Reissues

First ever official reissue after 36 years! Remastered and expanded edition, it remains one of the holy grails of DIY electronics from Japan. Hazy and drugged, this entrancing 1981 recording by the infamous Nord is a must-have for anyone who is into claustrophobic and destroyed ambient of the most disturbing, affecting kind. "Nord, consisting of Satoshi Katayama and Hiroshi Oikawa, were one of the leading groups in the Japanese underground music scene of the 1980s. The group's two members now pe…

Amazingly beautiful limited edition of 500 screen printed LPs of this classic, individually handcoloured by artist Manor Grunewald. A master of reeds and horns, Joe McPhee is a bonafide free jazz icon who refuses to play the elder statesman in spite of his half-century-plus career. McPhee continues to hone his improvisatory skills by venturing far from his upstate New York home to perform with cutting-edge instrumentalists the world over. The phenomenal Norwegian drummer Paal Nilssen-Love is one…

At Last! Intents And Purposes, revered as Bill Dixon's singular masterpiece, has been lovingly remastered and reissued on LP by the ever lucent Superior Viaduct. Visionary, dark and mysterious, the late trumpet innovator's magnum opus is not only Dixon's defining statement as a composer, but also one of the most luminous moments in the history of avant-garde jazz."Combining orchestral timbres with free jazz intensity, Dixon leads a ten-piece ensemble including such heavyweights as Byard Lancaste…

Jack Orion, Bert Jansch's third album, may have surprised some fans upon its 1966 release, as it features no original compositions by Jansch. While nearly all of the eight tracks (four of which include guitarist John Renbourn) are interpretations of traditional folk songs, Jansch's experimental approach breathes new life into this repertoire through his exploratory use of open tunings and passionate, gritty vocals.According to Melody Maker, "his interpretations illuminate the songs from a comple…

Un Uomo Da Rispettare translates to "A Man to Respect," which can easily be said of Ennio Morricone himself – the unparalleled maestro of the soundtrack. This 1972 crime film stars Kirk Douglas as a master safecracker at a crossroads in his life, emerging from prison yet tempted by one last big job. Morricone builds the main theme around Cicci Santucci's flugelhorn as riveting leitmotifs reprise amidst variations of noir-jazz abstraction to frame the composer's grand vision. A strident, tw…

In stock! And long awaited...Sub Ost present the complete edition of Guido & Maurizio De Angelis's soundtrack the 1975 film Roma Violenta. This is the complete original soundtrack (with all the outtakes) for one of the most iconic Italian "poliziotteschi" films, the Italian answer to the Charles Bronson/Clint Eastwood mania of the 1970s. This soundtrack is complete with the typical variations on the main theme we come to expect with Italian soundtracks: altered tempo, addition and subtractio…

Restocked! And long awaited...Sub Ost present the complete edition of Guido & Maurizio De Angelis's soundtrack the 1975 film Roma Violenta. This is the complete original soundtrack (with all the outtakes) for one of the most iconic Italian "poliziotteschi" films, the Italian answer to the Charles Bronson/Clint Eastwood mania of the 1970s. This soundtrack is complete with the typical variations on the main theme we come to expect with Italian soundtracks: altered tempo, addition and subtracti…

LP version. Bülent Arel's (1919-1990) work occupies a special place in the history of electronic music, with one thing being certain: Arel's work is still fresh, groundbreaking, and it always look outs for the next adventure in sound. Sub Rosa present a collection of his works here as part of their Early Electronic series. Bülent Arel was a Turkish-born American composer of electronic and contemporary classical music. He was also a devoted teacher, a sculptor, and a painter. From 1940 to …

Absolutely essential Cosmic Psych masterpiece now back on Vinyl taken from Analogue Masters and like you’ve never heard it before… The Zodiac: Cosmic Sounds was an album released on the ELEKTRA label in August 1967 in the U.K. It was heavily played by John Peel on his Perfumed Garden shows, where he used it as a basis for a competition (He had been sent a copy by Clive Selwood, the then head of Elektra’s London office and later to become Peel’s manager). The LP was extremely popular with Perfume…

Another incredible treasure from the vaults of Cologne radio, recorded in February 22/23rd, 1975. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it could last forever...In 1975, pioneering minimalist composer Terry Riley and jazz trumpet cosmonaut Don Cherr…

