Electronic / Musique Concrète

condition (disc/cover): M/M (still sealed) Vittorio Gelmetti (1926-2005) worked outside the Italian academic avant-garde and made a music built from other music. Organum Quadruplum (1967), written for a concert at St. Paul's American Church in Rome, sets a choir and Frederic Rzewski on organ against tape, popular songs and radio noise. Ipotesi A (1974), a study for the opera Non otterrete risposta, has Gelmetti on piano, percussion and bird call. Side B, L'opera abbandonata tace e volge la cavi…

Anthology of the German-born dancer and choreographer's electronic music for dance, made in his three North London studios: tape loops, kettle-lid percussion, radio interference and generator pulses, in Sub Rosa's Early Electronic series.

Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentors. CD-R.

Armando Balice’s triptych of inner gardens from 2018 to 2021, three acousmatic pieces in eight movements each built from ravens, forest recordings, analogue synthesizers and the cello of Lola Malique, starting with an Ina-GRM commission inspired by Japanese gardens. CD-R.

Annette Vande Gorne’s complete Vox Alia cycle (1992-2024), five multichannel works on the voice without words, from Maria Callas and Pierre Schaeffer in Affetti to sacred chant, a Werner Lambersy poem, crowds and animal calls. CD-R.

Five stereo acousmatic works by Manuella Blackburn from 2018 to 2023, made from household sounds, plastic waste and microplastics, a rotary landline and the factory samples and fan noise of a Fairlight CMI. CD-R.

Six works by John Young from 2017 to 2023, from New York subway preachers and Oberlin crickets to Mahler’s composing hut and a setting of Simon Perril’s poem after Lévi-Strauss, including the Klang ! and Akousmatique prize winners. CD-R.

Four electroacoustic works by Ivo Malec composed between 1961 and 1982, from the early Dahovi to Week-end, gathered by Recollection GRM and reissued on vinyl for the very first time.

Numbered edition of 200 copies. Six LPs in a box, with restored original artwork reprinted in monochrome blue. Each record comes with its own extra materials: inserts, booklets, postcards and posters. Between 2011 and 2022 Alga Marghen devoted an archival series to the early, unreleased magnetic tape and feedback works of Éliane Radigue: five LPs, issued in small runs and repressed only in tiny quantities, that quietly rewrote the story of where her music came from. A few months after the compos…

Brume's picture 10" Anastomose (Ant-Zen, 1996), the 7" Charlemagne (1997) and the 2012 cassette Seven Trumpets, remastered or remixed by Christian Renou in 2013. A5 gatefold cover, limited to 444 copies.

*150 copies limited edition* Overlook is a music compilation inspired by The Shining, the 1980 film directed by Stanley Kubrick, widely regarded as one of the most influential works in the history of cinema. Adapted from Stephen King’s novel and reshaped through Kubrick’s distinctive vision, The Shining stands as a key reference within modern cinematic language. Its impact emerges through atmosphere, spatial tension, psychological fragmentation, and a precise use of sound, architecture, and rhyt…

2026 stock. It is genuinely difficult to place Rod McKuen anywhere in the twentieth century. He read alongside Kerouac and Ginsberg at the Jazz Cellar in San Francisco in the early 1950s, sang with Lionel Hampton's band, worked as a contract player at Universal, and cut the beat-poetry record Beatsville for HiFi Records in 1959. The early 1960s took him to France, where his encounter with Jacques Brel produced the English versions of Ne me quitte pas and Le Moribond that entered the language as …

2012 LP in an edition of 500 hand-numbered copies on Bo'Weavil Recordings by one-off project featuring Ghedalia Tazartes.

*23 copies limited edition* Nazlo Records and A. Nahodnike present an anthology of works by one of the more prolific sound-noise producers from deep Russia, recorded over many years and compiled by the author especially for this retrospective edition. Although anonymous and having used many pseudonyms, he is widely recognized by the most knowledgeable fans of ritual experimental and hauntological music.

On New Year’s Day this year I set off from my home in Loughborough Junction to undertake a rather idiosyncratic journey. For a long time now I have wanted to try and trace a vertical trajectory in London – and New Year's Day with its connotations of renewal and starting-over seemed just the time to attempt to flee upwards, if you will. The spine of this album is that journey from roughly minus 20 metres below sea level to 240 metres above on that cold, short wintry day. It was a quiet day, by Lo…

Clear Vinyl. For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own…

2014 flexi-disc by a member of the aktionist art/noise Schimpluch group released in Brasil by Estranhas Ocupações.

Funeral Danceparty began in 1979 in Newcastle. Their debut cassette, The Curiosity Shop (1980), was advertised in the national weekly music paper Sounds in the established DIY fashion of the era: interested parties were requested to send a blank cassette and a self-addressed envelope. Approximately 100 copies reached destinations worldwide. A national fanzine review compared the music to Cabaret Voltaire, Faust, and The Residents. Their second cassette, The Attractions of Fixed Interest, was als…

On Sanctioned Departures, William Selman lets two rainforests - Pacific Northwest and Costa Rica - compose themselves, braiding tidal lagoons, primates, saunas and street sweepers into humid, borderless environments where categories dissolve like shorelines under floodwater.

On Sumatra Method, Émile Zener (aka Gunnar Haslam) rebuilds 1950s–60s Indonesia as a haunted acoustic system, where Cold War proxy battles, propaganda and terror flicker through unstable drones, VHS detritus and spliced testimonies.