Reissues
Vanity Records 'Music, Tapes & Demos'
As per title, The Vanity Records 'Music, Tapes & Demos' box-set features a selection of releases culled from the catalogue of legendary Japanese cult DIY label Vanity Records, along with never before released demos recently discovered in Agi Yuzuru's archives. The box includes 11 CDs which offer the following contents:CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl box. It is a selection of thirteen artists’ tracks that were chose…
Cantus, Descant
The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddhist thought, amo…
Reed Streams
Long awaited reissue for Terry Riley's 1966 debut album, and one of the greatest pieces of minimal music ever created on Philip Ornstein’s iconic MassArt imprint, which also brought us Max Neuhaus & John Cage’s Fontana Mix-Feed and Allan Kaprow’s How to Make a Happening, is among the most sought after in Terry Riley vast discography. It is also the first recordings Riley made using his two personal Revox reel-to-reel tape machines (or "Time Lag Accumulators") later heard on his groundbreaking re…
The Empty Foxhole
Ornette Coleman's most controversial album back on vinyl. Originally from 1966, 'The empty foxhole' also marking the recording debut of his son Denardo, who was ten years of age at the time of the recording. " Ornette Coleman's brief tenure at Blue Note was neither as seminal as his Atlantic output nor as brazenly ambitious as his early-'70s work for Columbia and later with Prime Time. Still, the period did produce some quality music, and The Empty Foxhole is one of his most intriguing efforts. …
Richters Patterns
Double-CD collecting five of Marcus Schmickler's key-works composed and recorded between 2006 and 2016. "Richters Patterns" (2016), "Kemp Echoes" (2013), "E-UROPAS" (2006), "Fokker Bifurcations" (2014), and "Ata Oto" (2016). Full color digipak with eight-page booklet; edition of 400. "Richters Patterns" (2016) is a collaboration among Marcus Schmickler, artist Gerhard Richter, director Corinna Belz, and the Ensemble Musikfabrik. In 2011, Richter took an image of his work Abstract Painting and di…
New Grass
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
Armitage Road
**Seminal Spiritual Jazz from South Africa, 1970. Officially licensed and remastered re-issue**. With a unique sound founded on a persuasive mix of American and African jazz, Armitage Road, originally released in 1970, was the only studio recording released by South Africa’s Heshoo Beshoo Group. As a highly prized collector’s item, a re-issue and re-appraisal of this lost gem from the apartheid era has been long overdue. Heshoo Beshoo loosely translates from the inter-tribal lingo of the townshi…
Camizole
Camizole was co-founder with Etron Fou Leloublan of the collective Dupon et ses Fantomes. In 1977 Camizole was composed of Jacky Dupety (tenor sax, oboe, perc), Jean-Luc Dupety (drums, tuba, trumpet), Francoise Cruble (alto sax, guitar) and Dominque Grimaud (sax, guitar, synth). First ever issue of some live recordings from 1977 (intended for release by Tapioca) by this underground French group with linkage to Etron Fou, Lard Free, Art et Technique, etc. Primitive, at times violent free form flo…
Clima-X
Fantastic debut LP from France's pioneer avant-electronic unit, Art & Technique. Clima-X was originally released in 1981 by Hi-Tech Records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminiscent of 23 Skidoo's "7 Songs", early Muslimgauze or O Yuki Conjugate's sound.