Double-CD set presenting two radio sessions recorded in Cologne in 1984, carefully remastered from the original reel-to-reel tapes, an astonishing example of Terry's tactile and meditative approach - and audio quality is just crystal! Emotive and trance-inducing, it's like finding a new, secret entrance to one of our favourite composers.Considered one of the pioneers (along with colleague La Monte Young) of the minimalist movement, pianist-composer Terry Riley introduced the concept of endless r…

Live from the Commodore Ballroom captures a legendary performance by UJ3RK5 in Vancouver in 1980. A strongly visual Canadian art-rock group, sharing an affinity with bands such as Devo and Talking Heads, UJ3RK5 emerged out of punk, new wave, and post-punk music, as well as the Vancouver School of photo conceptualism that some of the members were associated with. The band included artists Rodney Graham, Jeff Wall, and Ian Wallace among others, and while at the time the band eschewed the art…

**much needed reissue, soon ready to be sent** Recital is proud to publish the first album of American Gamelan composer Daniel Schmidt (b. 1942). Schmidt, who emerged in the Bay Area music scene in the 1970s, wove the threads of traditional Eastern Gamelan music together with American Minimalism (repetitive music). Schmidt was (and is still) a prime figure in the development of American Gamelan music –  studying and collaborating with Lou Harrison, Jody Diamond, and Paul Dresher. He curren…

The archetype for the ’60s-era girl group was etched indelibly into stone, like a commandment: three pretty girls with matching outfits and bouffant hairdos would sing, with musical backing supplied by a bunch of guys standing in the shadows. The Quatro sisters shattered that archetype forever with the Pleasure Seekers, an all-girl teenage rock & roll group who played all the instruments themselves and were fully capable of wiping the stage with any male band that crossed their path.The Quatro g…

The Leathercoated Minds’ 1967 release A Trip Down the Sunset Strip is a one-of-a-kind artifact of the psychedelic era. Originally conceived as an Exploitation item, it nonetheless emerged as an enduring musical statement, thanks to the talents of those involved, particularly then-unknown Oklahoma-bred guitarist J.J. Cale.  As its title suggests, A Trip Down the Sunset Strip was originally concocted by noted pop producer Snuff Garrett (known for his hitmaking ‘60s work with the likes of B…

Wielding a battery of exotic instruments that once adorned a thrift-shop front window (bazouki, oud, vina, saz, doumbeg), the Kaleidoscope was every bit as multi-hued and subject-to-change as the telescope full of bright bits of colored glass the band was named after. If there had been a prize for the most eclectic psychedelic outfit, L.A.’s Kaleidoscope would have had it stashed on a shelf—between the hookah pipes and the bowling trophies—in the band’s rehearsal space. Formed by multi-instrumen…

Milestones of electroacoustic music – from Edgar Varèse’s Poème électronique (1958) to Brian Ferneyhough’s Mnemosyne (1986) – are investigated from a music-historical perspective and presented in a contemporary 5.1 surround edition.The selection of works on this double CD mirrors the development of electroacoustic music over a period of 30 years, from the early analogue studios to the shift to digital technology in the 1980s. It includes electronic compositions and works for instruments and e…

5” CD in full colour digipak carton sleeve and printed inner sleeve. CD is off-set printed in half-metallized format, all designed by Asmus Tietchens. Production: Okko Bekker. On “Soirée fantastique”, two pieces – unfocussed in every aspect – featuring blurring conmtours, spooled out harmonies and barely recognizable melodies frame an extreme minimal, almost static piece in the centre. A piece of harsh, sharp-edges transparency. If this were not the music of a phantastic nightlyx gathering…

Terry Riley's Descending Moonshine Dervishes was originally released in 1982. Recorded live in Berlin in 1975, and largely improvised, Riley plays a modified Yamaha organ with variable resistors to facilitate tuning in just intonation. This is a 50+ minute recording divided into two halves for vinyl. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon by any number of musicians for an indeterminate amount…

From participation in the early Fluxus to giving an introduction of Futurism, Kuniharu Akiyama (1929-1996), a renowned music critic, was involved in a vast range of activities. Particularly in the 1960s, he recorded a lot of music on tape for himself. To our surprise, the music compiled on this CD was actually discovered from a series of ambient music pieces played in the Athletes’ Village at the Tokyo Olympics! During this period, Akiyama was fascinated by the sound of Sanukite stone from Sanuk…

