Experimental / Art-Rock

Deluxe double LP pressed onto 180g vinyl, includes a copy of the album on CD free inside. Also includes a comprehensive 36 page booklet. It can't be easy following a record as beguiling as 2008's genre-defying 'The Drift', but pounding to life with the incessant woodpecker percussion of album opener 'See You Don't Bump His Head', it's clear that 69-year-old Scott Walker has shock and awe in mind. He's never been an artist who's struggled with originality, and 'Bish Bosch' takes his aural cubism …

CD digipack, 12-page booklet, Includes two bonus tracks. Desertshore was co-produced by John Cale and Joe Boyd. Unlike its predecessor The Marble Index it incorporates elements from Western traditional pop."Janitor of Lunacy" was composed as a tribute to her friend Brian Jones who died the previous year. The back and front covers feature stills from the film The Inner Scar by Philippe Garrel which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were included on t…

With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus.Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résum…

BACK IN PRINT ON VINYL!  While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its i…

Another great installment in Sonic Youth's SYR series, this one features two engrossing, lengthy pieces : 'J'Accuse Ted Hughes' and 'Agnes B Musique'. The former was recorded at All Tomorrow's Parties 2001, when the band were premiering material from their NYC Ghosts & Flowers album, and takes the form of a ragged twenty-two minute noise jam featuring free association lyrics by Kim Gordon ("I sent my poem to Good Housekeeping. They paid me ten dollars" she imparts). Meanwhile, the more composed,…

Sonic Youth’s second full-length LP Bad Moon Rising was originally released on Homestead and Blast First in 1985. The album is a fascinating examination of “the junction where hippie idealism [meets] the cold hard world,” says guitarist Lee Ranaldo, “where Woodstock [meets] Altamont—Death Valley, Charles Manson, Brian Wilson, musicians, murderers, heroes and villains.” Its original eight-song tapestry of droning guitar feedback, distant clattering percussion, and sullen vocals, all held together…

This highly experimental work represents some early sound collages from this quirky British composer. Affiliated with the avant rock group Henry Cow, Anthony Moore's works are highly regarded in the experimental music scene thanks to his Flying Doesn't Help album from 1978, a cult masterpiece of avant rock which enjoyed a much higher profile in the underground than his debut. This could be attested to the abstract nature of this recording, which explored tape-loop repetitions that build slow-pha…

**300 copies** A split album: Sparkle in Grey songs come from a long process of mixing and recordings from various sources, defined by Frans de Waard (Vital Weekly) as "a fine combination between that sorrowful tune played on the violin, the scraping and tinkling of sweet guitar sounds, the gentle crash on cymbal, along with time stretched field recordings."Tex La Homa songs were written and recorded around the birth of Robin Neve Shaw, the inspiration and collaborator on these pieces of music. …

Ex Agent’s debut EP New Assumptions… is a collision of no-wave beauty, improv-adjacent disorder, and spoken-word poetics that teeter on the edge of collapse. Within this exquisitely precise disarray lie carefully constructed moments of fragility, repeatedly unsettled by bursts of sudden, free-jazz chaos. Across five tracks, the Bristol-based five-piece explore queer and neurodivergent identity through sonic themes of refuge, instability, and resistance. Formed in late 2021 in Bristol, the group …

On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.

The Return Of The Durutti Column is an iconic debut, pairing Vini Reilly’s introspective guitar sketches with Martin Hannett’s atmospheric production. Hailed as a bridge between post-punk, ambient, and classical motifs, the album stands out for its refined vulnerability and timeless melodic experimentation.

"Ritual of Light" is the first full length from Descending Pharaohs. Recorded in mid-2022, it marks the band in its first year as a trio with a sound that is mainly implemented by the conventions of guitar, bass, and drums and enhanced by rich textures created by Turkish saz-baglama, greek tzoura, and oud as well as drone-driven electronics. Their influences run deep in the realms of 70s electric Arabic/Anatolian, spiritual jazz, and krautrock, but they project these influences towards a modern …

"This is a good introduction to John Greaves' solo career and also stands up as an extremely strong album in its own right. It's almost entirely acoustic, and consists of reworkings of songs from earlier albums interspersed with some new material, with the assistance of an impressive roster of guest stars from the Canterbury scene. Greaves himself takes more of a back seat than usual - the core band for the sessions consisted of double bass, piano and acoustic guitar, the pianist and bassist pla…

Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly l…

By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. Here Come The Warm Jets is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me,' the album displays an unabashed love of quirky, catchy pop. Savage guita…

2003 release ** Lunatic songs, taxidermal music. A universe of pop, at once hard, alien and poetic, unstable friends was built on the successive contributions of each member of the trio. An exquisite corpse in the open air, the music of bob is built from digital songs reconciled, like so many laboratory monsters. Dark beasts that Mary Shelley would not have despised. Contribution by Jean Derome, Bernard Falaise, Normand Guilbeault and Alexandre St-Onge.

