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“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.
The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs, ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…
Riccardo Dillon Wanke (b. Genova, Italy 1977) established in Milan from 1982 until 2005, lives and works in Lisbon. Multi-instrumentalist and composer. From 1995 active in arts (music, installations), his interest includes classical, improvised and exploratory music and it is focused on the diffusion of contemporary art. He is particularly interested in digital and analog manipulation of sound and its use into musical compositions. His work with guitars, keyboards (piano and rhodes) and electron…
*Deadstock. Last 85 copies. In process of stocking* Très toxique is the first ever recording of Un Drame Musical Instantané as a trio, three weeks before Trop d’Adrénaline Nuit, but already a year and a half after Défense De by Birgé Gorgé Shiroc (Nurse With Wound List). On December 21, 1976, it was the first time the three musicians met together in the basement of Studio GRRR. They had no idea what they were going to play, but the session was full of energy. Jean-Jacques Birgé plays the ARP 260…
Ephemeralds is the first recording by Finn Loxbo’s new ensemble Kommun and marks a distinct development in the guitarist’s compositional practice. Performing together with pianist Lisa Ullén, kontrabassist Vilhelm Bromander and percussionist Ryan Packard, Loxbo has set up a situation of intense focus, dissolving individual identities into a collective sound world of resolute clarity. Each musician manipulates a collection of tightly stipulated pitch material whilst bringing the shared timbral qu…
*2023 stock. In process of stocking* Double LP version. Full title: In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims with the push of the button. For its 50th release, Black Truffle presents the ninth album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi. Drawn from a November 2015 performance at Tokyo's now-defunct SuperDeluxe, the record's opening piece…
*2023 stock* "I met Joëlle Léandre when she was a visiting professor at Mills college in 2002. This was very exciting, as I had been collecting her albums since I started to play the double bass and she was an important influence on my work. I had a bass lesson scheduled with her the day we lost Maestro Kowald. She was very close to him and it was devastating to her. For me, it meant losing a role model; for her, it was losing a close friend and supporter. We had a long phone conversation and sh…
*2023 stock* "There are some people who are very singular in their conception of improvisation. People whose music embodies them as much as they embody the music. People who take from their life experience and put it into their sonic practice. People who search every crevice of their instrument to find sonic potential. These practices are beyond what may or may not be learned at a conservatory, no matter how deep the teaching goes. Listening to these improvised moments between Sarah Ruth Alexand…
"Sights and sounds move from place to place with promiscuous gesture. Ships, airplanes, and churning whirlpools appeal more to mechanical economies than street feet sharing pulse rate interiorities. The people twist on metric rails. Oxygen converters reflect swinging diatonics. Blackouts resound. Triggers blackout pots, pans, tin cans, and appropriate Lydian roots, talking tanks, and time-sliced wildlife. By 1950, modernist cultural curdling sacrificed aesthetic convenience for intuitive product…
*2023 stock* "From the late 1990s to the early 2000s, Jerome & I toured & recorded with the great Wolfgang Fuchs. It was a formative experience for both of us. All titles are quotes by Fuchs. He was a constant source of wisdom and humor." - Damon Smith
"Applying to their utmost the timbres, textures and tessitura from the double bass and percussion, veteran drummer Ra Kalam Bob Moses, and younger bassist Damon Smith play up the instruments' orchestral as well as rhythmic functions. Moses, whose career began in the 1960s, and Smith who has partnered numerous international improvisers have played together in larger groups. But as a duo none of the 14 tracks sound reductionist.
That's because each uses his instrument to its utmost. Moses, as he d…
*2023 stock* "This recording is a modern interpretation of sound poems written and performed by German Dadaist Hugo Ball more than a century ago. Those familiar with Ball know him as the author of these innovative works and founder of the Cabaret Voltaire, Dada’s Zurich birthplace. Despite the sound poems’ artistic legacy, they constitute only a small part of Ball’s creative output. The purpose of these liner notes, then, is to consider the complex life and work of the man behind the sound poems…
*In process of stocking* "A double album of electroacoustic improv sessions from Sommerville, MA, centered around electronic artist Andrew Neumann on the Buchla Music Easel--a complex additive analogue synth--heard in quartet and trio sessions with Forbes Graham (trumpet), Sandy Ewen (guitar & objects), Junko Fujiwara (cello), Damon Smith (double bass) and Eric Rosenthal (drums & percussion). Neumann, also an artist, sculptor and installation artist, can be heard on the Driff album Bathysphere w…
*In process of stocking. 2023 stock "Lady Band (of Various Fruit Names) is an all-female experimental music ensemble founded by Sandy Ewen in 2009. Performances are singular, often site-specific events, featuring a rotating lineup (and different fruit-themed name for each show), with members contributing graphic and text-based scores for structured improvisation.
Drawing parallels between Ewen's group and Scratch Orchestra, the 1960s-70s London experimental music ensemble Rowe was involved in, S…
Tip! *In process of stocking* "Two distinct session, the first CD presenting free improv trio perfomances in St. Louis, MO between Paul Hartsaw on soprano & tenor saxophones, Damon Smith on double bass and Jerome Bryerton on percussion, the 2nd CD finding Hartsaw and Smith in the studio in Oakland CA for a more experimental session, Smith adding laptop & field recordings and both employing extended techniques." - Squidco
"In this 3-CD set each disc contains one duo session between the three musicians: trombone-bass, piano-bass and piano-trombone. Recorded over the course of Bishop's last year of residency in Boston and soon after Smith had moved to St. Louis, these recordings capture a glimpse of the city's creative music scene at a particularly active time between 2016-22, when, the three musicians interacted frequently in many settings in the Boston area. The Smith/Bishop disc consists of all improvised music,…
*2023 stock* "Explorative improvisation, from mysteriously quiet moments to scrabbling and determined conversation, configured as trios and quintets by Rebecca Novak on piano, cornet, radio & glassware, Danny Kamins on baritone saxophone, Sandy Ewen on guitar, Damon Smith on double bass and Jerome Bryerton on percussion, all bringing unique moments through extended techniques, objects & radio.
"Groundwater recharge is an important water management practice in California. ... Recharge can also h…
*2023 stock* "A blend of intonation and improvisation, The Eternity-Cult is a harmonies-across-the-seas program featuring the trumpet and objects of Birgit Ulher from Northern Germany with the double bass (Damon Smith) and percussion and electronics (Chris Cogburn) from the southern US. Despite geographical distances the three are equally committed to free-from improvisation. This disc's single 37-minute track finds the trio exploring textures and pitches from minimalist to embellished, while ma…
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of N.O. Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
"Launch show for the quartet to mark the release of new CD 'EMPoWered' on Brooklyn's 577 Records. Edwards, Moore and Prévost have comprise…
Cross-generational titans of noise and sound experiments, John Duncan, Joachim Nordwall & Henrik Ryland supply a proper drone zoner hashed from shortwave radio, no-input mixer and analogue synths on the iDEAL powerhouse.