Reissues

Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…

Subtitled: Compositions for Solo Instruments and Ensembles. Features: "Gestures for Eleven" (1964, chamber ensemble), "Trio For Trumpet, Trombone and Percussion," (1966), "The Laughing Third (1995, for piano), "String Quartet No. 3" (1963), "Sonatina for Bassoon Alone" (1953), "at loose ends" (1974), "Mutatis Mutandis 7" (1987, for flute), "Nonet" (1969, chamber ensemble),

"And here's a historic moment, the complete works of Herbert Brun in four CDs. Language, Message, Drummage features Brün's compositions for tape and for instruments performed by LaSalle Quartet, Kathleen Keasey (piano), James Culley (snare drum), University of Illinois New Music Ensemble. Herbert Brün was born 1918 in Berlin, Germany and studied with Eli Friedmann, Frank Pelleg, Wolf Rosenberg and Stefan Wolpe. Brün first turned to electronic sound production for the composition of music d…

Essential collection from this strange and obscure early 80s electronic noise project."One-man industrial outfit, Deviation Social left a scar on the face of the American 80′s experimental/noise scene that has mysteriously been left to legend and rumor. Dais previously released the first authorized reissue of Deviation Social's compilation tracks dating back from the early '80s. Here within, Volume 2 compiles the two proper 'studio' releases of Deviation Social's checkered past. The destruct…

The story of DIEM (The Danish Institute of Electronic Music) is the story of 25 years of believing that the newest technology can move existing musical boundaries, create new sounds, new structures, and pioneer the development of the music of the future. This double CD presents a broad selection of works produced at DIEM from 1987 to 2012; all of them presented in their original form and many of them released for the first time The story of DIEM is the story of 25 years of believing that t…

*In process of stocking. 2022 stock.* Active since the mid-’60s, Alvin Curran is one of America’s most courageous and outrageous musical mavericks. A true forefather to the Downtown scene, his music embraces the dialectics of composition/improvisation, tonality/atonality, minimalism/maximalism, electronic/acoustic and more. Alvin’s use of the Shofar in experimental music making goes as far back as 1988, and this long awaited release features several compositions for Shofar and electronics, rangi…

From 1982 to 1992 Frank Scheffer worked with John Cage on many different occasions, which resulted in a unique archive of historical audio-visual material. Based on this unique archive, including interviews, musical performances and images of different locations related to his life and work—filmed on 16mm—the filmmaker Scheffer created How to Get Out of the Cage—A Year with John Cage. Frank Scheffer wrote: "The famous artist Marina Abramovic introduced me to John Cage. She thought it woul…

This documentary by Oscar-winner Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer John Cage. Shot in America, Germany and Japan, the program premieres rare archival footage; presenting concert excerpts and a set of short episodes, featuring associates of Cage and contemporary artists, playfully delineating different aspects of John Cage. The documentary features interviews with Yoko Ono, David Tudor, Christian Wolff, Steffen Schleiermac…

The complete remastered recordings on Black Saint & Soul Note is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered pa…

** Extremely limited 3x8” lathe records box, made in a run of just 90 copies, including previously unpublished recordings with individual sleeves in silk-screened box. ** Psychedelic scrapings from NNCK (No Neck Blues Band) members Pat Murano (Decimus) and Jason Meagher (Coach Fingers) in a beautiful art edition. Three 8"s, six sides of ostensibly distant, alien transmission somewhere between Zoviet France making a noisy cup of tea with The New Blockaders and Ekoplekz playing morse code melodies…

Lovely compilation of M.B. music including old tracks taken from 80's compilation cassettes. Cover image is a 1982 original M.B. artwork. Numbered edition in a paste-on digipack.

Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded in February 1983 after the Armaghedon LP. Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Unofficially issued as cassette tape in 1990 with the given title of "Extreme Man 2". Bakterihabitat by M.B. contains sound sketches that were later used in Telmegiddo. Mixture of bacteriological wall of noises, originally decomposed at the Mectpyo Studio in May 1982. Unofficially issued as cas…

Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.

John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!