Wolf Eyes’ Nate Young’s Regression series has provided some of the most compelling dread-electronics spewed out by the North American underground in years, with instalments released on Demdike Stare’s DDS label and Aaron Dilloway's Hanson, as well as NNA Tapes and others. It all began back in 2009 with the first volume issued by Joachim Nordwall’s Ideal label, an incredible set that’s now being released on vinyl for the first time ever, just in time for Wolf Eyes newly minted (Warp sponsored) Lo…

**2017 repress** Reissue of incredible ‘lost’ post-punk recordings c.1979-1983 from the mysterious Orior, a huge influence on Demdike Stare. Original tape masters baked and restored by Andy Popplewell, mastered and Cut by Matt Colton. DDS keep everyone on their toes with Orior’s previously unheard and revelatory batch of bleak and brooding post-punk experiments, recorded in London and recently salvaged from an attic somewhere in the South East. Orior’s sole 7” release, the Elevation EP (1979) fo…

The second twin in Unrock's sub-series of actively anti-western music is an ultra-heavyweight. In the worlds of contemporary global avant-art, composition and improvisation, it reaches new heights. Eyvind Kang (from "Ghost Ghat Tresspass/Sussmeier" Sun City Girls 330,003 Crossdressers From Beyond The Rig Veda among many other collaborations) employs a rarely-heard viola technique. Some may call it plucking art. The viola is played not with a bow, but plucked with the fingers of the right han…

An obscure Italian early Industrial/Electronic outfit coming from Brianza, in the Lombardia region covering the triangle between the cities of Milan, Monza and Brescia, an area known for the high amount of furniture factories. Die Form first emerged in 1982 with the tape La Dimensione Umana (here remastered and put on vinyl for the 1st time) later the band members merged with long time friends Orgasmo Negato (also known as Nulla Iperreale), choosing the definitive name Tasaday in 1984. The …

Edition of 99 hand-numbered copies only. Famous US band from Milwaukee, F/i not really need introduction for all who have evolved in and around the early 80’s culture cassette movement DIY. First as a duo, Richard Franecki and Greg Kurczewski started the F/i adventure in 1982 and after nearly thirty five years of longevity, F/i is a true original band as shows their destiny and musical orientation : F/i begins as a pure industrial noise band ala Throbbing Gristle, SPK… with harsh electronics sou…

In stock. First time available, this previously unreleased oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. Nuits D'ete Avec Naima Samin is the second part of Abdou El Omari's Nuits-trilogy. This album contains heavenly compositions for the Moroccon diva Naima Samih and some moody instrumentals in a similar vein to the previous album, Nuits D'ete (RMLP 001LP, 2016). Includes download code.

The incredible follow-up to the successful Britxotica! (JBH 057LP, 2015) and Britxotica Goes East! (JBH 059LP, 2016) LPs. This time, Jonny Trunk and the legendary DJ Martin Green take the listener to a magical musical place full of tropical delights - with songs of heatwaves, coral reefs, Haitian rituals and treasure islands, not forgetting the stormy seas and the odd hurricane. 16 tracks in all from a post-war era of musical adventure, this is Britxotica at its very hottest, most exotic and…

Classic work. Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre. In the realm of 'My life in the Bush of Ghosts' but far more accomplished and developed.

The first time I heard R. Stevie Moore was when The Residents played me goodbye piano - which would have been sometime in early 1978. Soon after that, I got in touch with him to import some copies for Recommended - followed over the years by many of his other releases. Phonography was Stevie's first, and a masterpiece. Terminally idiosyncratic but with all the compositional qualities of great pop. R Stevie Moore is a gifted songwriter and marches to his own drum - as this strange and compelling …

“Taste me” is a 1981 obscure instrumental library music album and a weird example of Italo Funk Disco played by professional musicians (most of them under pseudonym) involved also in many different musical projects (from jazz, progressive rock and disco music). The LP includes the killer Disco Funk "Don’t Stop It”.Repressed in limited edition with original artwork for the first time since 1981. Don’t miss it.