Happy French Band
This French group started out under the spelling of Maajun and their debut album from 1971 is supposed to be a bit of a classic in a mixture of early underground styles. It's not on CD however. They changed the spelling of the name and a released a couple of albums for Saravah in '73/'74 and then this last album in 1977 (on Gratte Ciel). There's a post-Zappa influence involved and they supposedly "melded Arab, Free, and folk influences, doling out derision through satirical lyrics and music whic…
A Música Século XX de Jocy
A virtuoso pianist and composer of seminal works in early electronic and experimental classical music, Jocy de Oliveira’s musical output has had a great influence within Brazil and abroad. Her sole contribution to Brazilian popular music, her 1959-recorded album, ‘A Música Século XX de Jocy’ in many ways stands apart from the rest of her artistic oeuvre. The original vinyl release marketed the record as adding to Brazil’s samba heritage with a ‘simple and original dialectic’, naming its style ‘…
Abstract Forms
**300 copies** Abstract Forms is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late '80s and early '90s. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experime…
Macbeth
This 1971 darkly evocative and eerie music of Third Ear Band fitted perfectly with Roman Polanski’s cinematic vision of the acclaimed Shakespearian drama
Criss-Cross / Hanover
Black Truffle present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. Lucier has been crafting elegant explorations of the behavior of sound in physical space since the 1960s and is perhaps best known for his 1970 piece I Am Sitting In a Room (LCD 1013CD). He has written a remarkable catalog of instrumental works that focus on phenomena produced by the interference between closely tuned pitches, often using pure electronic tones produced by os…
My Greatest Love
LP version. We Release Jazz present a reissue from Geneva's Boillat Thérace Quintet, the My Greatest Love album, featuring bebop and hard-bop legend Benny Bailey and available for the first time since 1975. Galvanized by the creation of the Montreux Jazz Festival in the late '60s and lively local scenes, jazz music was healthy and booming in Switzerland in the 1970s. One band that beautifully captured this energy was Jean-François Boillat and RaymondThérace's Boillat Thérace Quintet whose self-t…
Boillat Therace Quintet
LP version. We Release Jazz present its sixth release, a reissue of Boillat Thérace Quintet's self-titled album, available for the first time since its original limited private pressing in 1974. Full of prolific and inspired local clusters and boosted by the recently launched Montreux Jazz Festival, the Swiss jazz scene was vibrant and inventive in the 1970s, notably in the region surrounding Lake Geneva. This is precisely where jazz activist and brilliant pianist Jean-François Boillat and wind …
Rejoice
Reissue. Originally released in 1981. "A two-LP set on Theresa, Rejoice features Pharoah Sanders in excellent form in 1981. Sanders sounds much more mellow than he had a decade earlier, often improvising in a style similar to late-'50s John Coltrane, particularly on 'When Lights Are Low,' 'Moments Notice,' and 'Central Park West.' The personnel changes on many of the selections and includes such top players as pianists Joe Bonner and John Hicks, bassist Art Davis, drummers Elvin Jones and Billy …
G2, 44+/x2
Room40 present a reissue of Phill Niblock's G2,44+/X2, originally released in 2002. Matte laminate embossed sleeve; includes insert card and 24-page book with liner notes from Bill Meyer, interview, and photos. Design by Traianos Pakioufakis.
Liner notes from Bill Meyer: "In 2001, Phill Niblock wrote, 'You should play the music very loud. If the neighbors don't complain, it's probably not loud enough.' In 2019, Niblock can no longer host his annual six hour-long solstice concert at the Experimen…
The Complete Yale Concert, 1966
For a performance at Yale University in New Haven, Connecticut, in spring of 1966, percussionist Milford Graves invited pianist Don Pullen to play duets. The two musicians had worked together in a band fronted by saxophonist and clarinetist Giusseppi Logan, with whom they had recorded two LPs in 1965 for ESP-Disk'. Graves was already a daunting presence in free music. One step at a time, he was busy transforming the role of drumming in jazz, introducing a new way of dealing with unmetered time a…
Three Nails Left
Corbett Vs. Dempsey present a reissue of Alexander von Schlippenbach Trio's Three Nails Left, originally released in 1975. One of the all-time great records of improvised music from Europe. Period. Blisteringly hot. Uncompromisingly inventive. Staggeringly beautiful. And insanely rare. Originally issued in the mid '70s on FMP, at its core Three Nails Left features the legendary Schlippenbach Trio -- British saxophonist Evan Parker, and German percussionist Paul Lovens joining the German pianist …