Reissues

1996 reissue. The first in our new series called Swedish Underground Archives. The series will focus on classic yet mostly unreleased recordings by known and unknown to mythical Swedish progressive/psychedelic groups from the 1960s/70s. First out is the best ever recording from the legendary Trad Gras & Stenar (Trees Grass & Stones) recorded at the first ever Swedish outdoors summer hippie festival in 1970. The sound is just amazing: a stoned lysergic wall of acid guitars jamming away and never …

The classic debut album by the UK's Forest, originally released in 1969 by Harvest. As the 1960s progressed, almost every musical genre was affected by the psychedelic boom -- and folk was no exception. Artists such as Bert Jansch, Davy Graham and Donovan had introduced elements of world music into their repertoires by 1965, and in 1966, The Incredible String Band's debut kicked the door wide open for a generation of young musicians to follow. Forest, whose two Harvest albums have long elated li…

Subtitled: A Collection of Demos and Outtakes, 1966-70. Described by Mojo magazine as 'Britain's pop Salinger,' the reclusive Bill Fay cut the classic 'Screams In The Ears'/'Some Good Advice' single in 1967 before making two dark singer-songwriter albums for Decca, at which point he opted for public silence. This CD features 25 stunning, previously-unreleased late '60s demos. Baroque '60s pop at its finest, this important release includes new quotes from Bill. 2004 release.

Music by: Conrad Schnitzler, Klaus Freudigmann, Wolfgang Seidel and friends. Three side-long tracks, the complete concert. For the first time ever the complete Live Action, 1972 recorded in Wuppertal by Conrad Schnitzler's loose collective. Credited to Eruption, that was a short-lived German krautrock or experimental music super group founded by former Tangerine Dream member and then current Kluster (3) member Conrad Schnitzler. Eruption performed free-form, improvisational, experimental music, …

Limited picture disc LP release. "I composed Mantra: soundscapes for meditation in response to several requests from some of my fellow prisoners. I was asked to create some gentle music that they could listen to on their personal cassette players as an aid in practicing meditation and relaxation techniques widely accepted as valuable tools in the process of healing mind, body and spirit. The challenge was to produce a musical composition that would help to mask the noise of the environment witho…

Drawing his name from a Japanese poet, his musical style from eastern raga sounds and his sartorial style from American Indians, Robbie Basho was eclectic and eccentric. He was also one of the most gifted and original acoustic guitarists that the John Fahey/Leo Kottke/William Ackerman axis produced. Recording for Fahey's Takoma Records, and being cited by Ackerman as a principal influence on the founding of Windam Hill Records, never produced the kind of fame and acclaim that Basho's prodigious …

Another of Fahey’s most highly regarded records, ‘The Transfiguration of Blind Joe Death’ was recorded in 1965 and shows Fahey on absolutely blistering form. The guitarist Leo Kottke has named this record as his favourite in Faheys 35 album back catalogue, so there must be something quite special about it right? Well there certainly is, this is his finest blues album, moulding the sound to his taste, fitting in ragtime and Indian classical music in there somewhere to come out with a breathtaking…

The only legally issued live recording by John Fahey came about through an unusual set of circumstances in 1980. Allegedly Fahey was touring Australia and decided on the spur of an inebriated moment that he wanted to play in Tasmania. A hall was booked at Hobart University, an audience rounded up, and the resulting show was recorded. There was no sound check and a large part of the concert was performed for the first time or improvised on the spot. It is quite possible that the audience had prob…

Opening with the incredible 'Sunflower River Blues' (covered recently by Jack Rose) this is easily one my favourite of Fahey's albums. It's by no means the best, or the most technically accomplished, but as an enjoyable piece of music from beginning to end, this just does it for me. This particular cd collects tracks from both the 1963 session and the 1967 session of the album, and it's interesting to hear the differences between the recordings. In four years Fahey's outlook changed a lot, so ra…

Every decade John Fahey's work creates a wave of followers all trying to fuse acoustic blues with the Indian and Western classical traditions. What most of them miss when studying their hero's albums is his knack for crafting wonderfully infectious tunes. Sure, Fahey is totally avant garde, as he descends into esoteric tunings and maze-like picking. But that never prevents an album like 1967's Days Have Gone By from making listeners hum, clap and whistle along. This is folk music, after all.

