Reissues
Becs
*2022 stock* CD edition: the last time Fennesz released an album on Austrian label Mego it was 2001 and the name of that release was 'Endless summer'. Now, in 2014 P-Vine Records is extremely proud to release the conceptual follow up that landmark of abstract pop. Becs (pronounced 'baeetch') is Hungarian for Vienna and is the first full length Fennesz solo release since 2008's 'Black Sea'. Eschewing the more drone orientated works of 'Black Sea', 'Becs' returns to the more florid pop mechanisms …
Hotel paral.lel
*2022 stock* "Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create …
Slap Happy Humphrey
*2022 stock* The world of Doji appears and disappears through the stormy noise like sunlight through a tree... Slap Happy Humphrey is the world's only cover band of noise-tinged Doji Morita, and the world's only cover band of Doji Morita. Folk and noise - at first glance, these two seemingly contradictory elements create a miraculous space. Itakura Mineko's voice is also good. Morita Doji is definitely present, albeit vaguely, behind the noise... Mineko Itakura of Angelin Heavy Syrup, Hiroshi Fu…
qXn948s
SoiSong is the stunning but short-lived partnership of Coil co-founder Peter “Sleazy” Christopherson and veteran Russian electronic experimentalist Ivan Pavlov. Though friends since 1997, the project birthed roughly a decade later in Bangkok, where Christopherson relocated following the death of his Coil collaborator John Balance in 2004. Named after the Thai word for ‘two’ along with a notorious red-light district street nearby, the duo dialed into a cryptic language of lurching synthetics, Eas…
TIBLSC Re-Works of Since It Turned Out Something Else
Constructive are pleased to announce our fifth release, reworks by TIBSLC of Adrian Corker's recent album 'Since It Turned Out Something Else'. Having met earlier this year when TIBSLC played at an album launch in London at Cafe Oto, Corker asked if they would be interested in taking the tracks as raw material to create a new set of pieces. The original acoustic worlds of the tracks, a combination of contemporary composition and electroacoustic techniques , are transformed into complex ever shif…
Wormwood
In the early 2000s there were several great (now classic) Evenings releases on labels like Chondritic Sound, Ekhein, Monorail Trespassing and his own Tapeworm Tapes imprint...these have been my go-to late night listening for the past decade. With it's super muddy, snail-paced build ups of hazy lo-fi rumbling drones...it is quite literally the ideal noise for evening listening. He had a way of taking the sound and approach of early HNW and making it more hushed and mellow, as if you were hearing …
Gascha Muche
Tip! *In process of stocking* An extended and remastered edition of this excellent tape (one of my favorites in the AAD catalog) that came out last year and sold out way too fast. When I first heard this material I immediately knew it was worthy of a CD edition, but we already had everything mapped out for a tape. So here it finally is, just in time for his East Coast Tour this Fall...and this is not an act you can afford to miss...truly one of the most unpredictable and interesting Harsh Noise …
Dark Water Otter Whores
Tip! *In process of stocking* Reissue of the infamous collaboration between Canadian Harsh Noise titans The Rita, Taskmaster & Sick Buildings. Originally available as a single sided tape that was only the 15th AAD release at the time (2007), this was and still is an important document of "Harsh Noise Wall" in it's earlier more dynamic developmental stages.
Many Worlds Interpretation
Many Worlds Interpretation is a collection of cosmic Americana for electronics, guitar, and percussion culled from Jon Iverson’s extensive home-studio archive.
Steppin' Out!
TIp! *Tone Poet serie. Highly recommended audiophiles new master* Muscular tenorsaxophonist featured several times in recordings for the blue label, Harold Vick signed only one album as leader for Blue Note: here it is, and it is a fine album. The company was of the most inspiring: Blue Mitchell (another underrated...) on trumpet, the tandem of friends Grant Green (on guitar) / John Patton (on Hammond organ) and Ben Dixon on drums. An album to rediscover.
Stick-Up!
TIp! *Tone Poet serie. Highly recommended audiophiles new master* An album as representative as ever of the most avant-garde wing within that extraordinary laboratory called Blue Note: the reinventor of the vibraphone Bobby Hutcherson here (this is 1966) joins Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on double bass and Billy Higgins on drums to record a memorable album, including original compositions and a danceable 'Una muy bonita', a well-known Tex-Mex flavour track by O…
Philadelphia, November 11, 1966
This release presents one of John Coltrane's last preserved live performances ever. Taped in Philadelphia with excellent sound quality, this set presents Coltrane playing probably the freest version of Naima, along with readings of two more of his compositions: Crescent and a powerful version of Leo. Coltrane died shortly after this performance at the age of 40 on July 11, 1967.
At the Penthouse in Seattle September 30, 1965
Radio broadcast of a daytime performance at The Penthouse, Seattle, Washington, September 30, 1965 taped by an amateur fan.
La Mosca
*In process of stocking* Released towards the end of 1989, La Mosca was the last job by the mythical Eduardo Mateo (1940-1990), one of the most influential artists in Uruguayan music. Although Mateo was a remarkable percussionist and was very well known for his short songs, with simple lyrics, where Uruguayan roots are mixed with Brazilian, African, Indian and Arabic influences, on his last album, his work took a turn on a brand new direction. Alongside the multiinstrumentalist and sound enginee…
Masaru Imada Piano
Sublime solo piano from Masaru Imada – a Japanese player with talents in a range of different styles, but who sounds especially nice up-close here in an intimate setting! Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things…
Poppy
Imada's second outing for Three Blind Mice, recorded across two January days in 1973 at Tokyo's Aoi Studio under Takeshi "Tee" Fujii's production. The record's structure follows from a negotiation between artist and producer: Masaru Imada had proposed a straight solo ballad recital; Fujii agreed to the conception but pressed him to balance the standards programme with a working-trio half devoted to his own writing. The LP that resulted is deliberately split — four solo readings on side one (Mist…
Itaru Oki Last Message With Masahiko Satoh
Japanese free jazz pioneer and trumpeter Itaru Oki, who passed away in August 2020, was active mainly in Europe. He was one the key players in the development of a distinctively Japanese take on free jazz in the Tokyo scene of the late 1960s and early 70s, leading his own power trio and collaborating with other formative names like percussionist Masahiko Togashi and bassist Keiki Midorikawa. His last recording (recorded live on October 7, 2018) was a 75-minute improvisation with legendary Masahi…
Schwarzwaldfahrt
In the spring of 1977, two musicians – Han Bennink and Peter Brötzmann – disappeared into the depths of a German deity named Dark Forest…
Live At Sendai Contemporary Museum
Tip! *250 copies limited edition. In process of stocking. 2022 stock* Killer live performance from 1999. Energic high class harsh noise. Pressed on heavyweight half/half - black/milky clear with black, white and cokebottle green splatters 12".
Live In Taiwan 1995
Tip! *195 copies limited edition. In process of stocking. 2022 stock* Originally released on B side of Vaginal Disco cassette on MSNP now presented on a gorgeous transparent yellow vinyl. Recorded live at Art Demolition festival held in Taipei, Taiwan 1995. Mastered directly from Hi8 master tape.