**300 copies** "Three:four Records (Switzerland) and Feeding Tube Records (USA) are pleased to announce the release of Early Abstractions, Vol. 1 by Danny Oxenberg (Supreme Dicks), Bear Galvin, and Friends (Pillow Mt. Conspiracy). Early Abstractions, Vol. 1 is the follow-up their 2016 release Late Superimpositions (three:four records), and contains recordings made in New York, Western Massachusetts, and Los Angeles -- some old, some older, some relatively new, some borrowed, some blue... Around …

This seminal, eponymous post-punk album by Japanese group Aunt Sally, fronted by experimental singer Phew, was first released by the iconic Vanity Records label in 1979. Over the past forty-plus years, Phew has forged a singular path through a wide range of styles - from free improvisation to pop - and has collaborated with the likes of Ryuichi Sakamoto, members of Can, DAF, Einstürzende Neubauten, The Raincoats and more. But Aunt Sally is where she got her start and, despite the members’ young…

2010 release ** Recorded in 1985 "Shadow of a Rose" is fourth full-length album of Duch new wave act Mekanik Kommando. With this album they decided to leave electronic post-punk and start to play more psychedelic and folk oriented music. "Shadow of a Rose" is extraordinary hybrid of sounds of accoustic instruments and raw analog electronics. Original and unprecedented combination. At the time of its initial release, Mekanik Kommando's fanbase was unsure about how to respond to their fourth full-…

Over 5 Decades Sand is a timeless narrative machine full of pictures and scenarios, each title a unique piece that stands alone. The vibrating cloud floats powerfully across the vast expanses of sand, telling stories of confusion and aberration, rape of the planet, of the tenderness, hidden power and fragility of existence, the voracious digital demons, the loss of innocence in a surreal drama we call: World.

2008 release ** Limited edition of 120 hand numbered copies. "12 December 2007 is a live recording of Dorothy Geller (From Quagmire) alias Dora Bleu and Alexandre St-Onge (Shalabi Effect, et Sans) taken in Montreal at Zoobizarre on that date. Several of the songs are inspired by the film The Night Porter (1976). The live event itself was called "Music on Dark Screens." St-Onge's dark, minimal and lush double bass is a perfect compliment to Geller's unconventional and minimal song structures. The…

Six Minute War Madness were born in January 1992: Federico Ciappini on vocals, Paolo Cantù (former member of Tasaday and Afterhours) and Xabier Iriondo (also in Afterhours) on guitars, Massimo Marini on bass and Daniele Misirliyan on drums. In September 1993 they put out their first 7” Holy Joe/Evensong on the punk label Blu Bus and during the same year another song, Truck Fucker, appeared on the compilation Faces Vol.2.A year later they contributed four tracks to the album Lubricant for Your Mi…

Portland Oregon's Rollerball are the very definition of a cult band. Their image is shrouded by aliases & self sustained mystique and their discography packed with hidden gems and genre warping artistry. In the decade plus since Rollerball first formed, this highly prolific family of musicians have conjured up staggering amount of recorded material; 12 full lengths albums, another dozen eps and singles and countless compilation appearances. Whether slipping between vampy cabaret numbers, horn dr…

Portland Oregon's Rollerball are the very definition of a cult band. Their image is shrouded by aliases & self sustained mystique and their discography packed with hidden gems and genre warping artistry. In the decade plus since Rollerball first formed, this highly prolific family of musicians have conjured up staggering amount of recorded material; 12 full lengths albums, another dozen eps and singles and countless compilation appearances. Whether slipping between vampy cabaret numbers, horn dr…

Simply one of the most seminal band in italian underground rock in the last 10 years. Don't miss them. Hard to explain the birth of a band like A Short Apnea so ahead in the conception before that in the sounds to band borned in countries traditionally more evoluted. if the past experience of the protagonists, experienced to experimentation like to other musical kinds since early '80s. always in search of a music in which barriers between progressive, post rock, free jazz, avantgard and other do…

The two Old Time Relijun member Arrington De Dionyso and Aaron Hartman join Jacopo Andreini (Bz Bz ueu, L'Enfance Rouge...) and Fabio Magistrali (A Short Apnea) for a instrumental avant-jazz improvised project.

Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music. Away from mainstream artistic path, the band keeps on his quest for an honest experimental musical language. Anatrofobia’s music is a mix of improvisation, writing, acoustic and electronics, experimentation of non-idiomatic structures, unique timbral combinations: Anatrofobia plays with constantly variable themes, saturation and rarefac…

Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.

Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.

*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of Ian Thompson's brand new book "Synths, Sax & Situationists (The French Musical Underground 1968-1978)" in the webzine Rythmes Croisés (published on October 24, 2025). The answer is certainly yes! And although the name of Pascal Chassin is still almo…

Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…

Edition of 300. One fine evening in Rotterdam, after witnessing him walking around in a circle with a stick for half-an-hour, Lukas Simonis asked Dominic Robertson (aka Ergo Phizmiz) to join him in a rapid-fire songwriting bonanza. Many songs resulted, tunes about mermaids, mistakes, compost manufacture, celebrity perverts, geometry, and so on. Lukas is a guitar wizard and a king in the world of weirdoes. Dominic is just... a weirdo, but he is England's greatest entertainer, so that's ok. Make w…

Following the short-lived Truth Club with Trefor Goronwy (who later went on to work with This Heat and The Camberwell Now), Fote was formed in 1981 with the trio of Robert Haigh, Deborah Harding, and Trevor Reidy. Releasing two 12" EP's along with one track featured on a split 7" with Truth Club, Fote's entire studio recordings consisted of just 8 tracks. With angular constructs of post-punk, free-form improvisations, and wicked time signatures, these tracks shredded boundaries one can still hea…

2015 release ** This is the repress of ‘Dreams of Falling’, the first album by musician and poet Sandra Bell, from New Zealand. "The record was born after a discussion with Peter Jefferies in Dunedin, about rerecording the song ‘Industrial Night ‘.I had known Peter vaguely from Auckland but never worked with him. ‘Industrial Night’ was on my first vinyl release the EP “Blackbirds” which I had recorded in Auckland, and I wanted to reinterpret it. For the next year, from the end of 1990 until the …

Highlighting Wyatt’s interests in township arrangements and ensemble playing, made explicit by calling a track "Team Spirit", Ruth Is Stranger Than Richard inverts the inward meditations of Rock Bottom outwards. The result is a set that startles with its rhythmic instinct and shape shifting composition. Drawing on both Wyatt’s breezy way with a time signature, and his ability to use his voice as a truly resonant instrument, the record contains not so much songs as abstract chamber pieces that ba…

2003 release ** In textured card envelope.  2partiMOLLItremolanti is a duo with Xabier Iriondo (guitars, tapes, live electronics) and Marco Tagliola (Pc, tapes). This project was born with the idea to compose and elaborate different kind of music source (concrete music, rock, electronics, italian melodies) inside a performance/composition. 2partiMOLLItremolanti like receivers of every sounds which encircle and stimulate us, like vehicle of interpretation of the present sounds in our daily life.

Recorded in late 1981 at Radio City Music Hall and originally released on Glenn Branca's Neutral label, this remastered and expanded vinyl reissue includes the self-titled debut record plus live material from '81 and a track from a previously unheard studio session. Includes liner notes by original Sonic Youth drummer Richard Edson, Glenn Branca and Byron Coley.

2016 release ** Limited edition of 50 copies in folded card sleeve. Featuring: Å, Low-F, Giovanni Venosta, Al Doum & Fhe Faryds, Fracture, Luciano Margorani, Antonio Siniscalchi, Enten Hitti, Eternal Zio, Eugenio Sanna, Silvia Bolognesi, Roberto Del Piano.

"In the late 1980s The Residents embarked on what many fans still consider their greatest live project. Cube-E: The History Of American Music In 3 E-Z Pieces spanned almost four years and proposed to do nothing less than its title suggested, telling the story of American popular music, from its birth around the campfires of a non-existent Old West to its death at the hands of Elvis and the British Invasion, all in three easy pieces. Performed on TV and on stage around the world between 1987 and …

*2025 stock* Normil Hawaiians had a transformative 1982. With two 7” singles and a 12” EP under their belts they suddenly found themselves disillusioned with the increasingly generic sounds surrounding them, so they forced the hand of change and began reaching out with that very hand. The band’s true constant in Guy Smith soon found himself with a new crew of musicians, Simon Marchant, Noel Blanden and Mark Tyler. Normil Hawaiians’ communal take on post punk quickly sprouted leaves from its mout…