Top quality eye-popping reissue housed in hard cover mini-LP style gatefold sleeve complete with obi and liners of this rare 3rd album by psychedelic maverick Hiro Yanagida. Another totally vanished and ear bleedingly rare gem out of Japan's psychedelic history, this was Hiro Yanagida's (ex Apryl Fool, Food Brain, Sato Masahiko & Soundbreakers, Floral, etc) second solo album released in 1973. Original copies hardly ever surface anymore so this reissue is more than a welcome feast. The music is a…

Second Yanagida Hiro album, with Kimio Mizutani at the helm, swirling acid leads, heavy psych moves with at one point even an acidic Elvis joining the trip. Originally released in 1971. Deluxe gatefold sleeve packaging.Keyboard player and prime mover Hiro Yanagida began his musical life in Ground Sounds outfit The Floral, before founding the considerably cooler Apryl Fool in 1968. However, Yanagida is best known for his contributions to the so-called ‘Super Session’ period of 1970-72, during whi…

The Tenjo Sajiki Company was an avant garde theater troupe formed by Terayama Shuji & was an audience participation street theatre designed to shock along the lines of the Living Theatre. Popular music was always incorporated in their projects, and so lots of rocker runaway teens were quickly attracted. By the early 70s, J.A. Ceazer and Kuni Kawauchi (of the GS group Happenings Four) had joined, and the music got really fucking weird along with the performances. Instead of just staging a version…

Another rarity is this original soundtrack album to Terayama Shuji's last movie with music by JA Seazer (Tenjo Sajiki, JA Caesar). Released in 1984, it was Terayama's last completed movie and Seazer's last contribution to his visionary and reactionary world. Saraba Habobune's soundtrack is just stunningly beautiful, far removed from Seazer's trademark bombastic scores. Instead it ventures into more pastoral and almost meditative psychedelic realms filled with traditional string plucking, eerie f…

Deluxe first reissue of this 1974 J.A. Ceasar-performed theatrical underground classic. A nice example of the recent flood of late 1960's-early 1970's psych reissues from Japan that are in the more fluxus/theatrical vein. The period saw political upheaval and protesting amidst much of the country's students and youth; and while the underground movements weren't as widespread as say those in the USA, the pockets of artistic institutions that responded to political causes (like the decimation of n…

Top notch and bang up identical reissue job; gatefold mini-LP style sleeve complete with inserts and obi. This was originally a private pressing on Terayama Shuji's own Tenjosajiki label. The disc is a soundtrack to his like-named movie, of which the title can be roughly translated as 'Volume of First Love Hell.' Psychedelic insanity, spoken word insertions and has included great vocal participations by sublime vocalist Carmen Maki of Blues Creation. Great disc that rarely surfaces with everythi…

Reissued in 2003 by Show Boat/Sky Station - SWAX-62, the English title for this album is: Throw Away The Books, Let's Go Out on the Street and is subtitled: A High-Teen Symphony. There is a film soundtrack of the same title, but this recording contains entirely different material from the soundtrack. This album is based live recording of Tenjo Sajiki's 7th performance Sho o Suteyo ,Machi e Deyou at Asagaya Kokaido in October 1970. To add some studio workings, the performance was reconstructed an…

long out of print, this is an overdue reissue of American composer Alvin Curran's third record. Following his involvement in the live electronics performance group Musica Elettronica Viva, Curran embarked on a more personal pursuit utilizing his own voice and a patchwork of minimal synthesizer and field recordings. The two parts of Canti Illuminati show clear affinities to the vocal style of Pandit Pran Nath and…

Recorded in 1970 -- first issue 1971. First CD reissue of this incredible album of Stomu Yamash'ta. The 2 tracks performed by Yamash'ta are purely percussional. Yamash'ta is renowned worldwide for his work as an avant garde composer, and is deeply involved in the fields of 'musique contemporaine'. He also approached electronic music in the late 70s through a collaboration with Klaus Schulze." The 1st piece is composed for metal strings, tambury, cymbal, music saw, mandorin harp; the 2nd for stee…

First release of this archival material by this French rock band, best known for their classic Catalyse album (originally issued by BYG in 1970; CD is Spalax 14823). This posthumous archives release is comprising of Ame Son’s Catalyse period including when they called themselves Les Primitiv’s, some of their recording sessions from 71 and some post-second chapter mid-70’s recordings. Fairly aptly titled Primitive Expression, most of these tracks present on this album are not in their polished st…

Long Night, a 2 hour electronic drone work produced by Jim O'Rourke in 1990 around the time of his graduation from music school had been buried in the archives along with several other electronic music pieces Jim had created before he went about to explore other musical territories. Unearthed, remastered and now released for the first time, its ageless qualities shine as brightly as ever.