Ah, once again Mr. P.C. C.P.; you’ve read my mind. Here we have a classic example of an entirely serviceable suite of Noisy, Feedback-laden Electronic Music - entitled “Symphony for Tape Delay, IBM Instruction Manual, & Ohm Septet” - masquerading as a tongue-in-cheek / exploitation-lineage LP; (the front cover, with its concentric neon-green Bride-of-Frankenstein, reads only “Music to Freak your Friends and Break your Lease.” Originally released in 1974 on “The House that Rod built;” Stanyan rec…

Monster Holy-Grail Sound-Art / Sound-Sculpture / Live-Electronic / Drone Masterpiece by German Composer Hans Otte, one of two titles issued by the Kölnischer Kunstverein's in-house imprint - the other being the Nam June Paik / Takis "Duett Paik/Takis / Klangraum Takis" LP - featuring excerpts of a staging of the piece "On Earth" given there on June 13th, 1979. Bookended by a narrative / descriptive overlay spoken by Elisabeth Weber & Wilfried Grimpe, the piece quickly ascends into a whir of subt…

Looks like this is the last title of the year folks - and what a year it’s been !!! - enjoy the break for the next few weeks, sit back and spend some quality time with the Creel Pones on hand, or go back and check out some of the ones you’ve missed. I’m told that Mr. P.C. C.P. will resume his regular schedule halfway into January 2007 with a pretty ridiculous set of new reproductions. Until then... Here we have a 1971 Vedette library LP by Armando Sciascia recorded at the "3D - Electronic Music …

Whoah. Here’s one you’re not likely to have heard/seen evidence of; Mr. P.C. C.P.’s treatment of German Painter Günter Maas’ sole LP release, privately-pressed in 1969. “Klangbilder” contains four extended pieces, ranging from Oskar Sala-esque sheets of detuned electronic sound - composed on the then state-of-the-art Siemens synthesizer utilizing an experimental photo-electric coupler which converted his paintings into control-voltage !!! - to dark Musique Concréte pieces utilizing evil-sounding…

Here’s a first - for Creel Pone at least - a reproduction of the debut album by this Venezualan Electro-Acoustic collective, featuring Luis Levin, Alvise Sacchi, and Stefano Gramitto, recorded at some point between the group’s inception in 1978 and the release of this LP in 1983. This one flew right in, way below my own radar; I’ve never heard/seen reference to this ensemble - nor its individual members! - yet the music inside is yielding some fairly lofty comparisons; namely snatches of 60s-era…

Upon first glance at this Creel Pone reproduction of an obscure 1980 private-press Synth / Art-noise LP - originally issued on “Vinyl Records” - two things caught my attention: the phrases “Electronic Instruments designed by: Serge Tcherepnin” & “Special thanks to California Institute of the Arts”, both in small text on the back of the jacket - as I understand it, Serge Tcherepnin himself was on faculty at CalArts from the early 70s until he left for San Francisco to start the serge company in 1…

Jeeeezus ... so here’s just about the best record ever, a collection of late 60s pieces from 6 Hellenic composers, only one of which even rates a single listing in the Hugh Davies book, Michael Adamis. See that on the cover? it’s the patch-bay of an EMS VCS3, arguably the most legendary / covetable analogue synthesizer. Here is an exchange that i’ve fabricated as a possible explanation of how this record came to be: Adamis: “I’ve just come back from London and look what i have: it’s an EMS VCS3.…

Wow, just wow. One of the dynamics at play in the C.P. program that has been all but absent in the recent catalogue is the "one man against the world" spec. These politically-charged times make me hesitant to use the catch-all "outsider", although, in the case of upstate-New York Composer Glenn Williams, it's clear that a palpable distance from the greater world was, indeed, in effect. Let's first focus on the music; the A-side's side-length title piece works a long-form take of the exact sort o…

Spot-on reproduction of this mythical 1969 TVMusic library (TVM 102, right after TVM 101’s “Cosmic Sounds b/w Electro Sounds”) offering a side of “Weird sounds” by Georges Teperino (again, aka Nino Nardini, Peter Bonello) & one of “Crazy Sounds” by Roger “Cecil Leuter” Roger (aka Archie Gun, Eric Swan.) While “Cosmic b/w Electro” has some nice moments of “lyrical” electronic music that presage pretty much the entire “Library” spec, this one is completely bonkers, throwing any & all “Groovy” conn…

I hope you're been enjoying the Creel Pone 19x "Doubles" series; some great multi-disc titles that simply couldn't wait for their usual "every ten catalogue number" positions, especially as the series is running out of spots approaching its intended 200-title terminus. Here we've got an absolute corker, offering a mid-50s, private-press 10" release by Swiss sound engineer Francis Jeannin, who, verbally, takes us through the techniques of making Tape Music before letting loose with a side of home…