Recordings of works by Joseph Byrd, student of Morton Feldman and John Cage and frontman for The United States Of America, are finally available by the American Contemporary Music Ensemble via New World Records.Byrd collaborated with a number of Fluxus artists in the 1960s, and also formed Joe Byrd And The Field Hippies, recording psych-rock album The American Metaphysical Circus in 1969. This release, Joseph Byrd NYC 1960–1963, recorded by contemporary music ensemble ACME, includes new recordin…

This LP + bonus CD features the entire track listing, plus 5 bonus tracks from the Italia New Wave LP. This album represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping Europe and the white cliffs of Albion. This scene flourished in Italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the US). Robotic rhythms and intuitions t…

Staubgold is proud to reissue the one and only solo album of Patrick Vian (Red Noise), originally released in 1976 on the Egg label. The album is available on vinyl in a strictly limited edition of 500 copies and for the first time ever on CD and as a download.A wonderful and obscure gem of electronic music certain to please the fans of Krautrock, French 70s electronic music and Kosmische Musik. Patrick Vian plays Moog 2C, ARP 2600, Moog Sequencer and piano and gets help from jazz musician Mino …

"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have 'shared' an LP released by Conrad Schnitzler himself? One half of Conrad & Sohn features music by Conrad Schnitzler, the other, his son Gregor. Two mini-albums on one disc, so to speak. An ideal opportunity to compare them. …

LP version. Conrad Schnitzler (1937–2011), composer and concept artist, is one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. "Contempora" is a sort of collection of sk…

Thriller tracks contained in this CD (originally released as LP by the legendary Sermi label) were composed expressly for a TV program of RAI in 1968 by Gino Marinuzzi Jr. who has enjoyed a half-century as one of Italy's top movie composers and one of the great innovators in electronic and experimental music. The son of Gino Marinuzzi (1882-1945), one of Italy's most renowned conductors (and a composer of some significance as well), he was born in New York in 1920, and studied in Milan. Marinuzz…

The extremely influential 1995 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on orange vinyl and packaged in a jacket replicating the original. LP1 is the album, LP2 is a 12" featuring remixes from Jim O'Rourke, Scanner, Mouse on Mars, and Christian Vogel. Included for the first time is a free download coupon. Limited to 1,500 units worldwide."

The extremely influential 1994 classic album from Oval is finally re-issued on vinyl. Freshly cut to vinyl by Roger Seibel at SAE Mastering the two LPs are pressed on clear vinyl and housed in black paper inner sleeves, packaged in a jacket replicating the original. Included for the first time is a free download coupon. Limited to 1,500 units worldwide. Systemisch was the debut Oval album released on Thrill Jockey. On this recording Oval was Markus Popp, Sebastian Oschatz and Frank Metzge…

Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set of seven CDs, the first truly comprehensive survey of Tudor's work as a composer, goes beyond any previous attempt to document that process of transformation. It captures his touch and sensitivity and offers an expansive, previously unavailable view…

Originally released as a private tape in 1982. Necrosi Statica was the first ever cassette by Pierpaolo Zoppo and was recorded before the infamous Mauthausen Orchestra tapes. The early electronic experiments of Necrosi Statica show an intriguing but inevitable progression from glacial synthetic sounds to a primordial flow of noise thoughts. It comes in a stickered black sleeve with black inner and black record labels.Included is a photo, an insert and a label catalogue.

Deluxe full color gatefold 2LP version, volume 1 of 2. Artists: A.R. & Machines, Can Roedelius, Michael Rother, Popol Vuh, Michael Hoenig, Agitation Free, D.A.F. Harald Grosskopf, Amon Duul II, Conrad Schnitzler & Wolf Sequenza, Broselmaschine, Eno/Moebius/Roedelius, Gila and Wolfgang Riechmann. The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, t…

Restocked, LP edition: The Expanding Universe is the landmark and long out-of-print 1980 debut album by composer and computer music pioneer Laurie Spiegel. The album is reissued here for the first time in a massively expanded two-CD set, containing all four original album tracks plus an additional 15 tracks from the same period, nearly all previously unreleased. Some of the already well-know works included in this set are "Patchwork", the complete "Appalachian Grove" series, and "Kepler's Harmon…

2020 repress. Necessary vinyl edition of some of the greatest minimalist/hillbilly/rock/psych music of the century, the goddamn motherlode from violinist/composer/philosopher/artist Henry Flynt: Flynt penned a bunch of amazing texts across the years (check the special issue of Richard Grossinger’s Io journal dedicated to his thought, 1989’s Being = Space x Action for more on that), he studied with Terry Riley and LaMonte Young and was briefly associated with The Velvet Underground, though Lou Re…

Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…

Limited vinyl reissue of the first LP from Spanish industrial band Esplendor Geométrico. An industrial classic originally released in 1982 on the Tic Tac label, Esplendor Geométrico's sound was already devoid of aggressive lyrics and even titles for their tracks (the A-side, El Acero del Partidio, is spread across five tracks while the B-side, Héroe Del Trabajo, has three tracks). Their sound had already begun to acquire a personality of its own, not fully mature but with an astounding aus…

Amazing electronics from the Italian sound library scene – a record that's far darker and much more moody than other Italian albums of the time – often with complicated tones and elements that rival more important modern electronic composers! Most of the work is relatively spare, and served up in an analogue style that rivals the best BBC Radiophonic material – although here, the passages are even longer, and have a bigger conception overall – with less of the feel that these tunes are supposed …

The Curfew Recordings were made at a disused industrial site on the river Tyne in 1984 and feature John Smith (then publisher of Interchange magazine), Sean Dower (ex Death Magazine 52 & later of Bow Gamelan Ensemble) And John Mylotte (of the band Metgumnebone). The recordings were made inside a 10m tall and 26m wide, steel-plated cylindrical, structure, once used for bitumen storage. The instrumentation is acoustic and the recordings are unprocessed (the space however adds a remarkable reverb).…

Kevin Drumm's 2007 cassette 'Purge' on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening takingyou deep into the known unknown, or perhaps the unknown known. Drumm's noise is extremely powerful and dynamic.; travelling frequencies, rich withdetails, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm's works,Êthey share the same cold and darkness. 'Pu…

CD edition: Beautiful, previously unreleased private home recording of kosmische drifts starring Schulze alongside his roadie and noted early Krautrock guitarist. Glossy gatefold vinyl with liner notes and photos** "For the first time ever, from the vaults of Klaus Schulze, comes The Schulze-Schickert Session, a rare and previously unreleased private session featuring echo-guitar pioneer, Günter Schickert. Recorded on 26 September 1975 in Klaus Schulze’s home Studio in Hambuehren, Germany,…

His masterpiece "A treat for those into the pioneering works of Terry Riley and Steve Reich in that this combines use of delay lines on keyboards a-la Riley with phasing techniques on voices first explored by Reich" (Mutant Sounds). Originally released in 1979, Wakhevitch's last album before definitely settling down in Auroville (India) was his most meditative and relaxed effort to date. Fruit of his 1978  stay in Israel invited by the "Mishkenot Sha’ananim" Foundation,  the album was again…

Originally released in 1977, this was (once again) a product of the fruitful association between Igor Wakhevitch and american dancer/choreographer Carolyn Carlson. Compiling some of the pieces specially written for Carlson's "This, that and the other" (created for the Groupe de recherche Theatrale de l'Opera de Paris), the album follows the otherwordly steps of it's predecessor ("Les Fous D'or") in a more calm, relaxed, almost nocturnal way. Inspired by Carlos Castaneda's writings, Nagual is ano…

Released by Pathe Marconi in 1975 and housed in a fantastic surrealist cover designed by his father, russian painter/art director Georges Wakhevitch, this album marks the debut of Wakhevitch's long-standing collaboration with american dancer/choreographer Carolyn Carlson. It also shows the composer's progression into a more esoteric and lyrical grounds: a departure from the violence of his first three albums into quieter yet equally dark and mysterious regions. Divided in two sides (calle…

Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…

2018 repress. Originally released in 1972, this is the second album by legendary German ambient pioneers Dieter Moebius and Hans-Joachim Roedelius. Moebius and Roedelius essentially create ambient electronic soundscapes that ebb and flow, droning on in a suspended world of anti-gravity where machine has conquered man. Includes bonus CD of the album."This album closes Moebius & Roedelius early radical experimentations in electronic, guitar/organ works. Compositions are always made of repetitive p…

A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…

The first and only recorded meeting between two absolute giants of the soprano saxophone - Steve Lacy and Joe McPhee - finally sees the light of day after 36 years! On June 9, 1977, Lacy and McPhee shared a double bill in Basel, Switzerland. Lacy invited McPhee to join him for a duet to close his set, and McPhee brought out his own soprano saxophone for what would become a historic encounter. The main part of Lacy's performance was issued on the classic Clinkers LP back in the day, but this fina…