1996 release on Jim O'Rourke's old label, surprisingly repressed for 2008. First non-reissue on this label - an unreleased companion to the 1990 Alchemy label masterpiece. The designation 'Rainbow' contrasts with the odd colorlessness of the many noise records. Like Voice Crack, this is power electronics at its most detailed, most subtly varied, and most exhaustively kinetic. It doesn't stop. It's a thrill every two seconds, for seventy-five minutes... It splits into halves, quarters, and more u…

Pratically impossible to make it brief here, HGeerken: author, composer, musician, film-maker, performer, actor, mycologist, archivist, stager of exhibitions, publisher of numerous authors from the circle of literary expressionism and dada, lumberjack, bumble-bee-keeper. during his six-year stay in Egypt in the 60's he is co-founder (together with Salah Ragab and Edu Vizvari) of the Cairo Jazz Band as well as founder and head of the Cairo Free Jazz Ensemble. played in various music groups: Embry…

Abstemious Austrian composer who committed suicide in 2007. Two long pieces, one that builds up from violins all making a slightly different type of scratching. The second piece uses computer processing, and does a great job of establishing a droning floor and then dropping through to a lower frequency beneath, or suddenly revealing a pulse without simply fading things in & out. Comes with a book that contains an interview with Zibigiew Karkowski (Weirdo Records)“So the point is that so mu…

Gordon Monahan conjures up the prairies of Saskatchewan with an impressive series of varied tracks utilising his fascinating installations. The piercing cry of the 'Theremin Pendulum' begins an auditory odyssey that takes us across a soundscape both harsh and delicate. A sense of openness infects these pieces, as Monahan shows us once again that he is a master of spacing and pacing. This cd includes a Quicktime video of Monahan's Aeolian String Installation at the Claybank Brick Factory, and a 1…

The accidental matriarch at the head of the recent folk revival, Vashti Bunyan had been championed by everyone from Devendra Banhart, Joanna Newsom and Adem as one of folk music's great lost voices. After the reissue of her 1970 LP Just Another Diamond Day, Vashti was coaxed out of retirement to record the Max Richter-produced Lookaftering, an album which featured guest appearances from many of the nu-folk crowd's movers and shakers and formally reintroduced her to the contemporary music scene. …

Recently voted one of the Top 100 British Albums of all time by the OMM, this CD re-release of Vashti Bunyan's 'Just Another Diamond Day' features the likes of Robert Kirby (of Nick Drake fame), Robin Williamson (Incredible String Band) and the Fairport Convention's Simon Nicol and Dave Swarbrick, it is also regularly cited as inspiration by Devendra Banhart, Joanna Newsom and Scout Nibblet... Possibly sounding a bit naïve in retrospect, much of 'Just Another Diamond Day' seems to exist somewher…

One of the most exciting experimental music artists currently active in North America, he has earned a growing following around the world. This recording is what you might expect—insanely powerful drone based music composed of the richly layered sounds of different instruments & field recordings, allowing the listener to pick up on new sounds & subtleties with every listen. Incredibly unusual music that takes influence from both ambient & noise circles & blends them to fantastic results. A very …

Wafting, vaporously, from the suffocating heat of New Orleans, Belong shimmers like a mirage: vaguely discernable, yet always at the edge of an unobtainable horizon. Collaborators Mike Jones and Turk Dietrich employ a singular and remarkably inscrutable studio technique (Dietrich's remix skills extend to Nine Inch Nails' "The Frail") to wholly liquefy source material - here electric guitars - into wave upon breaking wave of sound. Comparisons are frequently made to William Basinski's notorious "…

The definitive recording of Conlon Nancarrow’s Studies for Player Piano, originally released on LP by 1750 Arch Records, newly remastered in spectacular sound, representing the most faithful reproduction of what Nancarrow heard in his own studio. This is the only available recording utilizing Nancarrow’s original instruments: two 1927 Ampico player pianos, one with metal-covered felt hammers and the other with leather strips on the hammers. The 4-CD set includes a 52-page booklet with the origin…

