositions form a slow-burning suite of luminous, contemplative beauty.
6 Days in Leysin showcases Greg Foat in a quietly adventurous mood: drawing inspiration from the Swiss setting, he gathers a small ensemble to record original pieces defined by warmth, melodic transparency, and a delicate blend of acoustic and electronic jazz elements. The collection is a testament to Foat’s ongoing search for fresh forms in contemporary jazz, rooted in lyrical minimalism and atmospheric production.
In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice. The performances from which this recording is taken…
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…
2025 Repress. Ash Ra Tempel's masterpiece, an immortal record of stunning beauty. As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book, Publisher "'Beware of Schwingungen!' That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listening to this record. It all starts fairly simply and without any cause for alarm – 'Look at Your Sun…
** 2025 stock ** This is another stalwart collection from Townes Van Zandt, and not a dud in the bunch. The melodies here are strong, the lyrics full of Van Zandt's razor sharp insight, and the production is sparse and to the point, bringing to mind the inconspicuous polish of High, Low and in Between. The feel here is a balance between folk and country, with Van Zandt's voice and guitar up front, letting the songs speak for themselves. The tunes are full of heartbreak and hopelessness, making i…
The Return Of The Durutti Column is an iconic debut, pairing Vini Reilly’s introspective guitar sketches with Martin Hannett’s atmospheric production. Hailed as a bridge between post-punk, ambient, and classical motifs, the album stands out for its refined vulnerability and timeless melodic experimentation.
The Book of Job is a boundary-pushing work by Super Grupa Bez Fałszywej Skromności, merging avant-garde jazz, spiritual recitation, and sound experiments. Conceived in martial-law Poland, the album is both requiem and protest—an immersive journey through collective struggle, transcendence, and artistic resilience.
Veruschka, composed by Ennio Morricone and performed by Edda Dell'Orso, is a landmark in Italian soundtrack tradition. The album, first released on CD in 1995 with 14 tracks and later expanded, encapsulates lounge moods, ambient textures, and avant-garde fragments, capturing the ephemeral world of fashion and introspection with atmospheric precision. Double transparent blue vinyl edition of 500.