2014 repress, originally released in 1998. First issued by the Mnemonists' label (Dys in the U.S.) in 1982. M.B.: proto-electronics, compositions, arrangements. Mektpyo Bakterium is a work furnished of implacable plastic exasperation. The icy oppression, the hallucinative electronic wounds, are a precious and singular fact in a technological society brought to the limit. The emotion is pushed into dangerous zones, and unusual zones, and unusual tensions -- free biological groans of extreme e…

2014 repress, originally released in 1998. Reissue of a private LP, issued in an edition of 300 copies in 1982 by Maurizio Bianchi ; a skeletal extremist project that will then transform into the "soundtrack" of a movie with the same title, edited and directed by Paul Hurst. It's the setting of the griable pre-apocalyptic fossilization, the supreme lapidation of the meanness which creates the myth. There are actual melodies present -- dense and dark that mutate into harsh electronic outbur…

2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…

2014 repress of these classic M.B. albums (M.B. = Maurizio Bianchi, for those of you who haven't been saved yet). These were first reissued in 1998 by EEs'T (a division of Alga Marghen) and are now back again. Symphony... was the first M.B. album, issued in 1981, at the gates of the industrial noise revolution (it was also reissued on CD in the U.S. on Hospital Productions). "ArcheoMB" is the title given to the complete reprint of old M.B. records and here is part 1. EEs'T Records and M.B. …

More Yoshi Wada from EM Records! The long-awaited reissue of Wada's 1985 LP Off The Wall, recorded in Berlin and originally released on the esteemed FMP-subsidiary SAJ label. A minimalist yet majestic monsterpiece ("massive," as Tom Johnson declares in his perceptive liner notes), Off The Wall features Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ, and percussionist Andreas Schmidt-Neri. The original album consisted of two side-long pieces recorded on successive days by …

Two classic Y records reissued on the Unheard Music Series; hardcore improvised music by Beresford (Slits, Premiere U.K. Jounalisto), Honsinger (cellist extraordinaire), Toop (experimental Genius/author) & Kondo (Japanese improv legend). Originally released in 1980/81, never reissued before. With bonus tracks, new liner notes by Beresford.

You know how sometimes people try so hard that they do not wish their early moments to be seen nor heard? Such is the case with Gérard Manset and his first recordings which, as it were, represent some of the best psychedelic chansons in existence and in league with such luminaries as Gainsbourg, Polnareff and Ferrer. Ill-conceived timing with the May 1968 student riots in Paris doomed the fate of his Animal on est Mal EP and self-titled LP, and both are now as rare as truffles. However, his popu…

VERY LAST COPIES, long deleted masterpiece 'Doppio coro' (1993) for organ orgue, 'Artemisia' (1991), 'Triola ou Symphonie pour moi-même' (1977-78), 'Cantate pour elle' (1966) for soprano, harp and tapes, 'Week End' (1982), 'Luminétudes' (1968), 'Reflets' (1961), 'Dahovi' (1961), 'Lumina' (1968) for 12 strings and tapes.

Historic release. Originally released as an LP in 1966 by Mass Art, this is Allen Kaprow, father of The Happening explaining how to do it, and what is - and is not - a Happening. Simple in construction, yet profound in context, How to Make a Happening is Allan Kaprow delivering 11 rules on how, and how not, to make a Happening, an movement begun by Kaprow in the late fifties that is known for its unpredictability, open scores, and constantly-evolving form. On the first track, Kaprow speaks plain…

With Karl-Birger Blomdahl: Mimamusik (1959). Bengt Hambraeus: Doppelrohr 2 (1955). Rune Lindblad: Formation (1958-59), Optica 2 (1960). Arne Mellns: Nite Music (1964). Sten Hanson: Fruits de mer (1962). Åke Karlung: Antihappening (1962). Leo Nilsson: Skorpionen (1964). Ralph Lundsten: Atomskymning (1964). Bengt Emil Johnson: Enmans Gubbdrunkning (1964). Lars-Gunnar Bodin: Den heter ingenting, den heter nog 'Seans 2' (1965). The cd includes a 16 page booklet with texts by Sten Hanson.